{"id":12865,"date":"2000-01-07T05:23:45","date_gmt":"2000-01-07T10:23:45","guid":{"rendered":"https:\/\/bonanzabrand.info\/library\/?p=12865"},"modified":"2025-02-27T12:04:12","modified_gmt":"2025-02-27T17:04:12","slug":"the-price-of-courage-by-gwynne","status":"publish","type":"post","link":"https:\/\/bonanzabrand.info\/library\/?p=12865","title":{"rendered":"The Price of Courage (by Gwynne)"},"content":{"rendered":"<p><strong>Summary:\u00a0 <\/strong>The following script was submitted to Bonanza in early 1963 by a kind agent willing to take on an unsold writer.\u00a0 The script was rejected as \u2018well done, but too expensive in production.\u201d<\/p>\n<p>In working on the story I obtained transcripts of the actual post records from Ft. Churchill for that period.\u00a0 Capt. J. N. McElroy was the officer actually in command of troop M of the 8<sup>th<\/sup> Cavalry stationed at Ft. Churchill.\u00a0 The action itself is fictitious but not unlike ones undertaken by the U.S. Calvary against Comanchero groups in the Texas-Mexican border area.<\/p>\n<p>&nbsp;<\/p>\n<p>This story goes where none have gone before in actually taking Adam into the Civil War.<\/p>\n<p>Adam mentions briefly in scene #33 that he was with Kilpatrick\u2019s Cavalry.\u00a0 This was Sherman\u2019s cavalry force during the March to the Sea and the Carolinas Campaign.\u00a0 These actions ravaged a civilian population stripping everything from a fifty-mile wide swath \u2013 not the sort of action likely to appeal to Adam.<\/p>\n<p>The story contains no sex, not even a pretty girl.\u00a0 There is some violence.<\/p>\n<p>Let\u2019s call it PG13. \u00a0(19,427 words)<\/p>\n<p>&nbsp;<\/p>\n<p>This is the script for the story, <a href=\"https:\/\/bonanzabrand.info\/library\/?p=12859\">The Contract<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>BONANZA<\/p>\n<p>&nbsp;<\/p>\n<h1>\u201cTHE CONTRACT\u201d<\/h1>\n<p>&nbsp;<\/p>\n<p>Teleplay<\/p>\n<p>&nbsp;<\/p>\n<p>By Gwynne G. Logan<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><strong>\u00a0<\/strong><\/strong><\/p>\n<h2>BONANZA<\/h2>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><u>\u201cTHE CONTRACT\u201d<\/u><\/h2>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>CAST<\/h3>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>BEN<\/p>\n<p>HOSS<\/p>\n<p>LITTLE JOE<\/p>\n<p>CAPT. McELROY<\/p>\n<p>DELGATTO<\/p>\n<p>SGT. DONOVAN<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>LUIS<\/p>\n<p>LAGARTO<\/p>\n<p>EXTRAS FOR CAVALRY TROOPS<\/p>\n<p>EXTRAS FOR RAIDER BAND<\/p>\n<p>&nbsp;<\/p>\n<h3>SETS<\/h3>\n<p><u>INTERIORS:<\/u><\/p>\n<p>PONDEROSA RANCH HOUSE<\/p>\n<p>LIVING ROOM<\/p>\n<p>DINING ROOM<\/p>\n<p>ADAM\u2019S BEDROOM<\/p>\n<p>UPSTAIRS HALL<\/p>\n<p>KITCHEN<\/p>\n<p>OFFICE, FT. CHURCHILL<\/p>\n<p>CANTEEN<\/p>\n<p>ONE ROOM HUT IN RAIDER\u2019S CAMP<\/p>\n<p>&nbsp;<\/p>\n<p><u>SETS (CONTINUED)<\/u><\/p>\n<p>&nbsp;<\/p>\n<h4>EXTERIORS<\/h4>\n<p>&nbsp;<\/p>\n<p>RANGELAND\u00a0 (VARIOUS)<\/p>\n<p>SMALL RANCH\u00a0 (BURNING)<\/p>\n<ol>\n<li>CHURCHILL, NEVADA (SEE STORY NOTES)<\/li>\n<\/ol>\n<p>SCENERY ALONG THE CARSON RIVER\u00a0 (VARIOUS)<\/p>\n<p>SMALL MOUNTAIN STREAM (SEE SCENE #80 FOR DESCRIPTION)<\/p>\n<p>RUGGED MOUNTAIN TERRAIN\u00a0 (VARIOUS)<\/p>\n<p>THE RAIDERS\u2019 CAMP\u00a0 (SEE SCENE #86 FOR FULL DESCRIPTION)<\/p>\n<p>PONDEOSA RANCHHOUSE YARD<\/p>\n<p>FRONT, WITH HITCHING RACK<\/p>\n<p>BACK, WITH WOODPILE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>BONANZA<\/p>\n<p>&nbsp;<\/p>\n<h3>\u201cTHE CONTRACT\u201d<\/h3>\n<p>&nbsp;<\/p>\n<p>FADE IN<\/p>\n<p>&nbsp;<\/p>\n<p>1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 EXT. OPEN RANGELAND\u00a0 &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 WIDE ANGLE SHOT<\/p>\n<p>In the distance smoke and dust rise from a small ranch that is under attack.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PAN IN ACROSS INTERVEENING RANGE TO RANCH BUILDINGS<\/li>\n<\/ul>\n<p>A raid in progress on the homestead is revealed.\u00a0 Flames begin to flicker up from the unpainted ranch house.\u00a0 Men enter and carry out supplies of food, blankets, etc. from the house.\u00a0 Others round up the three or four horses in the corral and still others drive off a small herd of cattle.\u00a0 The raiders are Mexicans, Indians and renegade whites\u00a0 &#8211; a Comanchero type group.\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>MED CLOSE SHOT<\/li>\n<\/ul>\n<p>A dead man lies sprawled on the porch of the house\u00a0 &#8211; the ranch owner.\u00a0 He is face down a shotgun under his limp hand.\u00a0 A raider stoops and takes the gun and hurries on with no regard for the former owner.<\/p>\n<p>&nbsp;<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO<\/li>\n<\/ul>\n<p>Delgatto is the leader of the raiders.\u00a0 He is of a more pure Spanish type\u00a0 &#8211; tall with olive skin and dark hair.\u00a0 He is in his late thirties and has an air of strongly controlled violence and a hint of depravity in his make up.\u00a0 He is mounted on a fine, dark horse with elaborate silver-mounted equipment, and he watches closely as his men work.\u00a0 He carries an exceptionally heavy riding crop.\u00a0 His LIEUTENANT (LUIS) rides across in front of Delgatto carrying a burning torch.\u00a0 Delgatto calls to him and points toward the ranch outbuildings with his crop.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO AND LUIS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Luis, fire the other buildings and<\/p>\n<p>collect the men!\u00a0 This smoke may<\/p>\n<p>draw in the cavalry.<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>Si Delgatto, at once.<\/p>\n<p>&nbsp;<\/p>\n<p>CUT TO:<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>OPEN RANGELAND &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 MED. CLOSE SHOT\u00a0 &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam has been hunting and rides across the prairie not far from the burning ranch.\u00a0 There is a small deer tied across the back of his mount.\u00a0 He glances toward the homestead o.s.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211;\u00a0 LONG<\/li>\n<\/ul>\n<p>Across the prairie, smoke and flames rise from the burning ranch house.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>He halts Sport and looks puzzled for a moment then turns and urges his mount toward the fire.<\/p>\n<p>&nbsp;<\/p>\n<p>DISSOLVE TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE BURNING RANCH &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 MED. SHOT<\/li>\n<\/ul>\n<p>Adam rides in from one direction just in time to see the last of DELGATTO\u2019S BAND disappearing in a cloud of dust in the opposite direction.\u00a0 He half pulls his rifle from the saddle boot to fire after them.\u00a0 Then he realizes that they are out of range and thrusts it back in disgust.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Out of range.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ANGLE ACROSS ADAM TO SHOW THE BODY ON THE PORCH OF THE BURNING HOUSE<\/li>\n<\/ul>\n<p>Adam dismounts and crosses quickly to the dead man.<\/p>\n<p>TRAVEL WITH ADAM AND PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM AND THE DEAD MAN<\/li>\n<\/ul>\n<p>Adam stoops and turns the man over.\u00a0 A quick look assures him that he is dead.\u00a0 Adam has known him and is touched by his death.\u00a0 He rises and steps to the door of the house and looks inside.\u00a0 He would enter, but is driven back by crashing timbers and flames.\u00a0 He turns and pulls the dead man clear of the burning structure.<\/p>\n<p>&nbsp;<\/p>\n<p>CUT TO:<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ul>\n<li>SHOT &#8211;\u00a0 A TWENTY MAN CAVALRY COLUMN<\/li>\n<\/ul>\n<p>The column trots into the ranch yard.\u00a0 They are led by a Captain of excellent military bearing.\u00a0 He stands midway between Adam and Ben in age, and, although not tall or good looking, he is well set up and spruce.\u00a0 The standard bearer carries on his nine foot lance the red and white cavalry guidon.\u00a0 The top red half bearing the white letter \u201cM\u201d and the bottom white half the red regimental number \u201c8\u201d.\u00a0 At the Captain\u2019s side rides a burly Irish Field first with the three downward pointing chevrons and the diamond on his sleeves. They wear the Civil War uniform and forage caps with crossed sabers and the regimental number and troop letter above the visor.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TRAVEL WITH THE TROOP<\/li>\n<\/ul>\n<p>Pick up ADAM standing beside the rancher\u2019s body and<\/p>\n<p>PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM, THE CAPTAIN, THE SERGEANT AND<\/li>\n<\/ul>\n<p>ONE OR TWO TROOPERS IN THE BACKGROUND.<\/p>\n<p>The Captain draws his sidearm and levels it at Adam.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Stand clear of that man and don\u2019t make a wrong move.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam steps back smoothly holding his arms carefully clear of his weapon.<\/p>\n<p>&nbsp;<\/p>\n<p>CUT<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>(OPENING COMMERCIAL)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><u>ACT\u00a0 I<\/u><\/p>\n<p>&nbsp;<\/p>\n<p>CUT IN:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE BURNING RANCH &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 MED. CLOSE SHOT<\/li>\n<\/ul>\n<p>ADAM, THE CAPTAIN, THE SERGEANT<\/p>\n<p>Action resumes exactly where it was broken off.\u00a0 The Captain speaks sharply to Adam.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Identify yourself.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Adam Cartwright from the Ponderosa Ranch.<\/p>\n<p>I was hunting\u00a0 &#8211;\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>Adam gestures o.s.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; ADAM\u2019S HORSE WITH DEER.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM, THE CAPTAIN, THE SERGEANT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(continuing)<\/p>\n<ul>\n<li>out this way; saw the fire and rode<\/li>\n<\/ul>\n<p>over just in time to see a large party<\/p>\n<p>leaving in a hurry.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>You can prove this?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>If necessary, but Sgt. Donovan there<\/p>\n<p>should be able to save us the trouble.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam nods pleasantly at the Sergeant who is an old acquaintance.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(to the Sgt.)<\/p>\n<p>You know this man, Sergeant?<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ul>\n<li>CLOSE SHOT &#8211; SGT. DONOVAN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>(with a smile)<\/p>\n<p>Aye, indeed sir.\u00a0 He\u2019s Ben Cartwright\u2019s<\/p>\n<p>oldest son no doubt.\u00a0 There\u2019s many a good<\/p>\n<p>remount he\u2019s sold the cavalry, and always<\/p>\n<p>at a fair price.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211;\u00a0 McELROY AND ADAM<\/li>\n<\/ul>\n<p>The Captain holsters his Colt and dismounts to speak with Adam.\u00a0 They are strongly different types and tend to rub each other the wrong way from the start.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Capt. McElroy, Troop M, Eighth Cavalry.<\/p>\n<p>Your pardon Mr. Cartwright, but there\u2019s<\/p>\n<p>been too much of this to take chances.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Don\u2019t blame you a bit.\u00a0 I assume this is<\/p>\n<p>some of Delgatto\u2019s work;\u00a0 the first I\u2019ve<\/p>\n<p>seen\u00a0 &#8211;<\/p>\n<p>(angerly)<\/p>\n<p>and I\u2019d like to see him hang for it!\u00a0 The<\/p>\n<p>Lacey\u2019s were decent people.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>You knew these folk?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211;\u00a0 FAVORING ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Yes, Josh Lacey brought his family out<\/p>\n<p>here right after the war and bought this<\/p>\n<p>section of land from Pa.<\/p>\n<p>He worked hard, but sure didn\u2019t have<\/p>\n<p>any money.\u00a0 What did Delgatto want<\/p>\n<p>from him anyway?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Supplies I\u2019d say\u00a0 &#8211; fresh beef, grain, horses.<\/p>\n<p>looks like he stripped the place before he<\/p>\n<p>Burned it.\u00a0 You mentioned a family?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Bitterness and pain show in Adam\u2019s expression as he answers;<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Wife and two little girls\u00a0 &#8211; (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>They were inside\u00a0 &#8211; shot.<\/p>\n<p>No chance of getting\u2019 the bodies out<\/p>\n<p>by the time I reached here.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>That filthy swine!<\/p>\n<p>We\u2019ve got to stop him!<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Why don\u2019t you?<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(with biting sarcasm)<\/p>\n<p>Perhaps you\u2019d like to explain how?<\/p>\n<p>(cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING THE CAPTAIN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>I\u2019ve got 68 men, and we\u2019ve all been in this area<\/p>\n<p>less than thirty days.\u00a0 Sgt. Donovan\u2019s the only<\/p>\n<p>one familiar with the country, and he\u2019s only on<\/p>\n<p>loan to me from Col. Devin\u2019s staff.\u00a0 Besides,<\/p>\n<p>Delgatto\u2019s impossible to track.\u00a0 He knows every<\/p>\n<p>trick in the book <u>and<\/u> a few unwritten ones!<\/p>\n<p>If he weren\u2019t a fox they\u2019d have taken him down on<\/p>\n<p>the border instead of just driving him up into these<\/p>\n<p>endless mountains to prey on settlers and miners.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>You <u>could<\/u> hire some local men as scouts.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>26\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE TWO SHOT\u00a0 &#8211; ADAM AND CAPT. McELROY<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Could I now?\u00a0 We\u2019re chronically short of funds,<\/p>\n<p>and the best I can offer is an Indian Scout contract \u2013<\/p>\n<p>sixteen dollars a month and forty cents a day found<\/p>\n<p>for your mount.\u00a0 The mines pay a lot better?<\/p>\n<p>Do <u>you<\/u> want to volunteer?<\/p>\n<p>&nbsp;<\/p>\n<p>27\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VERY CLOSE SHOT\u00a0 &#8211; ADAM<\/p>\n<p>ADAM<\/p>\n<p>I might.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT.\u00a0 McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Are you serious?\u00a0 You realize that it\u2019s dangerous?<\/p>\n<p>If you ever fell into Delgatto\u2019s hands there\u2019d be<\/p>\n<p>small chance of getting out alive, and it\u2019s a grueling<\/p>\n<p>job with no time off until we\u2019ve finished.\u00a0 Why<\/p>\n<p>should you risk it?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam has no intention of trying to explain himself to the Captain.\u00a0 He glances down at the body by his feet.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211;\u00a0 THE DEAD RANCHER<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Let\u2019s just say I object to the way Delgatto works.<\/p>\n<p>Don\u2019t you care for my help?\u00a0 I know the country<\/p>\n<p>quite well.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211;\u00a0 ADAM AND THE CAPTAIN<\/li>\n<\/ul>\n<p>The Captain jumps at the offer.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I won\u2019t give you two chances to back out.<\/p>\n<p>Ride to Fort Churchill with us and sign your<\/p>\n<p>contract.\u00a0 Do you have any military experience?<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Some.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Care to elaborate?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Not particularly.\u00a0 I\u2019d just as soon forget it.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I can use you more effectively if I know.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>VERY CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam realizes that this is true, but still answers reluctantly keeping it at a minimum.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Subaltern in Kilpatrick\u2019s Cavalry \u201964 through \u201965.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>He is pleased by the information.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Excellent!\u00a0 Invaluable experience.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>He feels very differently about the subject.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>That\u2019s one way to look at it.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SHOT &#8211; ADAM, CAPT. McELROY, DONOVAN, TROOPERS<\/li>\n<\/ul>\n<p>The Captain is anxious to get started before Adam can change his mind.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Can you come back with us now?\u00a0 We need<\/p>\n<p>to get started as soon as possible.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>I\u2019ll have to let my family know where I am.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>We can wire Virginia City from the Fort.<\/p>\n<p>Get your horse.<\/p>\n<p>&nbsp;<\/p>\n<p>36\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>&nbsp;<\/p>\n<p>Adam turns toward his horse and out of the frame.\u00a0 The Captain mounts and speaks to Sgt. Donovan.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Leave a burial detail here Sergeant<\/p>\n<p>&nbsp;<\/p>\n<p>SGT DONOVAN<\/p>\n<p>Yes sir.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam rides back into the frame stopping beside the Captain.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Ready?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Anytime you say.<\/p>\n<p>&nbsp;<\/p>\n<p>The Captain raises his arm and commands:<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Troop.\u00a0 Forward!<\/p>\n<p>&nbsp;<\/p>\n<p>They ride out briskly.\u00a0 Dust sprays up in the FRAME and then\u00a0 &#8211;<\/p>\n<p>DISSOLVE TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CAPT. McELROY\u2019S OFFICE AT FORT CHURCHILL &#8211;\u00a0 NIGHT<\/li>\n<\/ul>\n<p>MED. CLOSE SHOT\u00a0 &#8211; THE CAPTAIN AND ADAM<\/p>\n<p>The Captain sits behind his desk and Adam stands easy in front of it.\u00a0 As the scene opens the Captain pushes a form toward Adam.\u00a0 Their conversations carry overtones of animosity. Adam has gotten into the whole thing on the principle that he has a duty to help in the situation and not from any liking for the job or the Captain.\u00a0 Adam tries to accept the consequences gracefully, but it is difficult.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I\u2019ve made your contract for three months.<\/p>\n<p>If you\u2019ll just sign it we can get right to work.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Can\u2019t we dispense with the contract?<\/p>\n<p>I offered to help if I could, but I don\u2019t<\/p>\n<p>like to get tied up for that long.<\/p>\n<p>I\u2019ve other responsibilities.\u00a0 We\u2019ll have to<\/p>\n<p>locate Delgatto in the next few weeks anyhow,<\/p>\n<p>or there won\u2019t be much left of this country of protect.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM AND THE CAPTAIN<\/li>\n<\/ul>\n<p>CAPT. McELROY<\/p>\n<p>Afraid I\u2019ll have to insist on the agreement.<\/p>\n<p>The Army wants first call on your services,<\/p>\n<p>and, small as the pay is, we don\u2019t ask a man<\/p>\n<p>to risk his life for nothing.<\/p>\n<p>&nbsp;<\/p>\n<p>They hold one another\u2019s eyes for a long moment, but Adam finally nods his agreement and slowly takes the pen and signs.\u00a0 He pushed the contract back to the Captain.\u00a0 The officer indicates a chair and Adam sits down.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Now, what have you done so far to stop these raids?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TWO SHOT\u00a0 &#8211; CAPT. McELROY AND ADAM\u00a0 &#8211; FAVORING THE CAPTAIN<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>You\u2019ve seen it &#8212; the column that I led today at<\/p>\n<p>Lacey\u2019s ranch.\u00a0 We can\u2019t locate Delgatto\u2019s hideout<\/p>\n<p>so I\u2019ve been trying to keep him off balance by<\/p>\n<p>turning up with a small force at first one place and<\/p>\n<p>then another.<\/p>\n<p>(with a head shake)<\/p>\n<p>But he seems to know where I\u2019m going to be almost<\/p>\n<p>before I do.<\/p>\n<p>&nbsp;<\/p>\n<p>41\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ANOTHER ANGLE\u00a0\u00a0 &#8211; FAVORING ADAM<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>The theory\u2019s good, but you probably haven\u2019t kept<\/p>\n<p>your movements secret enough.\u00a0 Had to ask directions<\/p>\n<p>around the Post I suppose?<\/p>\n<p>&nbsp;<\/p>\n<p>The Captain nods yes, and Adam continues:<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Delgatto undoubtedly has a spy at the Fort\u00a0 &#8212;<\/p>\n<p>one of your wagoneers or woodcutters probably.<\/p>\n<p>Word of your whereabouts gets back to him in<\/p>\n<p>a hurry.\u00a0 We can use this.\u00a0 (cont.)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 THE CAPTAIN<\/li>\n<\/ul>\n<p>He listens with considerable interest and growing respect to Adam\u2019s plan.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(voice only)<\/p>\n<p>From now on only you and I will know where the<\/p>\n<p>column is to be next.\u00a0\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(continuing)<\/p>\n<p>We\u2019ll give them time to feel the pinch; then<\/p>\n<p>I\u2019ll leak a piece of false information and see if<\/p>\n<p>I can\u2019t spot Delgatto\u2019s inside man. Maybe he\u2019ll<\/p>\n<p>lead me to the camp.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211;\u00a0 FAVORING THE CAPTAIN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>A good plan; it should work.\u00a0 We\u2019ll try it.<\/p>\n<p>(beat)<\/p>\n<p>And Cartwright\u00a0 &#8212;\u00a0 one other thing \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Yes?<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I realize you are out of the habit, and between us<\/p>\n<p>it makes no difference, but I\u2019d appreciate it, now<\/p>\n<p>that you\u2019re under contract to the Army, if you<\/p>\n<p>would pay close attention to military courtesy<\/p>\n<p>before the men.\u00a0 Wait for my orders; reply with<\/p>\n<p>\u2018Yes, sir\u2019 &#8212;\u00a0 that sort of thing. I\u2019m sure you<\/p>\n<p>understand the necessity.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANGLE ACROSS THE DESK FROM BEHIND THE CAPTAIN TO PICK UP<\/li>\n<\/ul>\n<p>ADAM IN A CLOSE SHOT.<\/p>\n<p>As a former officer it rankles Adam considerably to be given the unnecessary reminder of the correct form, but he manages to swallow it (even though it goes down crossways).\u00a0 He rises swiftly, stands very erect and answers stiffly\u00a0 &#8211;<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Certainly, Captain.\u00a0 I\u2019m at your service.<\/p>\n<p>(beat)<\/p>\n<p>If that\u2019s all for tonight \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Yes, of course.\u00a0 The Sergeant will show you to<\/p>\n<p>your quarters.\u00a0 Good evening.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Good evening, sir.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TRAVEL WITH ADAM<\/li>\n<\/ul>\n<p>As he turns sharply, crosses to the door and exits.<\/p>\n<p>CUT TO<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>JUST OUTSIDE THE CAPTAIN\u2019S OFFICE &#8211;\u00a0 NIGHT<\/li>\n<\/ul>\n<p>Adam relaxes from his brace, and as he goes down the steps mutters to himself in a half amused tone:<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Three months at sixteen dollars a month.<\/p>\n<p>Pa\u2019s gonna think I\u2019ve lost my mind.<\/p>\n<p>CUT TO<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE LIVING ROOM &#8211;\u00a0 DAY<\/li>\n<\/ul>\n<p>HOSS and JOE lounge comfortable while BEN stands in the middle of the room with a letter in his hand.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(at just slightly less than a bellow)<\/p>\n<p>Has Adam taken leave of his wits!<\/p>\n<p><u>First<\/u> he goes out for a few hours hunting;<\/p>\n<p><u>then<\/u> we get a wire that he\u2019s at Fort Church<\/p>\n<p>and not to worry, and <u>now<\/u> a letter by messenger<\/p>\n<p>saying he\u2019s taken a job for three months as an<\/p>\n<p>Army Scout and please to send his gear!<\/p>\n<p>(continued)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CONTINUED<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(continuing)<\/p>\n<p>Three months!\u00a0 And it\u2019s not <u>six weeks<\/u> till<\/p>\n<p>round up.\u00a0 This <u>has<\/u> to be a joke.\u00a0 He doesn\u2019t<\/p>\n<p>need a job, and certainly not at what they\u2019re<\/p>\n<p>paying.<\/p>\n<p>&nbsp;<\/p>\n<p>Ben looks around at Hoss and Joe for some explanation<\/p>\n<p>&nbsp;<\/p>\n<p>49\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 QUICK SHOT \u00a0&#8211;\u00a0 HOSS<\/p>\n<p>He looks puzzled and slowly shakes his head.<\/p>\n<p>&nbsp;<\/p>\n<p>50\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 QUICK SHOT\u00a0 &#8211; JOE<\/p>\n<p>He grins and shrugs expressively.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THREE SHOT &#8211;\u00a0 BEN, HOSS AND JOE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Well, any ideas?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Hoss is willing to give Adam the benefit of the doubt.<\/p>\n<p>&nbsp;<\/p>\n<p>I don\u2019t know, Pa.\u00a0 Adam\u2019s nigh always got good<\/p>\n<p>reason for what he does\u00a0 &#8212;\u00a0 even if we can\u2019t see<\/p>\n<p>it right off.<\/p>\n<p>&nbsp;<\/p>\n<p>Joe can\u2019t resist a good-natured dig at his big brother\u00a0 &#8211;<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Heck.\u00a0 Anybody as sensible as that big brother<\/p>\n<p>of ours had to crack sooner or later.\u00a0 Probably<\/p>\n<p>thinks he\u2019s Kit Carson.\u00a0 Reckon it\u2019s harmless.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 HOSS<\/li>\n<\/ul>\n<p>Hoss ignores Joe\u2019s comments.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Might have somethin\u2019 to do with this bunch of<\/p>\n<p>robbers and hoss thieves been raiding hereabouts,<\/p>\n<p>Pa.\u00a0 I understand the Army\u2019s after them, and you<\/p>\n<p>know how Adam feels about that sort of no-goods.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 BEN AND HOSS<\/li>\n<\/ul>\n<p>Ben has calmed down.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>You may be right.\u00a0 Though I never thought<\/p>\n<p>Adam\u2019d willingly tie up with a military action<\/p>\n<p>again after the war.<\/p>\n<p>(beat)<\/p>\n<p>Maybe some of it is beginning to fade for him<\/p>\n<p>at last.\u00a0 I hope so.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THREE SHOT &#8211;\u00a0 BEN, HOSS AND JOE<\/li>\n<\/ul>\n<p>Hoss nods his agreement with Ben\u2019s feelings, but Joe is still in a joking mood.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>I still think we ought to go after him.<\/p>\n<p>He\u2019s probably been drinking some of<\/p>\n<p>That tarantula juice they brew up at that<\/p>\n<p>so called canteen out there. It\u2019s guaranteed<\/p>\n<p>to drive you loco.<\/p>\n<p>CUT TO<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>VERY CRUDE SHACK JUST BEYOND THE RESERVATION AT FT. CHURCHILL &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 ESTABLISHING SHOT.<\/li>\n<\/ul>\n<p>Most western Army posts with no town nearby were infested by a dreadful institution vulgarly called a \u2018hog ranch\u2019 by the troopers.\u00a0 It was a rough shack set up just outside the reservation lines, operated by crooked bootleggers and offering fearful whiskey, gambling and a few aging and degenerate women.<\/p>\n<p>PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT OF SHACK WITH HORSES TIED OUTSIDE &#8211;\u00a0 INCLUDING ADAM\u2019S<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE CANTEEN &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 ESTABLISHING SHOT<\/li>\n<\/ul>\n<p>It is late afternoon and the bar and tables are crowded with soldiers drinking and playing cards.\u00a0 There is a faro game running and a dispirited looking woman plays the piano dully while a soldier paws at her. At one table and impromptu quartet of well-oiled soldiers harmonize on\u00a0 &#8211;<\/p>\n<p>&nbsp;<\/p>\n<p>QUARTET<\/p>\n<p>Ooooh\u00a0\u00a0 &#8211; they say some disaster<\/p>\n<p>Befell the pay master,<\/p>\n<p>And we\u2019ll never be paid again\u00a0 &#8211;<\/p>\n<p>again.\u00a0 We\u2019ll never be paid again.<\/p>\n<p>&nbsp;<\/p>\n<p>They trail off in laughter at the CAMERA.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PAN TO A COMPARATIVELY QUIET CORNER<\/li>\n<\/ul>\n<p>Where ADAM and SGT. DONOVAN share a table.\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; ADAM AND SGT. DONOVAN<\/li>\n<\/ul>\n<p>A bottle and two glasses are before them.\u00a0 Adam pours a shot, lifts it, smells it gingerly and puts it back down with a look of suppressed horror.\u00a0 The Sergeant watches amused.<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>Sure now and it\u2019ll put a fine finish on your insides.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>More likely destroy them entirely.\u00a0 I don\u2019t even<\/p>\n<p>see how they keep the stuff corked.<\/p>\n<p>&nbsp;<\/p>\n<p>The Sergeant laughs and then asks Adam in a friendly fashion\u00a0 &#8211;<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>Adam, me boy\u00a0 &#8211;\u00a0 ?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Huh?<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>Would you be after telling an old soldier somethin\u2019<\/p>\n<p>just to put me curiosity bump to rest like?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(with a slow smile)<\/p>\n<p>Well now Clancey I might.\u00a0 Just what was it you<\/p>\n<p>had in mind?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211;\u00a0 FAVORING THE SERGEANT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>How is it that you nigh forced the Captain to be<\/p>\n<p>givin\u2019 you this scoutin\u2019 job?\u00a0 It\u2019s certain sure not<\/p>\n<p>the money at all, or for love of McElroy either\u00a0 &#8211;<\/p>\n<p>though he be a good officer and fair with the men.<\/p>\n<p>The pair of ye were never cut out on the same bias.<\/p>\n<p>I know your Da has much need of you at the ranch.<\/p>\n<p>Why, for the love of old St. Pat, are you settin\u2019 yourself up<\/p>\n<p>in a fair way to be destroyed if Delgatto ever finds you out?<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211;\u00a0 FAVORING ADAM\u00a0 (DONOVAN JUST IN EDGE OF FRAME)<\/li>\n<\/ul>\n<p>Adam pauses for a minute before answering, then begins slowly.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Clancey, you fought in the war?<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>(gravely)<\/p>\n<p>I did that, and a cruel, bitter thing it was for this<\/p>\n<p>grand country.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(Adam nods his agreement with this)<\/p>\n<p>Well, I fought too, and doing just about what<\/p>\n<p>Delgatto\u2019s trying here.\u00a0 Sherman used armed,<\/p>\n<p>trained cavalry troops to raid a civilian population.<\/p>\n<p>Oh we had a purpose other than greed and blood lust,<\/p>\n<p>and we didn\u2019t slaughter women and children, but we<\/p>\n<p>left behind plenty of dead men and burning homes<\/p>\n<p>with empty pastures and store houses. (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(continuing)<\/p>\n<p>Maybe it had to be done, Clancey; maybe someday<\/p>\n<p>the historians will say that it shortened the war and<\/p>\n<p>saved lives,<\/p>\n<p>(These memories are still painful to Adam)<\/p>\n<p>but I saw all I could stand and then some.<\/p>\n<p>(beat)<\/p>\n<p>Now here it is happening all over again\u00a0 &#8211;\u00a0 on my own<\/p>\n<p>home ground, to people I know and care about and with<\/p>\n<p>no purpose except the will of a vicious animal.\u00a0 I have to<\/p>\n<p>try and stop Delgatto, that is if I want to go on living<\/p>\n<p>with myself.\u00a0\u00a0 (cont.)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; ADAM AND SGT. DONOVAN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(continuing)<\/p>\n<p>Will that answer your question, Sarge?<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>Aye.\u00a0 Aye Adam, that it will.\u00a0 It takes a man to know<\/p>\n<p>his own heart and follow it so true.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam bends his head in acknowledgement of the compliment, and after a brief pause changes to subject.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Clancey, do you know that man two table over?<\/p>\n<p>(Adam gestures o.s.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211;\u00a0 ANOTHER TABLE NEARBY<\/li>\n<\/ul>\n<p>It is occupied by a small, weedy looking half-breed who looks avidly toward Adam and the Sergeant.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211;\u00a0 DONOVAN AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>That\u2019ll be Lagarto\u00a0 &#8212; new hand working for the<\/p>\n<p>wood contractor.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>&nbsp;<\/p>\n<p>He\u2019s been watching me from around corners for<\/p>\n<p>this past week.\u00a0 I think he may be the man I\u2019m after.<\/p>\n<p>Follow my lead.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam gives the whiskey one more very suspicious look and tosses it off grimly (strictly in the line of duty) then slams down the glass with a crash.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SHOT &#8211;\u00a0 ADAM, DONOVAN AND THE SURROUNDING TABLES<\/li>\n<\/ul>\n<p>The sound draws Lagarto\u2019s attention.\u00a0 He leans in their direction listening as Adam speaks loudly and as if he is feeling his liquor:<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>So I told the Captain he was wrong.\u00a0 No chance of<\/p>\n<p>them touching that shipment after it leaves Reno.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; SGT. DONOVAN<\/li>\n<\/ul>\n<p>He nods agreement as Adam continues o.s.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(continuing \u2013 voice only)<\/p>\n<p>Pull the column back there \u2013 right Donovan?<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>No use hiring a scout if you don\u2019t mind his<\/p>\n<p>advice \u2013 guess you convinced him. (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 LAGARTO<\/li>\n<\/ul>\n<p>He listens eagerly as the Sergeant continues o.s.<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>(continuing \u2013 voice only)<\/p>\n<p>Them were the Captain\u2019s orders to the letter.<\/p>\n<p>\u201cAccompany the silver shipment to Reno,\u201d he says.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211;\u00a0 ADAM AND SGT. DONOVAN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Glad to hear it \u2013 no use pounding our saddles<\/p>\n<p>clear across the mountains for nothing I say.<\/p>\n<p>Let\u2019s drink on it.<\/p>\n<p>&nbsp;<\/p>\n<p>Donovan pours and they drink\u00a0 (Adam likes this one even less than the first drink, if possible.) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PAN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 LAGARTO<\/li>\n<\/ul>\n<p>He rises quickly and slips quietly toward the door.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM AND SGT. DONOVAN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(in his normal tone of voice)<\/p>\n<p>I think we\u2019ve hooked one.\u00a0 I\u2019m gonna ease out<\/p>\n<p>after him.\u00a0 You notify the Captain.\u00a0 If this whiskey<\/p>\n<p>doesn\u2019t do for me, I should be back by this time<\/p>\n<p>tomorrow.<\/p>\n<p>&nbsp;<\/p>\n<p>SGT.DONOVAN<\/p>\n<p>&nbsp;<\/p>\n<p>Right \u2013 have a care for yourself lad.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam grins and winks at Donovan as he rises, puts on his hat and steps away from the table.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BEYOND THE FORT TOWARD THE RIVER &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 LONG SHOT<\/li>\n<\/ul>\n<p>Camera PANS across the landscape to pick up ADAM following LAGARTO.\u00a0 He is well back and using all the cover provided by the terrain.\u00a0 FOLLOW for a minute then:<\/p>\n<p>DISSOLVE THRU TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>NORTH BANK OF THE CARSON RIVER &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 ADAM\u00a0 &#8211;\u00a0 MED. SHOT<\/li>\n<\/ul>\n<p>He stands in his stirrups and looks ahead of him across the river.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>POV SHOT &#8211;\u00a0 SOUTH BANK OF THE CARSON RIVER\u00a0 &#8211;\u00a0 LAGARTO<\/li>\n<\/ul>\n<p>He rides ahead at a moderate pace headed west paralleling the river.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO ADAM<\/li>\n<\/ul>\n<p>He eases his mount into the river and begins to ford it.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 LAGARTO<\/li>\n<\/ul>\n<p>It is early afternoon as the little spy reaches a small stream emptying into the Carson from the mountains to the South.\u00a0 As he turns into it, riding upstream in the water, the late sun catches a broken and fairly high rock formation running along the left-hand bank of the creek beginning a short distance up from its union with the Carson.\u00a0 The fracture surfaces of the rock exhibit mica or crystal formations which catch the rays of the declining sun and flash them back in a glittering display.<\/p>\n<p>LAGARTO DISAPEARS around a bend in the stream<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>HOLD ON THE CREEK AND ROCKS<\/li>\n<\/ul>\n<p>Presently ADAM rides into the frame.\u00a0 He stops and dismounts examining the faint traces of Lagarto\u2019s passage leading into the stream.\u00a0 He remounts and turns his horse into and up the creek.\u00a0 As he passes the shining rocks they flash brilliantly catching his eye.\u00a0 He turns to survey them for a moment and mutters to himself:<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Unusual formation.<\/p>\n<p>&nbsp;<\/p>\n<p>He continues up the stream and out of sight.\u00a0 The rocks flash once more in the late afternoon sun.<\/p>\n<p>CUT TO:<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>A HIGH PINNACLE OF ROCK DEEP IN THE MOUNTAINS<\/li>\n<\/ul>\n<p>One of the outlaws, a member of Delgatto\u2019s band, is posted there as a lookout for the camp.\u00a0 He surveys the area all around him then stops abruptly and looks down at:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE CREEK BED WELL BELOW THE OUTPOST &#8211;\u00a0 SHARP DOWN ANGLE.<\/li>\n<\/ul>\n<p>The view is an aerial one and a good stretch of the creek may be seen.\u00a0 The bed carries only a small amount of water.\u00a0 Both LAGARTO and ADAM, who follows well back, may be seen by the lookout.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE LOOKOUT<\/li>\n<\/ul>\n<p>He watches the o.s. pair for a minute then turns, picks up a signal mirror and begins to flash a message toward another high point lookout further up into the mountains.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE CREEK BED\u00a0 &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 CLOSE SHOT\u00a0 &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam continues to move slowly upstream after Lagarto. He watches cautiously all about him, but he fails to observe the lookout high above him.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE CAMP OF DELGATTO\u00a0 &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 ESTABLISHING SHOT<\/li>\n<\/ul>\n<p>DELGATTO and his second in command, LUIS, stand talking in the foreground.\u00a0 Other men move about in the background among a cluster of rough cabins and lean-tos.\u00a0 Several cooking fires are burning here and there; two or three women tend them.\u00a0 The camp is located in a sheltered small valley.\u00a0 The only entrance is a steep defile leading down from a high pass above the camp.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO AND LUIS<\/li>\n<\/ul>\n<p>Delgatto carries his heavy riding crop and slashed it impatiently against his leg.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Where is that fool Lagarto?\u00a0 Doesn\u2019t he know he\u2019s to<\/p>\n<p>bring word of the column\u2019s movements?\u00a0 Does he think<\/p>\n<p>I want to sit in these forsaken mountains forever!<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>Si, si, jefe; he knows.\u00a0 I sent a messenger only yesterday.<\/p>\n<p>He will have the information soon;\u00a0 (cont.)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 LUIS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>(continuing with force)<\/p>\n<p>then we can strike \u2013 like el tigre!\u00a0 Once we have the<\/p>\n<p>silver we can be gone from here \u2013 perhaps back to<\/p>\n<p>Mexico?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211;\u00a0 FAVORING DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Perhaps, but the loot is rich in these mining towns.<\/p>\n<p>We \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>Delgatto is interrupted by a MAN who hastens up to him.<\/p>\n<p>&nbsp;<\/p>\n<p>MAN<\/p>\n<p>(somewhat winded)<\/p>\n<p>Senor, signal from the lookout \u2013 Lagarto is<\/p>\n<p>coming in \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>(pleased)<\/p>\n<p>Bueno, bueno!<\/p>\n<p>&nbsp;<\/p>\n<p>MAN<\/p>\n<p>But a gringo follows him!<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>(savagely)<\/p>\n<p>What!\u00a0 That stupid pig; he leads in a stranger!<\/p>\n<p>Come we must make our new friend welcome.<\/p>\n<p>&nbsp;<\/p>\n<p>They hurry off as the scene\u00a0 &#8211;<\/p>\n<p>DISSOLVES<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ROUGH, DIRT-FLOORED HUT &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 GROUP SHOT<\/li>\n<\/ul>\n<p>DELGATTO, LUIS, LAGARTO AND ANOTHER GANG MEMBER.\u00a0 Delgatto is speaking smoothly to Lagarto, but his voice carries overtones of menace.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Welcome Lagarto, welcome.<\/p>\n<p>&nbsp;<\/p>\n<p>The little spy bobs respectfully to his leader.<\/p>\n<p>&nbsp;<\/p>\n<p>LAGARTO<\/p>\n<p>Gracias, patron.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Will you drink?<\/p>\n<p>&nbsp;<\/p>\n<p>Delgatto indicates with his riding crop a jug and glasses on the table.<\/p>\n<p>&nbsp;<\/p>\n<p>LAGARTO<\/p>\n<p>Si, si.<\/p>\n<p>&nbsp;<\/p>\n<p>Lagarto pours himself half a glass of tequila and drains it.<\/p>\n<p>&nbsp;<\/p>\n<p>LAGARTO<\/p>\n<p>Ah, bueno.\u00a0 It is very dry on the trail.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211;\u00a0 DELGATTO AND LAGARTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>And now perhaps you have news for us?<\/p>\n<p>&nbsp;<\/p>\n<p>LAGARTO<\/p>\n<p>Si, at last patron.\u00a0 Only last night I heard the<\/p>\n<p>Sergeant speaking with the new scout.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>And this new scout \u2013 what did he say?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 LAGARTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>LAGARTO<\/p>\n<p>That on the day of the bullion shipment the column<\/p>\n<p>would guard it only as far as Reno.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSESHOT &#8211;\u00a0 DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>LAGARTO<\/p>\n<p>(continuing \u2013 voice only)<\/p>\n<p>From there on we can take it like the mouse takes<\/p>\n<p>the cheese.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>94\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>DELGATTO<\/p>\n<p>(with a snarl)<\/p>\n<p>Yes!\u00a0 And we would be the rats in the trap!<\/p>\n<p>A new scout, eh lizard, and perhaps he could<\/p>\n<p>teach you a few tricks!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT OF HUT INTERIOR<\/li>\n<\/ul>\n<p>DELGATTO calls outside:<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>In here!<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM is forced into the room through the blanket-hung doorway at gunpoint by TWO OF DELGATTO\u2019S MEN.\u00a0 Adam\u2019s right cheekbone bears an ugly cut and bruise, but he is mad and offers some resistance. His guard slams him roughly to a halt before Delgatto.\u00a0 Adam and Delgatto gage one another appraisingly.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE THREE SHOT &#8211;\u00a0 DELGATTO, ADAM AND LAGARTO<\/li>\n<\/ul>\n<p>Delgatto gestures toward Adam and speaks with deceptive gentleness to Lagarto:<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Is this the one of whom you speak?<\/p>\n<p>&nbsp;<\/p>\n<p>LAGARTO<\/p>\n<p>(totally surprised)<\/p>\n<p>Madre de Dios!\u00a0 El descubridor \u2013 Senor Cartwright.<\/p>\n<p>How did he come here?<\/p>\n<p>&nbsp;<\/p>\n<p>Delgatto permits his rage to lash out.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Fool!\u00a0 He gave you false information, then<\/p>\n<p>followed you!\u00a0 You know what happens to<\/p>\n<p>those who betray us.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT<\/li>\n<\/ul>\n<p>DELGATTO\u00a0\u00a0 gestures to ADAM\u2019S GUARDS to take LAGARTO.<\/p>\n<p>&nbsp;<\/p>\n<p>LAGARTO<\/p>\n<p>(frantically)<\/p>\n<p>No, patron!\u00a0 No.\u00a0 I am always loyal to you!<\/p>\n<p>He must track like a wolf; I don\u2019t know \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>97\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>The fool is more to be feared than the traitor.<\/p>\n<p>(To the two guards)<\/p>\n<p>Finish him \u2013 outside.<\/p>\n<p>(To the other gang members in the hut)<\/p>\n<p>Cover this one.<\/p>\n<p>(He indicates Adam)<\/p>\n<p>&nbsp;<\/p>\n<p>The man draws a pistol and aims it at Adam.\u00a0 Adam glances at him briefly in disdain and looks back at Delgatto as Lagarto is drawn struggling and whimpering from the hut.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211;\u00a0 ADAM AND DELGATTO<\/li>\n<\/ul>\n<p>Delgatto recognizes an equal in Adam and addresses him as such.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Senor Cartwright did he say?\u00a0 An illustrious<\/p>\n<p>name in this country, but surely not <u>the<\/u> Ben<\/p>\n<p>Cartwright of the Ponderosa; a son perhaps?<\/p>\n<p>&nbsp;<\/p>\n<p>Adam gives what amounts to his name, rank and serial number and lets it go at that.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Adam Cartwright, Scout, United States Army.<\/p>\n<p>And you\u2019ll be Delgatto, leader of this band of<\/p>\n<p>cutthroats?<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>(with courtly sarcasm)<\/p>\n<p>Your servant, senor.\u00a0 You came to view our<\/p>\n<p>humble camp.\u00a0 Por favor, allow me to be<\/p>\n<p>your escort.<\/p>\n<p>&nbsp;<\/p>\n<p>Delgatto indicates the doorway with his crop, and the guard prods Adam toward it.\u00a0 They exit.\u00a0 Adam maintains a cool, unperturbed manner.<\/p>\n<p>CUT TO:<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>DELGATTO\u2019S CAMP &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 FULL SHOT<\/li>\n<\/ul>\n<p>DELGATTO, LUIS, ADAM and HIS GUARD stop outside the door to Delgatto\u2019s command hut.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Impressive no?\u00a0 Men, arms, horses, supplies,<\/p>\n<p>even that essential of any fighting group \u2013<\/p>\n<p>discipline.\u00a0 But, I almost forgot \u2013 the prize \u2013<\/p>\n<p>captured from an Army supply train in Texas \u2013<\/p>\n<p>observe \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>Delgatto points with his crop up the defile which leads down into the camp from the pass and off to the left.\u00a0 Adam follows his gesture.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>POV &#8211;\u00a0 SLOW PAN SHOT<\/li>\n<\/ul>\n<p>Pan up the slope and PULL IN on a Gatling gun mounted to cover the trail leading down into the camp.\u00a0 An efficient looking TWO-MAN CREW mans it.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO SCENE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>By day it is always manned.\u00a0 You see,<\/p>\n<p>I have complete command of the approaches.<\/p>\n<p>No one enters this camp unless I will it.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Which should about bring us to the point of<\/p>\n<p>this little farce.\u00a0 You obviously don\u2019t intend<\/p>\n<p>to let me ride out of here with this information.<\/p>\n<p>Why not just turn that gun on me as I came in and<\/p>\n<p>be done with it?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211;\u00a0 ADAM AND DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Are you so impatient to die?\u00a0 Come, we will<\/p>\n<p>talk further on this inside.<\/p>\n<p>&nbsp;<\/p>\n<p>They push aside the blanket and enter the hut.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>DELGATTO\u2019S COMMAND HUT &#8211; DAY\u00a0 &#8211; CLOSE SHOT.<\/li>\n<\/ul>\n<p>ADAM AND DELGATTO<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Now, Senor Scout, you have learned what you<\/p>\n<p>wanted.\u00a0 Perhaps you will oblige me in return?<\/p>\n<p>&nbsp;<\/p>\n<p>Adam just watches Delgatto waiting for an opening he can turn to his advantage.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO<\/li>\n<\/ul>\n<p>He snaps out:<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>The column\u2019s movements?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(lying calmly)<\/p>\n<p>I don\u2019t know them.\u00a0 The Captain keeps his own council.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO<\/li>\n<\/ul>\n<p>He is beginning to lose his temper.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>I\u2019m not a fool, Cartwright.\u00a0 Before you came<\/p>\n<p>the Army blundered all over this country.<\/p>\n<p>Everyone knew <u>where<\/u> that column was going<\/p>\n<p>and <u>when<\/u>.\u00a0 They hire a scout and suddenly<\/p>\n<p>begin to appear and disappear like shadows.<\/p>\n<p>Not even the soldiers know where they will<\/p>\n<p>be next\u00a0 &#8211;<\/p>\n<p>(cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>(continuing, voice only)<\/p>\n<ul>\n<li>but you do, and you\u2019re going to tell me!<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Why should I?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211;\u00a0 DELGATTO AND ADAM\u00a0 &#8211;\u00a0 FAVORING DELGATTO<\/li>\n<\/ul>\n<p>He suddenly becomes cajoling.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>What do you owe the Army?\u00a0 Why leave your<\/p>\n<p>padre\u2019s rich lands and ride yourself saddlesore<\/p>\n<p>for them?\u00a0 For the money?\u00a0 I think not.\u00a0 For<\/p>\n<p>adventure then?\u00a0 May be. In any case, I can<\/p>\n<p>offer you more of both.\u00a0 I need a good scout<\/p>\n<p>who knows this country, who can be depended on.<\/p>\n<p>Throw in with me and you\u2019ll see more gold and<\/p>\n<p>higher excitement than you believed possible.<\/p>\n<p>(cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211;\u00a0 FAVORING ADAM<\/li>\n<\/ul>\n<p>Adam views Delgatto\u2019s offer with contempt.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>(continuing)<\/p>\n<p>Give me the column\u2019s schedule and we can<\/p>\n<p>take the next bullion shipment\u00a0 &#8211;\u00a0 over a<\/p>\n<p>million and a half dollars \u2013 a tenth share<\/p>\n<p>is yours.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>And the alternative?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO<\/li>\n<\/ul>\n<p>He answers with violence in his voice and actions.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>This!<\/p>\n<p>&nbsp;<\/p>\n<p>He lifts the heavy riding crop and slashes the lead-loaded grip against the heavy clay jog on the table beside them. The vessel bursts into fragments.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>His expression is grim, but he does not flinch.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211;\u00a0 DELGATTO AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>(caressing the whip)<\/p>\n<p>Made for me by an old Mexican craftsman \u2013<\/p>\n<p>flexible, lead-loaded, capable of subduing<\/p>\n<p>the most unruly horse. If you force me to<\/p>\n<p>use it, you will suffer much the same fate<\/p>\n<p>as the jug \u2013 only slowly, ever so slowly.<\/p>\n<p>You will talk; never fear, you\u2019ll beg to talk!<\/p>\n<p>Quickly \u2013 the column?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>He shakes his head slowly and firmly.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>No.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Why, what can you hope to gain?<\/p>\n<p>You must know what\u2019s coming.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>I don\u2019t believe my reasons would have<\/p>\n<p>any meaning to you.<\/p>\n<p>&nbsp;<\/p>\n<p>117\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE TWO SHOT\u00a0 &#8211; ADAM AND DELGATTO\u00a0 &#8211;\u00a0 FAVORING ADAM<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Try me.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam gives Delgatto a long, searching glance, almost doesn\u2019t bother to answer, and then shrugs \u2013 why not?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>When you hold the lives and property of<\/p>\n<p>others in your hand, it ceases to be entirely<\/p>\n<p>a personal concern.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211;\u00a0 FAVORING DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>What can you possibly care about them \u2013<\/p>\n<p>these others\u00a0 &#8211;\u00a0 now?\u00a0 Make no mistake<\/p>\n<p>the forfeit in this game is <u>your<\/u> life.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>He answers quietly with a quotation from Juvenal.<\/p>\n<p>ADAM<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cSummum crede nefas animam praeferre<\/p>\n<p>puderi, Et propter vitam vivendi perdere<\/p>\n<p>causas.\u201d<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>(with sarcasm)<\/p>\n<p>Ah, Latin no?\u00a0 Wealth provides so many of<\/p>\n<p>the little pleasures of life \u2013 including a fine<\/p>\n<p>education.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Having gone this far Adam translates. He is not offering heroics \u2013 just a flat statement of his beliefs.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>\u201cCount it the greatest of infamies to prefer<\/p>\n<p>life to honor, and to lose, for the sake of<\/p>\n<p>living, all that makes life worth having.\u201d<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211;\u00a0 ADAM AND DELGATTO<\/li>\n<\/ul>\n<p>Adam\u2019s statement enrages Delgatto.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Honor!<\/p>\n<p>&nbsp;<\/p>\n<p>He strikes Adam a blow with the butt of the riding crop along the left temple which stuns and staggers him.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>(furiously)<\/p>\n<p>We will see how much comfort your honor<\/p>\n<p>is when your ribs are crushed and each<\/p>\n<p>breath is agony!<\/p>\n<p>&nbsp;<\/p>\n<p>He cuts Adam hard in the lower left side over the floating ribs bring the air out of his lungs with a grunt. Adam bends inward toward the injured side, and as he does so, Delgatto hits him again with the heavy crop handle across his spine and kidneys.\u00a0 The blow straightens Adam, and he jumps at Delgatto in rage beyond the pain.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE GROUP SHOT &#8211;\u00a0 ADAM, DELGATTO, LUIS, THE GUARD<\/li>\n<\/ul>\n<p>There is a brief struggle as Luis and the Guard wrench Adam away from Delgatto\u2019s throat and hold him struggling and infuriated.\u00a0 Delgatto pauses, the crop upraised in his hand.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Once more, use your head!\u00a0 Serve me<\/p>\n<p>and you will be well rewarded.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam, teeth clenched in pain, gives Delgatto the glare of an eagle and slowly, with infinite, deliberate contempt, shakes his head no.\u00a0 The raider slashed down viciously with the crop.<\/p>\n<p>CUT<\/p>\n<p>&nbsp;<\/p>\n<p>(COMMERCIAL)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>ACT II<\/p>\n<p>&nbsp;<\/p>\n<p>FADE IN<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>DELGATTO\u2019S COMMAND HUT &#8211;\u00a0 NIGHT\u00a0 &#8211;\u00a0 CLOSE SHOT\u00a0 &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam lies unconscious, face down on the dirt floor.\u00a0 Around him may be seen the booted feet of Delgatto and his men.\u00a0 Someone nudges his roughly in the ribs with his foot.\u00a0 There is no response from Adam.\u00a0 PULL UP AND BACK TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT &#8211;\u00a0 DELGATTO, LUIS, THE GUARD, ADAM<\/li>\n<\/ul>\n<p>Delgatto strokes the crop through his hand and looks down at Adam.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Rouse him Luis.<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>I do not think it will be possible this time.<\/p>\n<p>&nbsp;<\/p>\n<p>However, he takes a dipper full of water from a bucket and dashes it over Adam\u2019s head.\u00a0 There is no response.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Is he faking?<\/p>\n<p>&nbsp;<\/p>\n<p>Luis stoops and roughly turns Adam over.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam has a dark bruise along his left temple and the cut across his right cheekbone is swollen and ugly.\u00a0 A trickle of the frothy red blood of the lungs has run from his mouth.\u00a0 His shirt is torn in places and stuck to him with partially dried blood. He is completely unconscious.<\/p>\n<p>&nbsp;<\/p>\n<p>127\u00a0\u00a0\u00a0\u00a0\u00a0 GROUP SHOT<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>No. He is finished.\u00a0 See, already his<\/p>\n<p>lungs bleed.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Fool!\u00a0 I would have used him well had he<\/p>\n<p>only been reasonable.\u00a0 I need men like this.<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>We\u2019ll tie him up outside so the men can<\/p>\n<p>Have their sport with him in the morning.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>127 \u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>No. Leave him here.\u00a0 He\u2019ll die soon enough.<\/p>\n<p>Pico can watch.<\/p>\n<p>(He indicates the guard.)<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>Los hombres \u2013 they will miss their little joke.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>128 \u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; DELGATTO<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Our people have a very old saying, Luis.<\/p>\n<p>\u201cThere are no jokes about courage.\u201d<\/p>\n<p>Leave him here.<\/p>\n<p>(This is an order)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>He lies sprawled his head to one side. Fresh blood trickles from his mouth.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT<\/li>\n<\/ul>\n<p>Delgatto turns and walks from the room followed by Luis.\u00a0 Pico is left alone with Adam.\u00a0 He picks up a bottle from the table and retires to a corner with it. He drinks, then drinks again.\u00a0 Adam remains unmoving.<\/p>\n<p>DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>DELGATTO\u2019S HUT &#8211;\u00a0 DAWN\u00a0 &#8211;\u00a0 CLOSE SHOT\u00a0 &#8211;\u00a0 PICO<\/li>\n<\/ul>\n<p>The guard sits hunched in a corner a blanket draped around him.\u00a0 He is asleep with the empty whiskey bottle beneath his hand.<\/p>\n<p>PAN ACROSS THE ROOM TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>He lies as before.\u00a0 Then very slowly and without a sound his eyes open and he looks about him.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211;\u00a0 THE SLEEPING GUARD<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam is badly hurt but a long way from dead.\u00a0 Like an injured animal his one drive is survival, his one thought to reach home.\u00a0 When he realizes his guard is asleep he rolls over and up to a forward sitting position.\u00a0 He holds his chest as tightly as possible with one arm and braces himself erect with the other.\u00a0 The movement brings a spell of coughing which Adam fights to suppress.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211;\u00a0 THE SLEEPING GUARD<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO ADAM<\/li>\n<\/ul>\n<p>The coughing brings a fresh gush of blood from his lungs.\u00a0 Adam wipes his hand across his mouth and looks at the blood on it dazed.\u00a0 After a moment he wipes his hand across his pants and begins to inch the short way to the table.\u00a0 Slowly and painfully he uses the table to raise himself to his feet. Many of his ribs have been cracked or broken, some in several places, and he holds his chest finding it impossible to straighten fully against the pain.\u00a0 His spine and kidneys are bruised making walking difficult, but after a quick glance at Pico\u00a0 &#8211;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211;\u00a0 THE SLEEPING GUARD<\/li>\n<\/ul>\n<p>He stirs slightly but does not wake.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO ADAM<\/li>\n<\/ul>\n<p>He forces himself to the doorway, and bracing against the frame, pushes aside the blanket and looks outside.\u00a0 Adam is almost exhausted by the effort he has made.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>WIDE ANGLE SHOT &#8211;\u00a0 THE CAMP<\/li>\n<\/ul>\n<p>Adam\u2019s horse is still tied with two or three others near the hut.\u00a0 The camp is quiet in these first few minutes after sunrise.\u00a0 No one is in sight.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>TRAVEL with Adam as he moves painfully away from the door and toward his horse.<\/p>\n<p>DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE TOP OF THE PASS INTO THE CAMP &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 MED. LONG SHOT<\/li>\n<\/ul>\n<p>Adam rides slowly up into the pass pulled low over his mount\u2019s neck.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 THE GUARD ABOVE THE PASS<\/li>\n<\/ul>\n<p>The guard leans against a rock and dozes standing, his rifle beside him.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SHARP DOWN ANGLE SHOT INTO THE PASS<\/li>\n<\/ul>\n<p>The guard does not arouse as Adam passes quietly below.<\/p>\n<p>LAP THRU TO:<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE GUARD POINT WHICH ORIGINALLY SIGHTED ADAM COMING IN &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 MED. SHOT<\/li>\n<\/ul>\n<p>The sun is higher now.\u00a0 The guard here stretches, pulls a bit of jerky from a pocket and begins to gnaw it.\u00a0 The faint sound of a hoof striking a rock draws his attention to the creek bed below him.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>DOWN ANGLE SHOT<\/li>\n<\/ul>\n<p>The second guard sees Adam easing past the guard point.\u00a0 He immediately throws down the meat, grabs his rifle and pulls off a snap shot at Adam that goes wild. At the crack of the rifle Adam sets spurs to his horse and puts him into an all out run crouching low over his neck.\u00a0 The guard continues to pump bullets after the wildly racing Adam until they are out of range.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 THE GUARD<\/li>\n<\/ul>\n<p>The guard flings down his rifle and grabs the signal mirror and begins to flash the other guard post.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>DELGATTO\u2019S CAMP &#8211;\u00a0 DAY\u00a0 &#8211; GROUP SHOT<\/li>\n<\/ul>\n<p>DELGATTO, LUIS and four or five men are hastily mounting to ride after Adam.\u00a0 Delgatto speaks to Luis:<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>He\u2019ll try for the Fort.\u00a0 We must stop<\/p>\n<p>him before he reaches there!<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>He can\u2019t ride far \u2013 maybe a miner\u2019s<\/p>\n<p>camp or ranch?<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>No.\u00a0 He knows we\u2019ll check them all.<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>His home \u2013 this Ponderosa \u2013 they may<\/p>\n<p>have many men there.<\/p>\n<p>&nbsp;<\/p>\n<p>Delgatto mounts ready to ride.<\/p>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>And it\u2019s twenty miles away across the mountains.<\/p>\n<p>He\u2019d never last to reach it.\u00a0 No, it has to be the<\/p>\n<p>Fort!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CONTINUED<\/li>\n<\/ul>\n<p>Delgatto lashes his horse and moves rapidly away.\u00a0 The others follow.<\/p>\n<p>&nbsp;<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ROCKY MOUNTAIN TRAIL &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 MED. SHOT\u00a0 &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>Adam\u2019s horse picks his way cautiously along the almost dry streambed.\u00a0 Adam just clings to him holding desperately to the frayed edge of consciousness.\u00a0 He is beyond reasoning or planning.\u00a0 He only wants the safe haven of home; the Fort never occurs to him.\u00a0 Adam painfully lifts his head and looks off West.\u00a0 He tugs at his horse to turn him in that direction.<\/p>\n<p>PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Home Sport, have to get home.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam RIDES AWAY FROM THE CAMERA as he picks his way on into the scarred and ridged land that lies on the direct route to the Ponderosa.\u00a0 As he DISAPPEARS BEYOND A CUT BACK, the HOOFEBEATS of several horses are heard behind him.<\/p>\n<p>&nbsp;<\/p>\n<p>150\u00a0\u00a0\u00a0\u00a0\u00a0 GROUP SHOT\u00a0 &#8211; DELGATTO, LUIS AND HIS MEN<\/p>\n<p>&nbsp;<\/p>\n<p>They ride hard toward the camera and on past Adam\u2019s turn off point.<\/p>\n<p>&nbsp;<\/p>\n<p>151\u00a0\u00a0\u00a0\u00a0\u00a0 EXT. ROUGH MOUNTAIN TERRAIN\u00a0 &#8211;\u00a0 DAY\u00a0 &#8211;\u00a0 MED. CLOSE SHOT\u00a0 &#8211;\u00a0 ADAM<\/p>\n<p>Adam rides on clinging to the saddle by sheer will power.<\/p>\n<p>PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 ADAM<\/li>\n<\/ul>\n<p>He again coughs blood and wipes his mouth across his sleeve.\u00a0 He is aware that this is very serious, but is too numbed by pain and shock to be frightened.\u00a0 He holds his chest tightly and urges Sport on.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>WHERE THE MOUNTAIN STREAM JOINS THE CARSON RIVER BY THE \u201cSHINING ROCKS\u201d &#8211; DAY\u00a0 &#8211; GROUP SHOT.<\/li>\n<\/ul>\n<p>DELGATTO, LUIS and the men are halted there.\u00a0 They circle looking at the ground for tracks \u2013 in vain.<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>He did not ride this way, jefe.<\/p>\n<p>We have lost him.<\/p>\n<p>&nbsp;<\/p>\n<p>ANOTHER MAN<\/p>\n<p>What now?<\/p>\n<p>&nbsp;<\/p>\n<p>LUIS<\/p>\n<p>We must move the camp.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>No.\u00a0 As long as he doesn\u2019t reach the soldiers<\/p>\n<p>we\u2019re safe.\u00a0 Post a man to watch and bring<\/p>\n<p>word should he make the Fort.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; LUIS AND ONE OF THE MEN<\/li>\n<\/ul>\n<p>Luis jerks his head toward the far side of the river and the man rides off to carry out Delgatto\u2019s order.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; DELGATTO<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DELGATTO<\/p>\n<p>Myself, I think he is dead \u2013 back there somewhere.<\/p>\n<p>(He gestures toward the mountains behind them.)<\/p>\n<p>He died in the saddle and his horse roams.<\/p>\n<p>Send three men to search.<\/p>\n<p>Delgatto turns and starts back up the stream.\u00a0 The men separate to search.<\/p>\n<p>&nbsp;<\/p>\n<p>DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE PONDEROSA RANCH HOUSE YARD &#8211; DAY\u00a0 &#8211; MED. SHOT<\/li>\n<\/ul>\n<p>Adam\u2019s mount trots into the ranch house yard.\u00a0 Adam is draped over his neck hands clenched in the mane.\u00a0 The horse is sweaty, dusty and tired.\u00a0 He goes to the hitching rack and stands.\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>VERY CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam is just barely conscious enough to lift his head and look toward the house.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE RANCH HOUSE PORCH AND FRONT DOOR<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>He is unable to call out and his head sinks back onto Sport\u2019s neck.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; THE RANCH HOUSE PORCH AND FRONT DOOR.<\/li>\n<\/ul>\n<p>The door opens and HOSS steps out with a piece of harness in his hands.\u00a0 He calls back over his shoulder:<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Oh, talk up your big ideas to somebody else,<\/p>\n<p>short shanks.\u00a0 You couldn\u2019t make money fallin\u2019<\/p>\n<p>down a shaft at eight-fifty a foot.<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss comes on through the door then stops frozen and looks toward Adam o.s.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam has lifted his head and looks toward Hoss o.s., his torment written plainly in his face.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SHOT &#8211;\u00a0 HOSS AND ADAM<\/li>\n<\/ul>\n<p>Hoss drops the harness and starts for Adam on the run.\u00a0 He calls:<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Joe!\u00a0 Joe!\u00a0 Come quick!<\/p>\n<p>&nbsp;<\/p>\n<p>Just as HOSS reaches ADAM, JOE bursts out of the door.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>What is it!<\/p>\n<p>&nbsp;<\/p>\n<p>Then he too sees Adam and comes on with one jump to clear the porch.\u00a0 CROSS with JOE and PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM, HOSS AND JOE<\/li>\n<\/ul>\n<p>Hoss reaches up to Adam and Joe skids up.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Careful Hoss.\u00a0 He\u2019s hurt; he\u2019s hurt bad.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam still clings to his mount. He looks down as Hoss gently takes hold of him.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Hoss.\u00a0 Be\u00a0\u00a0 &#8211;\u00a0\u00a0 be easy.<\/p>\n<p>&nbsp;<\/p>\n<p>With the words come bubbles of bright blood.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>The knowledge of the extent of Adam\u2019s injury lances through Joe like a sword of ice.\u00a0 He own face is twisted in pain as he breathes:<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Oh dear God.<\/p>\n<p>&nbsp;<\/p>\n<p>It is a prayer and not a profanity.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE THREE SHOT<\/li>\n<\/ul>\n<p>Hoss begins to loosen Adam\u2019s stiffened hands from their grip on the mane, and he speaks to Adam almost as to a child.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Don\u2019t you fret, Adam.\u00a0 Ole Hoss ain\u2019t<\/p>\n<p>gonna hurt you none.\u00a0 Just turn aloose<\/p>\n<p>now.<\/p>\n<p>&nbsp;<\/p>\n<p>Suddenly Adam relaxes and with perfect trust and one last effort rolls off and into Hoss\u2019s arms choking back a cry as his brother\u2019s grip tightens around his body.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(to Joe)<\/p>\n<p>Git Pa!<\/p>\n<p>&nbsp;<\/p>\n<p>Joe bolts for the house as Hoss follows more slowly carrying Adam with great care.<\/p>\n<p>DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CAPT. McELROY\u2019S OFFICE FT. CHURCHILL &#8211; DAY\u00a0 &#8211; TWO SHOT<\/li>\n<\/ul>\n<p>The CAPTAIN and SGT. DONOVAN converse.\u00a0 The Captain is seated behind the desk; the Sergeant stands before it at parade rest.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(with irritation)<\/p>\n<p>Well, where is he then?<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>Sir, it\u2019s sure I am that he\u2019ll be reporting<\/p>\n<p>soon as ever he can.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>He\u2019d better snap to it.\u00a0 Twenty-four hours<\/p>\n<p>and not a word!\u00a0 Probably drunk somewhere.<\/p>\n<p>Shiftless civilians!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; SGT. DONOVAN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>(quickly)<\/p>\n<p>Aw no sir, not on your life!<\/p>\n<p>(as an after thought)<\/p>\n<p>Beggin\u2019 the Captain\u2019s pardon, sir, but<\/p>\n<p>Adam Cartwright is a likely lad.<\/p>\n<p>You can be dependin\u2019 on him.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; CAPT. McELROY AND SGT. DONOVAN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>He\u2019s a civilian, and you can depend on them<\/p>\n<p>to do just as they please.\u00a0 Gone home for a<\/p>\n<p>change of clothes no doubt.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(forcefully)<\/p>\n<p>Sergeant, I\u2019ll personally see to it that he<\/p>\n<p>Completes this scout if it <u>kills<\/u> him.<\/p>\n<p>CUT DIRECTLY TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE LIVING ROOM &#8211; NIGHT\u00a0 &#8211; TWO SHOT<\/li>\n<\/ul>\n<p>JOE and HOSS sit tense and impatient looking toward the stairs.\u00a0 As the scene opens the sound of a full-throated SCREAM from Adam o.s. practically lifts Joe from his chair.\u00a0 He looks wildly at Hoss who motions him back down.\u00a0 They sit again in heavy silence.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT\u00a0 &#8211; HOSS<\/li>\n<\/ul>\n<p>Hoss is quiet but reveals his tension by endlessly turning some small object from the table beside him over and over in his hand.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>Joe looks upstairs, bites nervously at a fingernail, and finally drops his head into his hands.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; HOSS AND JOE<\/li>\n<\/ul>\n<p>The charged air is split by another scream suddenly choked off in mid-cry.\u00a0 Joe is on his feet this time and headed upstairs.\u00a0 Hoss catches him by the arm and points back to the chair.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Woah, Joe.\u00a0 You\u2019d only be in the way up there.<\/p>\n<p>&nbsp;<\/p>\n<p>Joe is practically trembling with nerves.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>JOE<\/p>\n<p>If he screams like that one more time,<\/p>\n<p>you\u2019ll be pluckin\u2019 me off the rafters.<\/p>\n<p>What are they doing to him anyhow!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Tryin\u2019 to get them ribs strapped up I\u2019d judge.<\/p>\n<p>Delgatto sure didn\u2019t miss much.<\/p>\n<p>His back\u2026 pissing blood\u2026<\/p>\n<p>(Hoss breaks off and shakes his head.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; HOSS AND JOE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(continuing)<\/p>\n<p>It\u2019s a plumb miracle he got out of there.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Well, do they <u>have<\/u> to <u>keep on<\/u> hurtin\u2019 him?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>There ain\u2019t no easy way to do it, Joe.<\/p>\n<p>Doc Kay\u2019s gotta know what pains him and<\/p>\n<p>what don\u2019t.\u00a0 An\u2019 that bleeding from the lungs \u2013<\/p>\n<p>Adam\u2019s likely to choke in his own blood if they<\/p>\n<p>can\u2019t keep him conscious till it stops.\u00a0 Reckon<\/p>\n<p>Doc\u2019ll put him to sleep soon as it\u2019s safe.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>It better be soon.<\/p>\n<p>(beat)<\/p>\n<p>Hoss, we\u2019re not gonna let that butcher get away<\/p>\n<p>with this are we?\u00a0 We can\u2019t!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Don\u2019t worry little brother; there\u2019ll be an<\/p>\n<p>accounting for every mark on Adam \u2013<\/p>\n<p>sure as drought in the desert!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE DINING ROOM \u2013 DAY<\/li>\n<\/ul>\n<p>SHOOT LOOKING OUT through the window into the RANCH YARD.\u00a0 It is morning, and it is RAINING, a steady, wet, dreary, gray rain.\u00a0 PULL BACK TO:<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SHOT &#8211; DINING ROOM\u00a0 &#8211; JOE, BEN AND HOSS<\/li>\n<\/ul>\n<p>They are gathered at breakfast, an extra place is as yet unused. The mood is far from gala.\u00a0 The monotonous DRUMMING OF THE RAIN fills the background. Joe gestures toward the window.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>That looks about like I feel \u2013 completely<\/p>\n<p>washed out.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>You!\u00a0 How \u2018bout Pa?\u00a0 I don\u2019t think he\u2019s<\/p>\n<p>closed his eyes in the last three days.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT \u2013 BEN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Oh, I\u2019ve caught a few catnaps.\u00a0 It\u2019s<\/p>\n<p>Paul I\u2019m bothered about.\u00a0 He must be<\/p>\n<p>exhausted.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THREE SHOT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(continuing)<\/p>\n<p>Hoss, why don\u2019t you go up and see if you<\/p>\n<p>can\u2019t spell him for a while.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Shore, Pa.<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss starts to rise as DR. PAUL KAY walks into the dining room.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>No need.\u00a0 Adam\u2019s sleeping.\u00a0 I think we<\/p>\n<p>can safely leave him along long enough<\/p>\n<p>for a little breakfast.<\/p>\n<p>&nbsp;<\/p>\n<p>He sits down at the table.\u00a0 During the following conversation Hoss serves a plate and passes it to the doctor.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Paul, I guess you know how grateful we are<\/p>\n<p>to you for staying here like this \u2013 taking care<\/p>\n<p>of Adam \u2013 I\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>184\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>Ben is very tired and very worried and the Doctor has no intention of letting him go on in this vein.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(interrupting Ben)<\/p>\n<p>If you were about to thank me or something<\/p>\n<p>foolish like that, forget it.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT \u2013 DR. KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing)<\/p>\n<p>After all Ben, I\u2019ve been looking after these<\/p>\n<p>hellions of yours for quite a few years.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DR.KAY<\/p>\n<p>(continuing \u2013 voice only)<\/p>\n<p>I want to see Adam pull out of this about as<\/p>\n<p>badly as you do.<\/p>\n<p>&nbsp;<\/p>\n<p>It jolts Joe to have his fears put into so many words.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Doc!\u00a0 You said he was gonna be all right.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; DR. KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>No, Little Joe.\u00a0 You heard what you wanted<\/p>\n<p>to hear.\u00a0 I said he had a good chance.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing)<\/p>\n<p>The human animal never ceases to amaze me.<\/p>\n<p>I can\u2019t give you a single sound medical reason why<\/p>\n<p>Adam isn\u2019t dead out there somewhere in the mountains \u2013<\/p>\n<p>(cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; BEN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing)<\/p>\n<ul>\n<li>except that he wanted to live. (cont.)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; DR. KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing)<\/p>\n<p>Don\u2019t ask me how he even got on a horse, much less<\/p>\n<p>rode twenty miles, losing blood the whole way.<\/p>\n<p>The will to survive is an incalculable force.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>DR.KAY<\/p>\n<p>(continuing)<\/p>\n<p>If he can make it through another few days<\/p>\n<p>without any complications, then, in time, he<\/p>\n<p>should heal.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>(anxiously)<\/p>\n<p>What do you mean by \u2018complications?\u2019<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(beginning slowly)<\/p>\n<p>With a chest injury as serious as your brother\u2019s<\/p>\n<p>Joe, the greatest danger is always pneumonia.<\/p>\n<p>It\u2019s the killer.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing \u2013 voice only)<\/p>\n<p>On top of his other internal injuries, he<\/p>\n<p>could easily be too weak to fight it and win<\/p>\n<p>(cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; DR. KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing)<\/p>\n<p>About all we can do to prevent it is to<\/p>\n<p>keep him warm, quiet and as comfortable<\/p>\n<p>as possible.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; BEN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing \u2013 voice only)<\/p>\n<p>I hope that stubborn Cartwright streak of<\/p>\n<p>his keep on working.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE GROUP SHOT &#8211; FAVORING JOE<\/li>\n<\/ul>\n<p>They are all deeply concerned over Adam, but the enforced, uncertain wait is hardest on Joe.\u00a0 Despite their occasional up and downs, he is profoundly attached to the older brother who has been counsel, protector and comrade for as long as he can remember.\u00a0 His whole nature demands action, any action, to help Adam.\u00a0 Joe drops his head and pushes the fingers of both hands roughly through his hair then slams away from the table and paces across the room and OUT OF THE FRAME.\u00a0 Hoss looks after Joe, then rises and follows him.\u00a0 TRAVEL WITH HOSS as he catches up with Joe by a front window where Joe stands staring out at the rain.<\/p>\n<p>PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; HOSS AND JOE<\/li>\n<\/ul>\n<p>Hoss puts a hand on Joe\u2019s shoulder.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Joe.<\/p>\n<p>&nbsp;<\/p>\n<p>Joe looks back at Hoss as he speaks lightly but affectionately.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Come on, simmer down an\u2019 unkink \u2018fore you<\/p>\n<p>bust a cinch.\u00a0 Ole Adam\u2019s tougher \u2018n a she-bear\u2019s<\/p>\n<p>hind tit.\u00a0 He\u2019s gonna make it.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Joe looks at Hoss for a moment, worry and tension still plain in his face, and then he relaxes a little, smiles and nods yes.\u00a0 PULL IN VERY CLOSE AND THEN ON PAST JOE LOOKING OUT THROUGH THE WINDOW WHERE THE RAIN CONTINUES UNABATED<\/p>\n<p>DISSOLVE THRU TO:<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE YARD &#8211; DAY\u00a0 &#8211; WIDE ANGLE SHOT &#8211;<\/li>\n<\/ul>\n<p>A LITTLE WHILE LATER.\u00a0 Into the yard, through the still misting rain, trots a small cavalry detachment composed of Capt. McElroy, Sgt. Donovan and three troopers all on horseback.\u00a0 They accompany a wagon with a driver.\u00a0 The Captain and the Sergeant dismount and walk toward the front door.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE LIVING ROOM &#8211; DAY\u00a0 &#8211; MED. CLOSE SHOT\u00a0 &#8211; THE FRONT DOOR<\/li>\n<\/ul>\n<p>There is a KNOCK on the door.\u00a0 BEN walks INTO THE FRAME and opens the door on THE CAPTAIN and SGT. DONOVAN.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Mr. Cartwright?<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Yes, and you must be Capt. McElroy.<\/p>\n<p>Come in.<\/p>\n<p>&nbsp;<\/p>\n<p>Ben glances out into the yard.<\/p>\n<p>&nbsp;<\/p>\n<p>Have your men step into the bunkhouse<\/p>\n<p>and dry off if you like.\u00a0 It\u2019s miserable<\/p>\n<p>weather to be riding.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Thank you.<\/p>\n<p>&nbsp;<\/p>\n<p>The Captain steps back out of the door toward his men.\u00a0 Ben and Sgt. Donovan come into the living room.\u00a0 They know each other.\u00a0 The Sergeant begins to remove his hat and poncho.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Sgt. Donovan.\u00a0 Good to see you again.<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>Aye, and you sir.<\/p>\n<p>(anxiously)<\/p>\n<p>Young Adam now?<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Beaten, tortured.\u00a0 It\u2019s bad Sergeant.<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>(grimacing in anger)<\/p>\n<p>Bloody divils!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CONTINUED<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>The CAPTAIN REENTERS the living room and removes his wraps.\u00a0 When he finishes they move into the room.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I received your message Mr. Cartwright, and<\/p>\n<p>I\u2019ve come to pick up my scout.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; BEN<\/li>\n<\/ul>\n<p>Ben really can\u2019t believe his ears.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>You\u2019ve <u>what<\/u>?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; CAPT. McELROY AND BEN\u00a0 &#8211; FAVORING THE<\/li>\n<\/ul>\n<p>.\u00a0\u00a0\u00a0\u00a0 CAPTAIN<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>We\u2019ve come to get Adam and take him to the<\/p>\n<p>dispensary at the Fort.\u00a0 He <u>is<\/u> the Army\u2019s<\/p>\n<p>responsibility you know.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING BEN<\/li>\n<\/ul>\n<p>Ben is incredulous and beginning to be angry.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Surely you don\u2019t seriously suggest moving him<\/p>\n<p>that distance in an open wagon in this downpour.<\/p>\n<p>He\u2019s hurt, Captain.\u00a0 He needs medical attention.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>And he shall have it, rest assured sir.<\/p>\n<p>The Post Surgeon is a very competent<\/p>\n<p>doctor.\u00a0 Now if you\u2019ll just take me to him\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>No!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>The Captain is trying to be his version of reasonable.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Sir, be sensible.\u00a0 Your son is under<\/p>\n<p>contract to the Army.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 BEN<\/li>\n<\/ul>\n<p>Ben is beginning to swell with indignation.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing \u2013 voice only)<\/p>\n<p>I have every legal right to remove him to<\/p>\n<p>the Post and to have you forcibly restrained<\/p>\n<p>if necessary.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>Disbelief rapidly changes to anger and his hand drops to his pistol.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing \u2013 voice only)<\/p>\n<p>He\u2019ll have the best of care, but it is necessary<\/p>\n<p>that he be in our hands.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>His face wrinkles with concern.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing \u2013 voice only)<\/p>\n<p>We can protect him, and he has<\/p>\n<p>information we need.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND CAPT. McELROY\u00a0 &#8211; FAVORING BEN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>Now, isn\u2019t that logical!<\/p>\n<p>&nbsp;<\/p>\n<p>Ben takes a deep breath on the verge of explosion, pauses, thinks better of it and answers with icy control.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Capt. McElroy, I am forced to admit that<\/p>\n<p>You have both logic and the law on your side\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(with relief)<\/p>\n<p>Well, I\u2019m pleased you realize \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>209\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(interrupting)<\/p>\n<p>However, there <u>is<\/u> just one issue in this<\/p>\n<p>argument that you\u2019ve failed to grasp.<\/p>\n<p>&nbsp;<\/p>\n<p>210\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; CAPT. McELROY<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(puzzled)<\/p>\n<p>What\u2019s that?<\/p>\n<p>&nbsp;<\/p>\n<p>211\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; BEN<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(hotly)<\/p>\n<p>That we\u2019re not discussing a problem in<\/p>\n<p>military tactics from a West Point text book \u2013<\/p>\n<p>the case in point is that of my son, my oldest<\/p>\n<p>son, who\u2019s hurt &#8211;\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>212\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; CAPT. McELROY<\/p>\n<p>Ben\u2019s shock tactics begin to take effect as some of the message reaches the Captain.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(continuing \u2013 voice only)<\/p>\n<ul>\n<li>so badly hurt that if you carry out your<\/li>\n<\/ul>\n<p>proposed plan you\u2019ll almost surely kill him!\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>213\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE GROUP SHOT\u00a0 &#8211; BEN, THE CAPTAIN, HOSS &amp; JOE\u00a0 &#8211; CENTER ON BEN<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>I\u2019ll put it to you as plainly as I know how.<\/p>\n<p>logic, law and the whole lot of you be damned;<\/p>\n<p>The only way you\u2019ll take Adam out of this house<\/p>\n<p>will be over my dead body!<\/p>\n<p>&nbsp;<\/p>\n<p>Ben stands glaring defiantly at the Captain.\u00a0 Joe and Hoss back him.\u00a0 Their expressions clearly indicate that Ben might as well have said \u201cover their three united carcasses.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>214\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; CAPT. McELROY<\/p>\n<p>The Captain stares at Ben in surprise for a moment then his expression softens, and he answers very quietly.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>My apologies Mr. Cartwright; you\u2019re perfectly<\/p>\n<p>right of course.\u00a0 I\u2019m afraid I sometimes forget<\/p>\n<p>to take the human element into account.<\/p>\n<p>It\u2019s a bad fault.\u00a0\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>215\u00a0\u00a0\u00a0\u00a0\u00a0 TWO SHOT\u00a0 &#8211; BEN AND CAPT. McELROY<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>Naturally I don\u2019t want to endanger your son<\/p>\n<p>any further, but I must have the intelligence<\/p>\n<p>he was willing to risk his life to obtain,\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>216\u00a0\u00a0\u00a0\u00a0\u00a0 GROUP SHOT\u00a0 &#8211; BEN, THE CAPTAIN, HOSS\u00a0 &#8211; JOE &amp; DONOVAN IN BACKGROUND<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>and I need a scout.\u00a0 Perhaps you can suggest<\/p>\n<p>a solution?<\/p>\n<p>&nbsp;<\/p>\n<p>Ben looks a little nonplused now that he has suddenly been handed the ball.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Well\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS selects this time to chine in.\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<p>217\u00a0\u00a0\u00a0\u00a0\u00a0 THREE SHOT\u00a0 &#8211; HOS, BEN, CAPT. McELROY<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Pa, I know all this country round here good as<\/p>\n<p>Adam does, maybe even a little better, an\u2019<\/p>\n<p>Delgatto\u2019s made this a down right personal matter<\/p>\n<p>with us now.\u00a0 Why don\u2019t I take Adam\u2019s place and<\/p>\n<p>finish out that contract for him?<\/p>\n<p>&nbsp;<\/p>\n<p>This idea pleases the Captain.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>That would be fine.<\/p>\n<p>217\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>Ben is dubious of risking another son.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>I don\u2019t know \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>218\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; HOSS<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>You know this has to be done, Pa.<\/p>\n<p>It ain\u2019t just Adam these buzzards done<\/p>\n<p>hurt, but women \u2018n kids on little<\/p>\n<p>backwoods holdings, an\u2019 old prospectors<\/p>\n<p>alone in the hills.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>219\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE THREE SHOT\u00a0 &#8211; HOSS, JOE AND BEN\u00a0 &#8211; FAVORING HOSS<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(continuing)<\/p>\n<p>Adam knew they had to be stopped, and<\/p>\n<p>since he can\u2019t finish the job, I kinda think<\/p>\n<p>he\u2019d like us to.<\/p>\n<p>&nbsp;<\/p>\n<p>220\u00a0\u00a0\u00a0\u00a0\u00a0 ANOTHER ANGLE\u00a0 &#8211; FAVORING JOE<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>(hotly)<\/p>\n<p>Hoss n\u2019 I\u2019ll both go.\u00a0 All I want is to get<\/p>\n<p>a gun sight on \u2018em.\u00a0 I\u2019ll give \u2018em hell<\/p>\n<p>with the hide off!<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Not this time, Joe.<\/p>\n<p>&nbsp;<\/p>\n<p>Joe wants to go badly and pushes hard.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Yes, Pa!\u00a0 The two of us can cover<\/p>\n<p>twice as much ground.<\/p>\n<p>&nbsp;<\/p>\n<p>221\u00a0\u00a0\u00a0\u00a0\u00a0 ANOTHER ANGLE\u00a0 &#8211; FAVORING BEN<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>No Joseph.\u00a0 This business has gotten you<\/p>\n<p>tied up in too many knots.\u00a0 The Captain<\/p>\n<p>wouldn\u2019t be able to depend on your judgement.<\/p>\n<p>&nbsp;<\/p>\n<p>222\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; CAPT. McELROY<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Your Father\u2019s right son.\u00a0 You can\u2019t start<\/p>\n<p>out after men like these single-handed.<\/p>\n<p>You\u2019d only get yourself killed, and lose<\/p>\n<p>them for us.<\/p>\n<p>&nbsp;<\/p>\n<p>223\u00a0\u00a0\u00a0\u00a0\u00a0 TWO SHOT\u00a0 &#8211; BEN AND JOE<\/p>\n<p>Joe turns from the Captain o.s. to Ben pleading a little.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>But Pa. Adam\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>Ben is slightly angry at Joe\u2019s persistence.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>If you\u2019re so all-fired concerned about Adam<\/p>\n<p>stay home and lend a hand with him.\u00a0 He\u2019s<\/p>\n<p>going to need all the care and attention we<\/p>\n<p>have to give him for a while.<\/p>\n<p>&nbsp;<\/p>\n<p>This mollifies Joe considerably and he subsides:<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Sure Pa, sure.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Well, I have my substitute scout; now if<\/p>\n<p>we may see Adam and get his report &#8211; ?<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>I don\u2019t think that will be possible.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Not possible!\u00a0 But\u2026<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(interrupting)<\/p>\n<p>Ain\u2019t no call to go botherin\u2019 Adam, Captain.<\/p>\n<p>Shouldn\u2019t take me too long to locate \u2018em nohow<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I wouldn\u2019t be too sure of that!\u00a0 It took your<\/p>\n<p>brother nearly three weeks, and he only<\/p>\n<p>managed by spotting one of their spies and<\/p>\n<p>tracking him.\u00a0 You can be sure that won\u2019t<\/p>\n<p>work twice.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THREE SHOT &#8211; BEN, CAPT. McELROY AND HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing urgently)<\/p>\n<p>He must tell us what he knows, and it<\/p>\n<p>has to be now!<\/p>\n<p>(to Ben)<\/p>\n<p>Mr. Cartwright?<\/p>\n<p>&nbsp;<\/p>\n<p>Ben realizes the urgency of the situation and is torn between concern for Adam and the need to recover the information that only he has.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>I don\u2019t know; I just don\u2019t know.<\/p>\n<p>He\u2019s not conscious Captain.\u00a0 He was in<\/p>\n<p>so much pain\u2026\u00a0 Dr. Kay\u2019s had him under<\/p>\n<p>sedation for the last thirty-six hours and plans<\/p>\n<p>to continue for another few days.\u00a0 If there<\/p>\n<p>were some other way\u00a0 &#8211;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; BEN AND CAPT. McELROY\u00a0 &#8211; FAVORING THE CAPTAIN<\/li>\n<\/ul>\n<p>He is trying to decide:<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Believe me sir, I sympathize with your dilemma,<\/p>\n<p>but there isn\u2019t any other way, and you must be<\/p>\n<p>aware of it.\u00a0 Everything we need so desperately<\/p>\n<p>to know is locked up in your son\u2019s mind.\u00a0 It<\/p>\n<p>would only take a few minutes at most?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 BEN<\/li>\n<\/ul>\n<p>He is trying to decide:<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Yes.\u00a0 Yes, and it was important to Adam too.<\/p>\n<p>He tried so hard to tell me the camp\u2019s location<\/p>\n<p>while we were working on him, but \u2013<\/p>\n<p>(beat)<\/p>\n<p>it was so terrible for him just to breathe,<\/p>\n<p>let alone speak.<\/p>\n<p>(beat)<\/p>\n<p>Perhaps &#8212;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>Eagerly but not pushing:<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Yes?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND CAPT. McELROY<\/li>\n<\/ul>\n<p>Ben reaches a final decision.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>I\u2019m not insensible to the urgency and<\/p>\n<p>importance of you mission here Captain.<\/p>\n<p>If Dr. Kay agrees that it can be done at all,<\/p>\n<p>we\u2019ll wake Adam; get as much information<\/p>\n<p>as he\u2019s able to give us.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Splendid sir!\u00a0 That\u2019s all I ask.<\/p>\n<p>You won\u2019t regret it.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; BEN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(fervently)<\/p>\n<p>I hope not.\u00a0 I certainly hope not!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE, ADAM\u2019S ROOM &#8211; DAY<\/li>\n<\/ul>\n<p>MEDIUM CLOSE SHOT<\/p>\n<p>BEN opens the door into Adam\u2019s room and enters flanked by HOSS and THE CAPTAIN.\u00a0 DR. KAY follows them.\u00a0 It is still raining outside.\u00a0 Ben looks toward Adam\u2019s bed o.s.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 JOE AND ADAM<\/li>\n<\/ul>\n<p>Joe sits beside Adam who is beginning to come out of his drugged sleep.\u00a0 Joe rises as they enter and stands close to Adam\u2019s side with a somewhat protective air.\u00a0 Adam is supported in a well-up semi-sitting position by several pillows in order to make breathing as easy as possible. His chest is strapped from waist to breastbone, and the marks across his temple and cheek are very dark.\u00a0 There are no really comfortable positions just now; his breathing is shallow and painful, and he is running a high temperature brought on largely by massive tissue damage and shock.\u00a0 As they enter he is not fully awake.\u00a0 Joe looks toward Ben o.s.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT &#8211; INCLUDING BEN, HOSS, THE CAPTAIN, DR. KAY, JOE<\/li>\n<\/ul>\n<p>AND ADAM<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(to Joe)<\/p>\n<p>Is he awake yet?<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Comin\u2019 around.\u00a0 He\u2019s spoken to me a<\/p>\n<p>couple of times \u2018n then dozed off again.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>That\u2019s to be expected considering the extent<\/p>\n<p>of his injuries.<\/p>\n<p>(to the Captain and Hoss)<\/p>\n<p>You understand this has to be brief.<\/p>\n<p>He\u2019s going to be in severe pain and any<\/p>\n<p>upset could have serious consequences.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>We understand that sir, but he has information<\/p>\n<p>that\u2019s vital to the whole territory.\u00a0 He must<\/p>\n<p>tell us where to find Delgatto.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THREE SHOT &#8211; HOSS, DR. KAY AND THE CAPTAIN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>I\u2019ll be talking to him Doc, and I shore<\/p>\n<p>don\u2019t aim to hurt Adam no more if<\/p>\n<p>I kin help it.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>All right Hoss, but remember \u2013 he\u2019s probably<\/p>\n<p>going to be pretty confused and groggy.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT<\/li>\n<\/ul>\n<p>HOSS replaces JOE beside ADAM.\u00a0 BEN and the DOCTOR go to the other side of the bed.\u00a0 The CAPTAIN stands behind HOSS and JOE takes a seat in the background.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>VERY CLOSE TWO SHOT &#8211; HOSS AND ADAM<\/li>\n<\/ul>\n<p>Hoss leans close and calls his brother.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Adam.\u00a0 Adam, can you hear me?<\/p>\n<p>&nbsp;<\/p>\n<p>Adam opens his eyes and gradually focuses on Hoss.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(very softly)<\/p>\n<p>Hoss?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>How you feelin\u2019?\u00a0 Think you could<\/p>\n<p>talk to me for a little while?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>Adam nods his head yes and then, taking stock of his confused sensations, asks:<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>What \u2013 what\u2019s wrong with me Hoss?<\/p>\n<p>I hurt \u2013 hurt all over \u2013 my back, chest\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>Adam\u2019s sentences are broken into short bits just as he can gather the breath to force them out.\u00a0 Hoss patiently waits as he speaks and then tries to help Adam clear his mind.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Do you remember being taken by<\/p>\n<p>Delgatto and tortured?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>The drugs have dulled Adam\u2019s time sense, and he has no idea how long he has been out.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Yeah.\u00a0 But \u2013 but I got away, got home \u2013<\/p>\n<p>so long ago.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; HOSS AND ADAM\u00a0 &#8211; FAVORING HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Only three days.\u00a0 Doc\u2019s kept you asleep<\/p>\n<p>most of that time.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Why?<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss answers gently; he knows Adam deals best when fully informed, and he wants to be honest, but he also wants to avoid frightening Adam if possible.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>You\u2019re hurt some inside Adam.\u00a0 Guess you<\/p>\n<p>know you got busted ribs, an\u2019 Doc says<\/p>\n<p>your lungs, \u2018n spine, \u2018n kidneys are all bruised \u2013<\/p>\n<p>shaken up sorta.\u00a0 You just have to be real quiet and<\/p>\n<p>rest for a while till they can heal.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>He thinks this information over for a minute comparing it with his own feelings and accepts it quietly.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>I see.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; THE CAPTAIN AND HOSS<\/li>\n<\/ul>\n<p>The Captain is beginning to get impatient and pushes a little.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Find out where they are.<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss nods yes and turns back to Adam.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; HOSS AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>I \u2013 I hate to torment you when you \u2013<\/p>\n<p>when you\u2019re like this, but I\u2019m gonna try \u2018n<\/p>\n<p>find that bunch again for the Captain here.<\/p>\n<p>Can you tell me where the camp is; how<\/p>\n<p>you found \u2018em?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>245\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>Adam, morphine-clouded and fever touched, fails to comprehend that what is needed is a full intelligence report on his scouting mission.\u00a0 He attempts to answer Hoss\u2019s direct questions, but for the most part is unable to make the connection and offer information about which his brother could not know to ask.\u00a0 As the narcotic fades in his system, Adam becomes restless and hectic with pain and fever, and his answers are even less coherent.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Sure.\u00a0 They\u2019re pretty close in really, but<\/p>\n<p>well hidden.\u00a0 You follow the Carson River<\/p>\n<p>upstream from the Fort a few miles until you\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>During the above speech PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>The prolonged use of breath causes Adam to cough, and the violent movement of his lungs clamps his chest in a vice of pain.\u00a0 He breaks off speaking and presses his left side tightly until the pain eases a little.\u00a0 He has completely lost the thread of what he was saying. He passes his hand across his eyes and looks up at Hoss.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>What \u2013 what was I tryin\u2019 to tell you?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; HOSS AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>About where you found Delgatto.<\/p>\n<p>You went up the Carson a ways\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Yeah, yeah.\u00a0 Till you find a stream \u2013 the stream<\/p>\n<p>by the shining rocks.\u00a0 Follow it southeast up<\/p>\n<p>around Rawe Peak\u2026<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>He is puzzled by the directions and interrupts:<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>\u2018Stream by the shining rocks?\u2019<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE GROUP SHOT &#8211; ADAM, HOSS BEN, DR. KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(becoming agitated)<\/p>\n<p>Yes, and Hoss \u2013 listen Hoss\u2026<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CONTINUED<\/li>\n<\/ul>\n<p>Using his arms Adam forces himself almost erect in his urgency to get through to his brother.\u00a0 Ben reaches out to restrain him, but Adam persists.\u00a0 The doctor half rises looking very upset.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Easy son.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>The lookouts!\u00a0 Two.\u00a0 One \u2013 one close in \u2013<\/p>\n<p>where you\u2019d expect, but another \u2013 out, way out.<\/p>\n<p>Signal system \u2013 that\u2019s how they picked me up.<\/p>\n<p>Be \u2013 be careful Hoss.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam is panting and begins to cough from the exertion.\u00a0 The spasms are agony to his broken ribs.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; ADAM AND BEN<\/li>\n<\/ul>\n<p>Ben takes Adam in his arms and forces him back onto the pillows where he lies fighting for each breath.<\/p>\n<p>&nbsp;<\/p>\n<p>251\u00a0\u00a0\u00a0\u00a0\u00a0 GROUP SHOT\u00a0 &#8211; DR. KAY, BEN, ADAM, HOSS, THE CAPTAIN.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(somewhat angrily)<\/p>\n<p>I was afraid of this.\u00a0 You\u2019ll have to<\/p>\n<p>cut it short.<\/p>\n<p>&nbsp;<\/p>\n<p>252\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; THE CAPTAIN<\/p>\n<p>Pleading urgently with them:<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Just one or two more questions.\u00a0 Please!<\/p>\n<p>This is important.\u00a0\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>253\u00a0\u00a0\u00a0\u00a0\u00a0 THREE SHOT\u00a0 &#8211; HOSS, THE CAPTAIN AND ADAM<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(to Hoss)<\/p>\n<p>Find out their strength.<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss turns again to Adam.\u00a0 The Captain stands close behind him.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Adam, try to tell us.\u00a0 How many of \u2018em are there?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM AND HOSS\u00a0 &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>Adam\u2019s breathing is steadier and he is able to answer.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>About \u2013 about thirty men, a few women,<\/p>\n<p>Some hangers on \u2013 maybe forty in all.<\/p>\n<p>(beat)<\/p>\n<p>Hoss,\u00a0 I\u2019m so hot \u2013 thirsty.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>You got a little fever; don\u2019t fret, it\u2019ll pass.<\/p>\n<p>Do you want water?<\/p>\n<p>&nbsp;<\/p>\n<p>Adam nods yes, and Hoss, taking a glass from the table, lifts him enough that he can drink.\u00a0 Adam does so eagerly.\u00a0 Hoss gently pulls it away from him after a few swallows.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Go slow big brother.\u00a0 A little at a time is best.<\/p>\n<p>&nbsp;<\/p>\n<p>He lowers Adam to the pillows again.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; CAPT. McELROY AND HOSS<\/li>\n<\/ul>\n<p>The Captain is impatient at the delay.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>See if he knows when their next raid is to be<\/p>\n<p>and where?<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss stares at the Captain rather grimly then turns once again to Adam.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; ADAM AND HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Did you find out anything about their plans.<\/p>\n<p>Who are they gonna hit next?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>They want \u2013 wanta take the silver shipment by<\/p>\n<p>Overland, but \u2013 but they\u2019re afraid of the column\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam breaks off to press his hands to his chest. He rolls his head from side to side in a futile effort to escape the pain.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK TWO SHOT &#8211; BEN AND DR. KAY<\/li>\n<\/ul>\n<p>They glance at each other with grave concern registering in their expressions.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; ADAM AND HOSS\u00a0 &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(he is still trying his best)<\/p>\n<p>Won\u2019t strike \u2018till \u2013 \u2018till they can get a new<\/p>\n<p>report on the column\u2019s movements.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(thoughtfully)<\/p>\n<p>That means we\u2019ll have to go in after them.<\/p>\n<p>(cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; CAPT. McELROY AND HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>Ask him for a better fix on the camp.<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss is very reluctant to comply.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>I don\u2019t like it.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>&nbsp;<\/p>\n<p>Try.\u00a0 Please.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; HOSS AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Tell me once more Adam.\u00a0 How do you reach<\/p>\n<p>the hideout?\u00a0 There\u2019s a hundred little cricks<\/p>\n<p>n\u2019 washes run into the Carson from them<\/p>\n<p>mountains.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>263\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>ADAM<\/p>\n<p>Follow the water in.\u00a0 You\u2019ll know it by<\/p>\n<p>The rocks \u2013 rocks that shine\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING ADAM\u00a0 &#8211; HOSS JUST IN EDGE OF FRAME<\/li>\n<\/ul>\n<p>Adam\u2019s hands clench and unclench in the covers as he tries to keep the pain in check.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(continuing)<\/p>\n<p>Hoss, Hoss, they play rough;<\/p>\n<p>watch yourself.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam is beyond his strength.\u00a0 He turns his cheek to the pillow and closes his eyes.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; THE CAPTAIN AND HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>That\u2019s not good enough!\u00a0 He\u2019s got to<\/p>\n<p>give us better directions.<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss lashes out at him in anger:<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Ask him yourself then; I\u2019m through!<\/p>\n<p>Hasn\u2019t he done enough?\u00a0 You just hired<\/p>\n<p>a scout for your blamed sixteen a month<\/p>\n<p>and found; you didn\u2019t buy his last breath!\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(continuing)<\/p>\n<p>Don\u2019t worry McElroy.\u00a0 I\u2019ll fill that contact<\/p>\n<p>for you.\u00a0 I\u2019ll be able to smell them skunks!<\/p>\n<p>&nbsp;<\/p>\n<p>Adam rouses and looks from Hoss to Ben in confusion.\u00a0 This news seriously disturbs him.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Pa.\u00a0 The contract.\u00a0 What does he mean?<\/p>\n<p>Does Hoss have to go in my place?<\/p>\n<p>&nbsp;<\/p>\n<p>They hasten to reassure Adam:<\/p>\n<p>&nbsp;<\/p>\n<p>266\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>It\u2019s all right son.\u00a0 Hoss is doing what he<\/p>\n<p>wants to do.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Don\u2019t you worry none Adam.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>VERY CLOSE SHOT &#8211; ADAM AND BEN\u00a0 &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>Adam is exhausted by the interrogation, his mind confused by fever and opiates. The pain in his body tears at him savagely.\u00a0 He turns to Ben, unwilling to beg for help, even as badly hurt as he is, but almost desperate for release.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Pa.\u00a0 Pa, please.\u00a0 So \u2013 so tired.<\/p>\n<p>&nbsp;<\/p>\n<p>It is heartbreaking for Ben to watch Adam suffer like this and be able to do so little for him. He reaches down to stroke his son\u2019s bruised face.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>I know son.\u00a0 I know.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211;\u00a0 KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(decisively)<\/p>\n<p>This has gone entirely too far. (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing)<\/p>\n<p>Clear the room please Ben.\u00a0 I\u2019m putting<\/p>\n<p>Adam back to sleep immediately.<\/p>\n<p>&nbsp;<\/p>\n<p>He picks up his bag and begins to prepare a hypodermic syringe.\u00a0 (They came into use during the Civil War, although large and crude compared to today.)\u00a0 Ben stands very erect and looks steadily at Capt. McElroy.\u00a0 Hoss too faces the officer grimly.\u00a0 The Captain begins to give ground slowly toward the door as Ben and Hoss follow.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE THREE SHOT &#8211;\u00a0 KAY, ADAM AND JOE<\/li>\n<\/ul>\n<p>JOE WALKS INTO THE FRAME and to Adam\u2019s side as the doctor administers a shot of morphine then closes his bag and prepares to leave.\u00a0 He speaks to Joe.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>Stay with him Little Joe, and don\u2019t let<\/p>\n<p><u>anything<\/u> else excite him.\u00a0 He <u>must<\/u> rest.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>(grimly)<\/p>\n<p>I\u2019ll see to it sir; you can depend on that.<\/p>\n<p>&nbsp;<\/p>\n<p>The Doctor EXITS FROM THE FRAME.\u00a0 PULL IN FOR<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; JOE AND ADAM<\/li>\n<\/ul>\n<p>Joe leans over Adam to smooth the covers.\u00a0 Adam opens his eyes, sees Joe and catches at his arm.\u00a0 His mind is cloudy, but he realizes vaguely that he has missed some essential item in his report.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Joe!\u00a0 Something, something Hoss should know.<\/p>\n<p>If I could only think\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>(soothingly)<\/p>\n<p>Don\u2019t worry older brother.\u00a0 Hoss will manage<\/p>\n<p>real fine.\u00a0 You go to sleep now.\u00a0 You\u2019ll feel<\/p>\n<p>better soon.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam begins to slip under.\u00a0 His speech slurs.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Forgotten \u2013 should know.\u00a0 Joe\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Sleep Adam.\u00a0 I\u2019ll be right here.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>FORT CHURCHILL &#8211; DAY \u2013 WIDE ANGLE SHOT OF THE PARADE GROUND AND SURROUNDING BUILDINGS<\/li>\n<\/ul>\n<p>It is early morning.\u00a0 THE BUGLER, standing near the flagpole, sounds WORK CALL.\u00a0 Small groups of soldiers and individuals move variously across the parade ground.\u00a0 Some go into offices; others head toward the stables and corral.\u00a0 A prisoner detail under guard begins to clean up the area.\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; EXT. THE CAPTAIN\u2019S OFFICE\u00a0 &#8211; HOSS<\/li>\n<\/ul>\n<p>HOSS exits from the Captain\u2019s office, crosses the porch and unties his horse from the hitching rail.\u00a0 He mounts and rides toward the gate.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TRAVEL WITH HOSS<\/li>\n<\/ul>\n<p>As he rides across the parade ground and away from the Fort.<\/p>\n<p>DISSOLVE TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SOUTH BANK OF THE CARSON RIVER\u00a0 &#8211; DAY\u00a0 &#8211; MED. CLOSE SHOT<\/li>\n<\/ul>\n<p>HOSS slowly works his way upriver watching the ground closely for tracks.\u00a0 He investigates a short distance up several small streams that flow down from the mountains into the Carson searching for some sign of Adam\u2019s \u2018shining rocks.\u2019<\/p>\n<p>DISSOLVE TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE RIVER EDGE\u00a0 &#8211; LATE AFTERNOON\u00a0 &#8211; MED CLOSE\u00a0 &#8211; HOSS<\/li>\n<\/ul>\n<p>He reins up under a tree to rest his mount.\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>He pushes back his hat with a sign and shakes his head puzzled by the failure of his search.\u00a0 He says half under his breath:<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>\u201cRocks that shine.\u201d\u00a0 What got into Adam<\/p>\n<p>anyhow?\u00a0 Was he plumb out of his head?<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss reluctantly gives up for the day and turns back toward the Post.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE CAPTAIN\u2019S OFFICE AT FT. CHURCHILL\u00a0 &#8211; NIGHT\u00a0 &#8211; TWO SHOT \u00a0&#8211; HOSS AND THE CAPTAIN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT McELROY<\/p>\n<p>Sorry now you didn\u2019t try for better<\/p>\n<p>directions?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(staunchly)<\/p>\n<p>No sir.\u00a0 I\u2019ll find \u2018em.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>But when, that\u2019s the question.\u00a0 Time is<\/p>\n<p>running out on us.\u00a0 Delgatto can decide<\/p>\n<p>to strike again or move on any day.<\/p>\n<p>We\u2019ve got to locate him!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Adam mentioned Rawe Peak.\u00a0 I\u2019ll start soon<\/p>\n<p>as it\u2019s daylight and have a look up that way.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(with a head shake)<\/p>\n<p>That\u2019s a lot of country up there, but go<\/p>\n<p>ahead and try.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS\u00a0 &#8211; TRAVEL WITH HOSS<\/li>\n<\/ul>\n<p>As he crosses to the door.\u00a0 Just as he has his hand on the knob the Captain calls and he turns back.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY\u00a0 (o.s.)<\/p>\n<p>Cartwright.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; HOSS AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Yes sir?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Watch your step huh?\u00a0 Scouts are getting<\/p>\n<p>mighty hard to come by.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(with a grin)<\/p>\n<p>Yes sir.<\/p>\n<p>&nbsp;<\/p>\n<p>He gives a sloppy salute and exits.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>MOUNTAINOUS SEMI-WOODED LAND &#8211; DAY<\/li>\n<\/ul>\n<p>ANGLE DOWN on HOSS who is searching deep in the mountains east of Rawe Peak.\u00a0 \u00a0 TRAVEL WITH HOSS as he rides along a faint trail.\u00a0 He reaches a fork in the trail and pauses.\u00a0 He glances to the left.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PAN LONG TO THE LEFT FORK OF THE TRAIL<\/li>\n<\/ul>\n<p>Which leads gradually down hill and into heavy woods.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO HOSS<\/li>\n<\/ul>\n<p>Hoss looks up the right hand fork of the trail.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PAN RIGHT ACROSS COUNTRY TO A HIGH PINNACLE<\/li>\n<\/ul>\n<p>Where one of Delgatto\u2019s guards is posted.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; THE GUARD<\/li>\n<\/ul>\n<p>He crouches watching Hoss o.s. through field glasses.\u00a0 He gropes for the signal mirror with his free hand.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO HOSS<\/li>\n<\/ul>\n<p>He still sits his horse undecided at the trail fork. He looks right once more then shrugs and turns into the left-hand path and moves down it and AWAY FROM THE CAMERA<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; THE GUARD<\/li>\n<\/ul>\n<p>He puts down the signal mirror and watches Hoss o.s. a minute longer then relaxes.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 DISSOLVE:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>FT. CHURCHILL &#8211; NIGHT\u00a0 &#8211; TRAVEL WITH HOSS<\/li>\n<\/ul>\n<p>As he enters the gate and rides toward the Captain\u2019s office. As he reaches it and dismounts the door opens and the CAPTAIN COMES OUT.\u00a0 He stops, pleased to see Hoss.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; HOSS AND CAPT. McELROY\u00a0 &#8211; BEFORE THE OFFICE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I\u2019m relieved to see you.\u00a0 I was thinking of<\/p>\n<p>calling out a patrol to start a search.<\/p>\n<p>Have any trouble?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>No, nor no luck neither.\u00a0 Had a feelin\u2019 I was<\/p>\n<p>close a few times, but you could lose and army<\/p>\n<p>up there \u2013 it\u2019s mighty rough country.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>What now?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>I ain\u2019t real sure.\u00a0 Lem\u2019me sleep on it.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Oh, your Father sent over a rider from the<\/p>\n<p>Ponderosa today with a message for you.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(anxiously)<\/p>\n<p>How\u2019s Adam?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; HOSS AND CAPT. McELROY\u00a0 &#8211; FAVORING HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>About the same apparently.\u00a0 Said he\u2019s still<\/p>\n<p>not too clear in his mind, but he does keep<\/p>\n<p>mentioning this stream with the rocks that<\/p>\n<p>shine.\u00a0 Does it mean anything at all to you?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>No, no it don\u2019t, but it must to Adam.<\/p>\n<p>(beat)<\/p>\n<p>That settles it.\u00a0 I\u2019ll try workin\u2019 up the<\/p>\n<p>Carson once more.\u00a0 Maybe I just missed<\/p>\n<p>it before.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I hope you\u2019re right, and \u2013 good luck.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Thanks.\u00a0 I could use some<\/p>\n<p>DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SOUTH BANK OF THE CARSON RIVER &#8211; DAY\u00a0 &#8211; TRAVEL WITH<\/li>\n<\/ul>\n<p>HOSS<\/p>\n<p>As he rides slowly along and comes to the stream of the \u2018shining rocks.\u201d\u00a0 He dismounts and examines the ground closely squatting down to do so.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>POV SHOT &#8211; THE SKY<\/li>\n<\/ul>\n<p>It is cloudy and the crystal formation in the rock face does not shine.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>He finds a rock or two turned over damp, soil-stained side up and squints up the stream trying to reach a decision.\u00a0 Presently he rises.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TRAVEL WITH HOSS<\/li>\n<\/ul>\n<p>As he goes back to his horse and takes his canteen from the saddle and walks back to the stream squatting down to fill it.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>POV SHOT &#8211; THE SKY<\/li>\n<\/ul>\n<p>Suddenly the sun breaks out from behind a cloud.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SHOT OF THE STREAM AND CRYSTAL IMPREGNATED ROCKS &#8211; HOSS IN EDGE OF FRAME<\/li>\n<\/ul>\n<p>The rocks twinkle brightly in the rays of the declining sun.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>A flash catches his eye and he looks up full into the face of \u2018the rocks that shine.\u2019<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE ROCK FORMATION<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; TRAVEL WITH HOSS<\/li>\n<\/ul>\n<p>As he rises slowly smiling to himself and steps back to his mount with the canteen.\u00a0 As he replaces it he speaks softly to Chub.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Well fellow, reckon ole Adam did know what<\/p>\n<p>he was sayin\u2019 after all.\u00a0 Think we better take<\/p>\n<p>the rest of his advice and watch mighty careful<\/p>\n<p>for that lookout.<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss mounts and starts to ride very slowly up the creek.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>FT. CHURCHILL &#8211; DAY\u00a0 &#8211; TWO SHOT\u00a0 &#8211; CAPT McELROY AND SGT. DONOVAN<\/li>\n<\/ul>\n<p>The stand on the verge of the parade ground.\u00a0 The Captain sounds worried:<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>No sign of him, Sergeant?<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>No sir, and the watch reports no movement<\/p>\n<p>about the Post during last night.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; CAPT. McELROY AND SGT. DONOVAN\u00a0 &#8211; FAVORING THE CAPTAIN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Sgt. Donovan, we can\u2019t lose another of that<\/p>\n<p>man\u2019s sons<\/p>\n<p>&nbsp;<\/p>\n<p>305\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>(grimly)<\/p>\n<p>No sir.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Mount a ten-man patrol, your best men.<\/p>\n<p>We\u2019ll go have a look.<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>(with alacrity)<\/p>\n<p>Yes sir!<\/p>\n<p>&nbsp;<\/p>\n<p>As Sgt. Donovan turns away to obey\u00a0 &#8212; \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>MED. SHOT &#8211; THE GATE OF THE FORT\u00a0 &#8211; HOSS<\/li>\n<\/ul>\n<p>The guard at the gate looks up as Hoss gallops through the gate and on into the compound pushing his tired horse hard.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; TRAVEL WITH HOSS<\/li>\n<\/ul>\n<p>As he crosses the parade grounds to the Captain and Sgt. Donovan.\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THREE SHOT &#8211; HOSS, CAPT. McELROY AND SGT. DONOVAN<\/li>\n<\/ul>\n<p>Hoss reins up and quickly dismounts saying gleefully to the Captain.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>We got \u2018em!\u00a0 Found the sidewinders<\/p>\n<p>Captain.\u00a0 Slickest hideout you ever saw.<\/p>\n<p>Delgatto\u2019s got himself a regular village.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(elated)<\/p>\n<p>You found the camp?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(with a big grin)<\/p>\n<p>Shore did, exactly like Adam kept trying to tell us.<\/p>\n<p>You ride up a little crick almost to the camp, and<\/p>\n<p>that there stream is lined with rocks what got<\/p>\n<p>little bits of crystal all thorough \u2018em\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; HOSS AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(continuing)<\/p>\n<p>When the sun hits just the right way, they<\/p>\n<p>sparkle and shine like a new silver dollar.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(abruptly)<\/p>\n<p>How far from here to the camp?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>About twelve miles.\u00a0 It\u2019s down in a narrow<\/p>\n<p>valley just inside the timber up on Rawe Peak.<\/p>\n<p>Only one way in and there\u2019s plenty of lookouts.<\/p>\n<p>Had to wait for dark to slip past \u2018em.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THREE SHOT &#8211; CAPT. McELROY, HOSS AND SGT. DONOVAN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(very pleased with Hoss)<\/p>\n<p>This is fine.\u00a0 I\u2019ll want a full report.<\/p>\n<p>(to Donovan)<\/p>\n<p>Sergeant.<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>Yes sir?<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Have the entire troop ready to ride by one o\u2019clock<\/p>\n<p>with supplies for twenty-four hours and a full issue<\/p>\n<p>of ammunition.\u00a0 And have someone bring Hoss<\/p>\n<p>a meal in my office.<\/p>\n<p>&nbsp;<\/p>\n<p>SGT. DONOVAN<\/p>\n<p>Aye sir, and it\u2019ll be coming right along.<\/p>\n<p>&nbsp;<\/p>\n<p>The SERGEANT MOVES OUT OF THE FRAME.\u00a0 The Captain puts his arm about Hoss and turns him toward the office.\u00a0 As they start in the Captain asks:<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>What about the sentries?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>312\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Adam had it right, but I think I got a way all<\/p>\n<p>figured out that we can take the first one by<\/p>\n<p>surprise going in\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>THEY WALK OUT OF THE FRAME<\/p>\n<p>DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE &#8211; UPSTAIRS HALLWAY OUTSIDE ADAM\u2019S DOOR\u00a0 &#8211; DAY<\/li>\n<\/ul>\n<p>BEN, DR. KAY AND LITTLE JOE pause outside the door.\u00a0 Joe had his hand on the knob to enter.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>I haven\u2019t given him anything at all this<\/p>\n<p>morning Ben.\u00a0 He should be back with<\/p>\n<p>us before too long.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Will he still be in so much pain?<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(reassuringly)<\/p>\n<p>No, no he shouldn\u2019t be.\u00a0 It\u2019s been almost a week<\/p>\n<p>now \u2013 the worst is over.\u00a0 Oh, he\u2019ll be uncomfortable<\/p>\n<p>all right, but his lungs are clear, the internal bleeding<\/p>\n<p>seems to have checked, and his fever\u2019s down.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>If I know Adam, he\u2019ll want to be out of that<\/p>\n<p>bed and after the hombres that did this to him<\/p>\n<p>soon as he figures out he\u2019s still in one piece.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; DR. KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(quickly)<\/p>\n<p>You\u2019d better not let him try it!<\/p>\n<p>He must stay quiet for some time yet<\/p>\n<p>or he\u2019ll start the bleeding again, and his<\/p>\n<p>ribs are just beginning to knit.\u00a0\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; BEN AND DR. KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing)<\/p>\n<p>Ben you are driving me over to the Widow<\/p>\n<p>Barkley\u2019s place aren\u2019t you?<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(doubtfully)<\/p>\n<p>Maybe I\u2019d better have Joe do it Paul.<\/p>\n<p>I want to be here when Adam wakes up.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>Oh nonsense Ben, you need the fresh air!<\/p>\n<p>You\u2019ve been with Adam day and night<\/p>\n<p>since he rode in here, and we\u2019ll probably<\/p>\n<p>be back before he comes around anyhow\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THREE SHOT &#8211; JOE, BEN, DR. KAY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol>\n<li>KAY<\/li>\n<\/ol>\n<p>(continuing)<\/p>\n<p>You\u2019ll keep a sharp eye on your brother<\/p>\n<p>won\u2019t you Little Joe?<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Sure Doc.\u00a0 Go on Pa; it\u2019ll do you good.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(still reluctant)<\/p>\n<p>Well \u2013 all right.<\/p>\n<p>(more lightly)<\/p>\n<p>Besides, maybe I can talk Mrs. Barkley out<\/p>\n<p>of some of those fine strawberry preserves<\/p>\n<p>of hers.\u00a0 Adam\u2019s crazy about \u2018em.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Aren\u2019t we all.<\/p>\n<p>(He turns to enter Adam\u2019s room)<\/p>\n<p>See you later.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; JOE<\/li>\n<\/ul>\n<p>Joe opens the door and enters Adam\u2019s room pushing the door closed behind him.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam is sleeping quietly.\u00a0 His chest is still strapped and the bruises on his face are faintly visible.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; JOE AND ADAM\u00a0 &#8211; TRAVEL WITH JOE<\/li>\n<\/ul>\n<p>As he walks toward the bed, looks down at Adam for a moment and adjusts the covers.\u00a0 Joe picks up a book, sits in a comfortable chair near the bed and begins to read.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SAME SCENE<\/li>\n<\/ul>\n<p>Time is an hour or so later.\u00a0 The room is brighter and Joe pauses in his reading to glance up at the clock.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE CLOCK<\/li>\n<\/ul>\n<p>The time is a few minutes past noon.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; JOE AND ADAM<\/li>\n<\/ul>\n<p>Joe looks toward Adam who still sleeps peacefully. Joe puts aside his book, gets up and tiptoes quietly out of the room.\u00a0 The door closes behind him.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PAN BACK TO ADAM<\/li>\n<\/ul>\n<p>GRADUALLY PULL IN ON ADAM who sighs softly in his sleep and stirs just a little.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PULL IN TO VERY CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>His eyelids flutter but do not open.\u00a0 He makes a slight sound as the CAMERA PULLS ON IN AND DISSOLVES WITH A BRIEF DOUBLE IMAGE INTO THE DREAM SEQUENCE.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>DELGATTO\u2019S CAMP AND THE TRAIL LEADING INTO IT &#8211; DAY WIDE ANGLE AERIAL SHOT.<\/li>\n<\/ul>\n<p>Beyond the last ridge before the defile leading down into the camp we see remotely the figures of Hoss and the Captain leading a column of soldiers.\u00a0 Faint martial music drifts under.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PULL IN TO MED. SHOT &#8211; THE GATLING GUN AND CREW<\/li>\n<\/ul>\n<p>The grimly efficient looking two-man crew gives the weapon a final adjustment and glance o.s. to:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SHOT &#8211; SENTRY POST AND SENTRY<\/li>\n<\/ul>\n<p>The lookout on the high point just above the entrance to the defile. He points back over the hill toward the troop as the faint martial music swells.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; THE GATLING GUN CREW<\/li>\n<\/ul>\n<p>They nod their readiness and begin to take aim along the down trail.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS AND THE CAPTAIN<\/li>\n<\/ul>\n<p>Part of the troop may be seen behind them.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>LONG SHOT &#8211; HOSS, THE CAPTAIN AND THE COLUMN<\/li>\n<\/ul>\n<p>The CAMERA is placed at the top of the ridge at the beginning of the defile down into camp.\u00a0 Hoss, Capt. McElroy and the troop ride TOWARD THE CAMERA grim faced and silent. At the very top of the hill they pull up and look down toward the camp.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; DELGATTO\u2019S CAMP FROM THE RIDGE.<\/li>\n<\/ul>\n<p>The camp appears deserted.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS AND THE CAPTAIN<\/li>\n<\/ul>\n<p>Hoss glances from one side of the descending trail to the other, but he does not see the well-camouflaged gun.\u00a0 Hoss nods at the Captain and urges his mount forward.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>MED CLOSE SHOT &#8211; HOSS, THE CAPTAIN AND THE TROOP<\/li>\n<\/ul>\n<p>The Captain signals the column forward, and they ride down into the defile.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; THE GUN CREW<\/li>\n<\/ul>\n<p>The martial music is stronger as the gun crew watches the sentinel high above the column.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE SENTINEL<\/li>\n<\/ul>\n<p>He stands with arm upraised ready to signal \u2018commence firing.\u2019<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE TROOP<\/li>\n<\/ul>\n<p>They move down into the narrow trail leading to the camp.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE GUN CREW<\/li>\n<\/ul>\n<p>They grin wickedly as they take final aim.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE SENTINEL<\/li>\n<\/ul>\n<p>Suddenly he drops his arm and a thunderous stutter fills the air as the gun begins firing.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>GROUP SHOT &#8211; THE TROOP<\/li>\n<\/ul>\n<p>The column is raked with deadly accurate gunfire.\u00a0 There is total confusion.\u00a0 Men and animals scream, horses rear.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; HOSS<\/li>\n<\/ul>\n<p>He is ripped from his rearing mount by the shuddering blows of a stream of bullets as he is thrown to the ground\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 &#8211;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE &#8211; DAY\u00a0 &#8211; ADAM\u2019S ROOM\u00a0 &#8211; CLOSE SHOT\u00a0 &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam comes fully awake and jerks straight up in the bed with an inarticulate cry.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Hoss!<\/p>\n<p>&nbsp;<\/p>\n<p>Adam shakes his head to clear it and realizes that he has been dreaming.\u00a0 He becomes aware of the pain in his chest; groans and drops back onto the pillows.\u00a0 Then alarm crosses his face as he is struck by the significance of the dream.\u00a0 He looks about the room for a moment in search of someone to tell and sees that he is alone.\u00a0 All he knows is that Hoss has gone to look for Delgatto without this vital piece of information. He has no idea how long ago, or where everyone is, but a sense of urgency drives him to make the effort himself.\u00a0 He pushes back the covers and painfully, slowly begins to force himself out of the bed.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE &#8211; KITCHEN\u00a0 &#8211; DAY\u00a0 &#8211; MED. CLOSE SHOT\u00a0 &#8211; LITTLE JOE<\/li>\n<\/ul>\n<p>Joe is making himself some lunch.\u00a0 He has a loaf of bread, roast of meat, slicing knife, etc. and whistles contentedly under his breath as he slices the bread and meat and prepares himself a sandwich.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE &#8211;\u00a0 ADAM\u2019S ROOM\u00a0 &#8211; DAY\u00a0 &#8211; CLOSE SHOT\u00a0 &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam is up and has gotten his pants on.\u00a0 His upper body is bare, but heavily bandaged.\u00a0 He leans against the dresser for support and works at getting his shirt on.\u00a0 He is very weak and in considerable pain.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>KITCHEN SCENE &#8211;\u00a0 CLOSE SHOT\u00a0 &#8211; JOE<\/li>\n<\/ul>\n<p>He leans easy against the sideboard eating his sandwich and drinking a glass of milk.\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BEDROOM SCENE &#8211;\u00a0 CLOSE SHOT \u2013 ADAM<\/li>\n<\/ul>\n<p>He looks about for his gunbelt.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK CLOSE SHOT &#8211; THE GUNBELT<\/li>\n<\/ul>\n<p>Adam\u2019s gunbelt hangs on a wall peg across the room from where Adam stands.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO ADAM<\/li>\n<\/ul>\n<p>TRAVEL WITH Adam as he starts toward his weapon. Each step is an effort as he must drive the commands through his bruised spine. When he reaches the wall rack he has to reach up to lift down the heavy gunbelt.\u00a0 The pull on his chest is almost more that he can stand, but after a couple of tries he lifts it down and begins to buckle it on.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>KITCHEN SCENE &#8211;\u00a0 TRAVEL WITH JOE<\/li>\n<\/ul>\n<p>As he puts his plate and glass into the sink and saunters out of the kitchen headed back upstairs.\u00a0 He pauses in the living room to select an apple from a bowl. He tosses it up casually and goes on toward the stairs.\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>BEDROOM SCENE &#8211; CLOSE SHOT\u00a0 &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam leans over to pick up his boots from a corner. He is beyond his strength and as he bends over the pain from his ribs catches him and he grunts sharply.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; THE BOOTS\u00a0 &#8211; AS ADAM SEES THEM<\/li>\n<\/ul>\n<p>The boots fade out of focus, stabilize for a second, then blur again as a blackout begins to creep up around them.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>With a terrific effort he manages to straighten and hangs onto the dresser with both hands, his head low, drenched in a cold sweat of exhaustion.\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 PAN QUICKLY TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; THE DOOR<\/li>\n<\/ul>\n<p>It opens and JOE enters.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT \u2013 JOE AND ADAM<\/li>\n<\/ul>\n<p>Joe sees Adam where he stands hanging onto the dresser trying to stay conscious.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Adam!<\/p>\n<p>&nbsp;<\/p>\n<p>After a moment of shocked surprise Joe unfreezes and gets an arm around Adam steadying him.\u00a0 Adam lets Joe take his weight.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(weakly)<\/p>\n<p>Dizzy.<\/p>\n<p>&nbsp;<\/p>\n<p>In his anxiety Joe speaks sharply to Adam.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>You crazy fool, what do you think you\u2019re<\/p>\n<p>doing!\u00a0 You want to kill yourself!<\/p>\n<p>&nbsp;<\/p>\n<p>Joe carefully eases Adam into a nearby chair.\u00a0 Adam lets his head drop back and fights to steady his breathing.\u00a0 Then he lifts his head and says urgently:<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Joe.\u00a0 Hoss, he\u2019ll be killed.\u00a0 The gun; I forgot<\/p>\n<p>the gun.\u00a0 Gotta get to him.<\/p>\n<p>&nbsp;<\/p>\n<p>354\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>&nbsp;<\/p>\n<p>Adam attempts to rise and Joe restrains him.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>The only place you\u2019re going is back to bed.<\/p>\n<p>You\u2019re still delirious Adam.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>No Joe.\u00a0 I\u2019m all right.\u00a0 Believe me.<\/p>\n<p>Delgatto has a gun, a Gatling gun.<\/p>\n<p>It covers the only trail down into his<\/p>\n<p>camp.\u00a0 They can wipe out the whole<\/p>\n<p>column.\u00a0 Got to warn \u2018em!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; JOE AND ADAM<\/li>\n<\/ul>\n<p>Joe looks at Adam closely and feels his forehead.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(almost frantic)<\/p>\n<p>Joe!\u00a0 In heaven\u2019s name!<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>I believe you Adam.\u00a0 I\u2019ll go as soon as<\/p>\n<p>I can get you back into bed.\u00a0 Pa and the<\/p>\n<p>Doc will be here shortly; you got to<\/p>\n<p>promise me you won\u2019t try to move<\/p>\n<p>again till they come.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>You don\u2019t know where the camp is, and<\/p>\n<p>the gun\u2019s hidden.\u00a0 I want to go with you.<\/p>\n<p>&nbsp;<\/p>\n<p>Obviously Adam would never make the ride, but this doesn\u2019t prevent him from wanting to go.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>And I want to keep <u>both<\/u> my brothers<\/p>\n<p>alive in this mess.\u00a0 You promise, or<\/p>\n<p>nobody goes.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam realizes the sense of this and after a pause agrees:<\/p>\n<p>&nbsp;<\/p>\n<p>356\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>ADAM<\/p>\n<p>Yeah, yeah, okay.\u00a0 I\u2019d only slow you<\/p>\n<p>up anyway.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>That\u2019s better.\u00a0 Now tell me all you know<\/p>\n<p>about this gun and how to find it.<\/p>\n<p>DISSOLVE<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>NEAR THE PONDEROSA RANCH HOUSE &#8211;\u00a0 DAY \u2013 MED. SHOT<\/li>\n<\/ul>\n<p>LITTLE JOE rides rapidly away from the ranch house spurring his horse hard.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>FT. CHURCHILL &#8211; DAY\u00a0 &#8211; FUL SHOT<\/li>\n<\/ul>\n<p>HOSS, CAPT. McELROY, SGT DONOVAN AND TROOP M move in column formation out of the gate and away from the Post<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SOUTH BANK OF THE CARSON RIVER &#8211; DAY\u00a0 &#8211; MED. CLOSE SHOT<\/li>\n<\/ul>\n<p>LITTLE JOE pushes his mount along the bank of the river toward the stream with the \u2018shining rocks.\u2019<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE POINT WHERE THE \u2018SHINING ROCKS\u2019 STREAM ENTERS THE<\/li>\n<\/ul>\n<p>CARSON\u00a0 &#8211; DAY\u00a0 &#8211; MED. SHOT<\/p>\n<p>The Troop turns into the creek by the shining rocks.\u00a0 HOSS points them out to the CAPTAIN as they ride slowly by.<\/p>\n<p>DISSOLVE TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>AERIAL SHOT OF THE COLUMN AND MOUNTAINS AT DELGATTO\u2019S CAMP USED IN SCENE #326. USE SAME MUSIC.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>SENTRY AT LOOKOUT POINT ABOVE THE PASS LEADING TO DELGATTO\u2019S CAMP &#8211; DAY\u00a0 &#8211; MED. SHOT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE COLUMN FROM SENTRY\u2019S POINT OF VIEW<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>BACK TO SENTRY<\/li>\n<\/ul>\n<p>The LOOKOUT registers surprise, hastily grabs his signal mirror and begins to flash the gun post. o.s.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK SHOT &#8211; THE GATLING GUN AND CREW<\/li>\n<\/ul>\n<p>One of the two-man crew stands reading the flashes from the lookout\u2019s mirror.\u00a0 They stop and he turns hurriedly toward the gun.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<p>366\u00a0\u00a0\u00a0\u00a0\u00a0 EXT.\u00a0 A POINT ALONG THE CREEK BED NOT FAR FROM DELGATTO\u2019S CAMP<\/p>\n<p>JOE pounds up the creek bed, water flying under Cochise\u2019s hooves. He catches sight of the tail of the COLUMN.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>THE HEAD OF THE COLUMN JUST BELOW THE CREST OF THE<\/li>\n<\/ul>\n<p>RIDGE FROM WHICH THE DEFILE LEADS DOWN INTO DELGATTO\u2019S CAMP\u00a0 &#8211; DAY\u00a0 &#8211; FULL SHOT<\/p>\n<p>JOE races INTO THE FRAME.\u00a0 TRAVEL with JOE as he comes up beside the COLUMN and slides to a halt beside HOSS who looks at him amazed.\u00a0 CAPT. McELROY throws up his arm indicating a halt.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<p>368\u00a0\u00a0\u00a0\u00a0\u00a0 MED. CLOSE THREE SHOT\u00a0 &#8211; HOSS, THE CAPTAIN, JOE<\/p>\n<p>JOE speaks quickly and quietly to HOSS.\u00a0 Hoss turns to the Captain.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Well?<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Little job that got overlooked.\u00a0 Just hold<\/p>\n<p>everything till we get back.<\/p>\n<p>&nbsp;<\/p>\n<p>Hoss and Joe ride away OUT OF THE FRAME to the right<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<p>369\u00a0\u00a0\u00a0\u00a0\u00a0 EXT. THE GATLING GUN AND CREW\u00a0 &#8211; DAY MED. CLOSE SHOT.<\/p>\n<p>The gun crew waits tensely watching the sentry on the high point o.s.\u00a0 Suddenly JOE and HOSS break from cover on either side of the gun position and after a short, but fierce struggle overcome the gun crew.\u00a0 They straighten, grin at each other and solemnly shake hands.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>For Adam.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>(nodding yes)<\/p>\n<p>For Adam.<\/p>\n<p>&nbsp;<\/p>\n<p>They look up o.s. to see:<\/p>\n<p>&nbsp;<\/p>\n<p>370\u00a0\u00a0\u00a0\u00a0\u00a0 QUICK SHOT\u00a0 &#8211; THE LOOKOUT \u2013 MED. LONG SHOT<\/p>\n<p>He scrambles off his lookout peak and down a side trail toward Delgatto\u2019s camp.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>371\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; HOSS, JOE, THE UNCONSCIOUS GUN CREW<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Let\u2019s go!<\/p>\n<p>&nbsp;<\/p>\n<p>They each grab one of the limp bodies of the gun crew and drag them unceremoniously off into the woods.<\/p>\n<p>CUT TO:<\/p>\n<p>&nbsp;<\/p>\n<p>372\u00a0\u00a0\u00a0\u00a0\u00a0 EXT. THE COLUMN HEAD ON THE RIDGE\u00a0 &#8211; DAY\u00a0 &#8211; MED. CLOSE SHOT<\/p>\n<p>CAPT McELROY still holds the column waiting nervously.\u00a0 HOSS and JOE<\/p>\n<p>RIDE BACK INTO THE FRAME.<\/p>\n<p>&nbsp;<\/p>\n<p>HOSS<\/p>\n<p>Move \u2018em out Captain.\u00a0 Delgatto knows<\/p>\n<p>we\u2019re comin\u2019 now.<\/p>\n<p>&nbsp;<\/p>\n<p>The Captain signals, the BUGLE SOUNDS ATTACK and the column charges over the crest and down the defile\u00a0 &#8211; dust and dirt SPRAYING INTO THE FRAME.<\/p>\n<p>FADE OUT<\/p>\n<p>&nbsp;<\/p>\n<p>(COMMERCIAL)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>ACT III<\/p>\n<p>&nbsp;<\/p>\n<p>FADE IN<\/p>\n<p>&nbsp;<\/p>\n<p>373\u00a0\u00a0\u00a0\u00a0\u00a0 INT. PONDEROSA RANCH HOUSE\u00a0\u00a0 &#8211; ADAM\u2019S ROOM\u00a0 &#8211; DAY \u2013 ESTABLISHING SHOT<\/p>\n<p>Adam has spent two pain-filled weeks, each slow-counted hour with a full measure of discomfort.\u00a0 Everything is difficult \u2013 breathing, sleeping, eating, just existing, and most galling of all to Adam is his helplessness, his prolonged need for care and assistance even in the simplest matters.\u00a0 He has borne it well and managed to maintain some sense of proportion and humor, but his body has almost drained its reserves in order to repair and rebuild, leaving Adam feeling depressed and very thinly drawn around the edges.\u00a0 Ben is aware of this, and in their conversation, works gently, affectionately to buoy up Adam\u2019s spirits.<\/p>\n<p>ADAM is in bed supported in a half-sitting position and rests fairly comfortably on his left side and hip. He has a tendency to keep his hand pressed to his left side, which hurts him steadily.\u00a0 He shifts his position slightly from time to time to ease it.\u00a0 He is reading as BEN ENTERS the room, but puts the book down and looks up pleased \u2013 glad of someone to talk to for a while.\u00a0 He lifts his hand in greeting.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TRAVEL WITH BEN AND PULL IN<\/li>\n<\/ul>\n<p>As he smiles at Adam and walks over to sit gently on the edge of the bed facing his son.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(lightly)<\/p>\n<p>How\u2019s it going son?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(with a wry smile)<\/p>\n<p>Slowly, Pop, very slowly.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Well, you know Virgil said that<\/p>\n<p>\u201cEvery misfortune is subdued by patience.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>And it has been remarked that,\u00a0 \u201cHe preacheth<\/p>\n<p>patience that never knew pain.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>This is a game between them that neither takes seriously.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING BEN<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Knew an old mountain man once who always<\/p>\n<p>\u201c\u2018Lowed as how there warn\u2019t nothin\u2019 like a good<\/p>\n<p>spell of the miseries to take a feller\u2019s mind offen<\/p>\n<p>his troubles.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Adam gives a snort between disgust and laughter and then is doubled over by the adverse response of his sore ribs.\u00a0 Ben continues unrelentingly.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Same old coot made his own brand of tonsil<\/p>\n<p>varnish out of fermented parsnips.<\/p>\n<p>Swore it would cure anything.\u00a0 Never had the<\/p>\n<p>nerve to try it myself, but I once saw a drop<\/p>\n<p>draw a blood blister on a rawhide boot.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>Adam has his arms pressed tightly around his chest and gasps half in laughter and half in pain.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>No.\u00a0 Don\u2019t.\u00a0 Stop it Pa.<\/p>\n<p>You\u2019re killing me here.<\/p>\n<p>&nbsp;<\/p>\n<p>Ben pauses until Adam can catch his breath and then asks:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>So how about it?\u00a0 Feel like seeing a<\/p>\n<p>visitor for a few minutes?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>That\u2019ll depend on who it is.\u00a0 If it were<\/p>\n<p>that new singer Joe was telling me they\u2019ve<\/p>\n<p>hired at the Crittendon House \u2026?<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Well you can disabuse your mind of that fancy;<\/p>\n<p>it isn\u2019t.\u00a0 And if she\u2019s the young lady I heard<\/p>\n<p>Joe and Hoss remarking on, we couldn\u2019t risk<\/p>\n<p>running your temperature up like that anyhow.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>Adam smiles and with a questioning gesture asks:<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Who then?<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Captain McElroy.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam is at first surprised and then slips quickly into a flare of temper.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>McElroy!\u00a0 What does he want?\u00a0 I\u2019m not<\/p>\n<p>ready for another scouting mission yet.<\/p>\n<p>No, I don\u2019t want to see him!<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(calmly, pleasantly)<\/p>\n<p>Do you think that\u2019s quite fair?<\/p>\n<p>After all, it\u2019s a good ride over here<\/p>\n<p>from the Fort, and he has been<\/p>\n<p>concerned about you.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam is worn down a little too fine to be his usual reasonable self.\u00a0 He shifts with considerable effort and snaps:<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Concerned!\u00a0 Too bad he didn\u2019t think of it<\/p>\n<p>sooner.\u00a0 If it weren\u2019t for him I wouldn\u2019t be<\/p>\n<p>laid up here.<\/p>\n<p>&nbsp;<\/p>\n<p>Ben continues patiently to try and ease Adam out of his none too logical mood.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Delgatto didn\u2019t have anything to do with it?<\/p>\n<p>You didn\u2019t volunteer for the mission?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam gets the point and relaxes, a little amused with himself.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>You\u2019ve got me there, Pop.\u00a0 I asked for it.<\/p>\n<p>(he becomes serious again)<\/p>\n<p>But even after he saw what happened to me,<\/p>\n<p>he let Hoss take the same chance.<\/p>\n<p>(beat\u00a0 &#8211;\u00a0 remembering his dream)<\/p>\n<p>That was so close.\u00a0 I still get the shakes when<\/p>\n<p>I think about it.\u00a0 If I hadn\u2019t come to; if Joe hadn\u2019t<\/p>\n<p>made it in time\u2026 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(continuing)<\/p>\n<p>How does a man justify something like that?<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>If you want McElroy\u2019s reasons why don\u2019t you<\/p>\n<p>ask <u>him<\/u> for them?\u00a0 You may not particularly<\/p>\n<p>like the man Adam, but I think he\u2019s entitled<\/p>\n<p>to your respect.\u00a0 It\u2019s men of his breed who<\/p>\n<p>are bringing something more than lynch law<\/p>\n<p>to the West.<\/p>\n<p>The Army\u2019s spread mighty thin out here,<\/p>\n<p>and they have a big responsibility \u2013 to assist<\/p>\n<p>the civilian law enforcement officials, to patrol<\/p>\n<p>our borders, put down outlaw gangs like<\/p>\n<p>Delgatto\u2019s, and to control the hostile Indians.<\/p>\n<p>It amounts to fighting a full-time war every day<\/p>\n<p>for little pay and less thanks.\u00a0 The Captain\u2019s got<\/p>\n<p>a tough job, but he\u2019s doing it in the best way he<\/p>\n<p>knows how.\u00a0 It won\u2019t hurt you to hear what he<\/p>\n<p>has to say.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam realizes the truth of this and slowly nods his agreement.\u00a0 Then, using his arms, he forces himself up off of the pillows and tries to pull more erect.\u00a0 About half way he is caught by the pain in his ribs and must break off his efforts to clutch them with his right hand.\u00a0 He is hung with his weight on his left arm unable to move in any direction.\u00a0 Ben puts his arm behind his son and supports him.\u00a0 Adam is in pain and angry at his need for assistance.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Help me sit up, Pa.\u00a0 I don\u2019t want him to<\/p>\n<p>see me like this.\u00a0 I <u>hate<\/u> being so helpless.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>It\u2019ll pass son; it\u2019ll pass.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>382\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>Ben helps Adam to turn and fixes the pillows so that he is held fully erect with his head unsupported. Adam is panting a little with the effort.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Better?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Yeah, yeah.\u00a0 Send him on in.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM\u2019S ROOM<\/li>\n<\/ul>\n<p>BEN steps to the door, opens it and calls:<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Captain \u2026<\/p>\n<p>&nbsp;<\/p>\n<p>The Captain enters through the door that Ben holds open<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Thank you.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(quietly)<\/p>\n<p>Not too long.<\/p>\n<p>&nbsp;<\/p>\n<p>The Captain nods yes and BEN EXITS closing the door after him.\u00a0 Capt. McElroy stands hesitating just inside the room.\u00a0 Adam still doesn\u2019t relish another encounter with him and begins the conversation as prickly as a porcupine.\u00a0 As the Captain crosses to the bed PULL IN TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; ADAM AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(hesitantly)<\/p>\n<p>How \u2013 how are you feeling?<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Like I\u2019d been thrown and sat on \u2013<\/p>\n<p>by a tall horse.<\/p>\n<p>(with a trace of sarcasm)<\/p>\n<p>You\u2019ll forgive me if I don\u2019t stand to<\/p>\n<p>attention.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>384\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Yes.\u00a0 Yes, of course.\u00a0 That\u2019s part of what<\/p>\n<p>I came to tell you.\u00a0 You needn\u2019t trouble any<\/p>\n<p>more about the contract.\u00a0 We\u2019ll carry you on<\/p>\n<p>the sick book as wounded in the line of duty<\/p>\n<p>until it expires.\u00a0 From what the doctor tells me,<\/p>\n<p>that won\u2019t be too far wrong.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>This is a surprise to Adam.\u00a0 He really expected his illness to be bad time as far as the contract was concerned, but he is not about to argue.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>Why \u2013 ah \u2013 thank you Captain.<\/p>\n<p>&nbsp;<\/p>\n<p>386\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE TWO SHOT\u00a0 &#8211; ADAM AND CAPT. McELROY\u00a0 &#8211; FAVORING THE CAPTAIN.<\/p>\n<p>There is a long pause as the Captain looks for a way to begin.\u00a0 Adam tries to help.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>You mentioned something else you<\/p>\n<p>wanted to tell me.<\/p>\n<p>&nbsp;<\/p>\n<p>The Captain gathers himself and plunges in quickly:<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Yes, I \u2013 I believe I owe you an apology.<\/p>\n<p>&nbsp;<\/p>\n<p>387\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; CAPT. McELROY<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>You and your family are civilians, and<\/p>\n<p>I used you all pretty mercilessly \u2013 from<\/p>\n<p>the time you rode into that burning ranch<\/p>\n<p>until we captured Delgatto, even after you<\/p>\n<p>were so badly hurt.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing, voice only)<\/p>\n<p>The only justification I can offer is that I had to have<\/p>\n<p>the information you and your brothers obtained. (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>A commander can\u2019t always afford to think<\/p>\n<p>of individuals; sometimes he has to think in<\/p>\n<p>terms of the risks necessary to complete a<\/p>\n<p>mission\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; ADAM AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>However, I don\u2019t like to risk civilians as<\/p>\n<p>I did you and Hoss.<\/p>\n<p>(beat)<\/p>\n<p>There just wasn\u2019t any alternative. No one<\/p>\n<p>else offered to serve as scout, and it would<\/p>\n<p>have taken my green troops months to locate<\/p>\n<p>the camp.\u00a0 Who knows what harm Delgatto<\/p>\n<p>would have done by then?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>The Captain has succeeded in making some of his problems of command clear to Adam.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>I volunteered; so did Hoss.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; ADAM AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>Yes, and I want you to know that I consider<\/p>\n<p>your conduct of yourself and of your mission<\/p>\n<p>to have been soldierly in every particular.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>And is there really such a difference between<\/p>\n<p>a soldier and a civilian then?<\/p>\n<p>&nbsp;<\/p>\n<p>The Captain takes this up quickly.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>A soldier accepts personal responsibility for<\/p>\n<p>the safety of the society of which he is a<\/p>\n<p>member.\u00a0 The civilian does not.\u00a0 (cont.)<\/p>\n<ul>\n<li>CONTINUED<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>The soldier is willing to have his country\u2019s<\/p>\n<p>beliefs and ideals proved on his very warm,<\/p>\n<p>fragile, living body if necessary.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; ADAM AND CAPT. McELROY\u00a0 &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(continuing)<\/p>\n<p>You acted as a soldier in placing the most<\/p>\n<p>precious thing you have, your life, between<\/p>\n<p>Delgatto and your home, your community.<\/p>\n<p>It\u2019s the noblest fate a man can endure.<\/p>\n<p>&nbsp;<\/p>\n<p>Adam is indeed complimented and impressed and answers slowly.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>You know, Captain, I think probably I owe<\/p>\n<p>you an apology.\u00a0 I misjudged you rather cruelly.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE<\/li>\n<\/ul>\n<p>The Captain shrugs to indicate that it is of no consequence.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>You carried out the mission without regard<\/p>\n<p>to your personal feelings; that\u2019s what matters.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>But surely any citizen,<\/p>\n<p>(with a smile)<\/p>\n<p>even a civilian, has a responsibility to<\/p>\n<p>protect his society from the marauders;<\/p>\n<p>to uphold the law and assist its officers (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>396\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; ADAM<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(continuing)<\/p>\n<p>A man can\u2019t just take freedom, and life and<\/p>\n<p>livelihood from a land and not be willing<\/p>\n<p>to yield it back if required of him.\u00a0 Sweet<\/p>\n<p>as life is, can we afford to surrender to the<\/p>\n<p>forces of fear and violence in order to<\/p>\n<p>preserve it?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; FAVORING CAPT. McELROY<\/li>\n<\/ul>\n<p>Adam looks at the Captain questioningly.\u00a0 The officer slowly nods his head in agreement.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I may have been wrong about civilians,<\/p>\n<p>(with a wink)<\/p>\n<p>at least <u>some<\/u> civilians. Will you shake on that?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE<\/li>\n<\/ul>\n<p>The Captain extends his hand and Adam takes it.\u00a0 They shake and then the Captain steps back\u00a0 &#8211;<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(aware that it is unlikely)<\/p>\n<p>I\u2019d be proud to have you serve with me<\/p>\n<p>again anytime you\u2019re looking for a<\/p>\n<p>scouting job.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>Adam\u2019s strength is still very limited, and he is beginning to tire.\u00a0 His hand unconsciously drifts to his bandaged chest.<\/p>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>(with a half-laugh)<\/p>\n<p>Thanks, but not right away anyhow.<\/p>\n<p>&nbsp;<\/p>\n<p>It is becoming hard for Adam to hold his head erect, and it dips toward the pillows.\u00a0 Adam catches himself and snaps it up again quickly.\u00a0 The Captain observes it however.<\/p>\n<p>&nbsp;<\/p>\n<p>CAPT. McELROY<\/p>\n<p>I\u2019m tiring you, and I had fair warning not<\/p>\n<p>to stay too long.\u00a0 I\u2019ll come again if I may?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; ADAM AND CAPT. McELROY<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>ADAM<\/p>\n<p>I\u2019d like that, please do.\u00a0 Maybe we can manage<\/p>\n<p>to get along a little better than two bobcats in<\/p>\n<p>a sack now.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>400\u00a0\u00a0\u00a0\u00a0\u00a0 CONTINUED<\/p>\n<p>CAPT. McELROY<\/p>\n<p>(with a grin)<\/p>\n<p>I think so.<\/p>\n<p>&nbsp;<\/p>\n<p>McElroy walks to the door, and touches his brow in a quick salute to Adam.\u00a0 Adam reciprocates and the CAPTAIN EXITS.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam looks after the soldier for a moment then closes his eyes and lets his head sink slowly onto the pillows, his hand once more pressed tightly against his bandaged chest.<\/p>\n<p>PULL IN TO VERY CLOSE SHOT AND DISSOLVE THRU TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>PONDEROSA RANCH HOUSE YARD &#8211; DAY\u00a0 &#8211; CLOSE SHOT\u00a0 &#8211; ADAM<\/li>\n<\/ul>\n<p>Adam is stretch out in a lounge chair in the warm sunshine.\u00a0 He looks completely relaxed and utterly comfortable, there is an open book in his lap, but at the moment his eyes are closed, his breathing slow and steady.\u00a0 He is probably asleep.\u00a0 He wears pants and a light shirt open enough to reveal his chest still bandaged.\u00a0 There is the SOUND of wood being chopped o.s.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>QUICK CLOSE SHOT<\/li>\n<\/ul>\n<p>An AX BLADE bites sharply into a log.\u00a0 PULL BACK TO:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ESTABLISHING SHOT &#8211; EXT. PONDEROSA RANCH HOUSE YARD\u00a0 &#8211; DAY<\/li>\n<\/ul>\n<p>FOCUS is on LITTLE JOE who is chopping wood.\u00a0 He works at a large pile of logs and has obviously been at it for some time. He is hot, sweaty and tired.\u00a0 A water bucket and dipper stand near the woodpile.\u00a0 Adam may be seen in the background as in scene #402 above.\u00a0 Just as Joe manages to give the coup de grace to a particularly stubborn log with a solid grunt BEN walks into the frame.\u00a0 He has an envelope in his hand.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE TWO SHOT &#8211; BEN AND LITTLE JOE<\/li>\n<\/ul>\n<p>Joe stops chopping, puts his hand in the small of his back and straightens up painfully with a deep sigh.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Enjoying yourself?<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>(with wry humor)<\/p>\n<p>Oh, just dandy.\u00a0 I don\u2019t hardly know of<\/p>\n<p>anything more refreshing \u2013 \u2018cept maybe<\/p>\n<p>being burned at the stake.<\/p>\n<ul>\n<li>CONTINUED<\/li>\n<\/ul>\n<p>Joe takes a dipper full of water from the bucket and drinks.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(laughing)<\/p>\n<p>A little honest work never hurt anyone \u2013<\/p>\n<p>least of all you.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>406\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; ADAM<\/p>\n<p>He is still as in scene #402<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>(voice only)<\/p>\n<p>Well, there\u2019s nothin\u2019 like havin\u2019 a license<\/p>\n<p>to loaf.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>407\u00a0\u00a0\u00a0\u00a0\u00a0 MED CLOSE SHOT\u00a0 &#8211; BEN, JOE, ADAM IN BACKGROUND<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>(continuing)<\/p>\n<p>There just <u>has<\/u> to be a law against anybody<\/p>\n<p>lookin\u2019 that comfortable \u2013 particularly when<\/p>\n<p>I\u2019m working!<\/p>\n<p>&nbsp;<\/p>\n<p>Joe leans down and picks up the dipper full of water and turns in Adam\u2019s direction with the intent of pouring it over his unsuspecting brother\u2019s head.\u00a0 Ben catches Joe\u2019s arm and pivots him back around taking the dipper and pouring out the water.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(firmly but pleasantly)<\/p>\n<p>Not so fast young man!\u00a0 You leave your<\/p>\n<p>brother alone \u2013 and that\u2019s an order\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>408\u00a0\u00a0\u00a0\u00a0\u00a0 CLOSE SHOT\u00a0 &#8211; ADAM<\/p>\n<p>Still as in shot #402.\u00a0 He shifts his position slightly without awakening as Ben continues speaking more seriously.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(voice only)<\/p>\n<p>You don\u2019t know how good it looks to me<\/p>\n<p>to see him stretched out there \u2013<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CLOSE SHOT &#8211; BEN<\/li>\n<\/ul>\n<p>His face reveals some of his previous concern over Adam and his present relief.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(continuing)<\/p>\n<ul>\n<li>free of pain, eating well, able to be up and<\/li>\n<li>around some and with his ribs almost healed. (cont.)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>TWO SHOT &#8211; BEN AND LITTLE JOE<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(continuing)<\/p>\n<p>Right now I don\u2019t much care if he<\/p>\n<p>never does another lick of work.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>(seriously)<\/p>\n<p>Yeah, yeah, I know what you mean, Pa.<\/p>\n<p>When he rolled out of that saddle into Hoss\u2019s<\/p>\n<p>arms with blood bubbling out of his mouth<\/p>\n<p>and his chest soundin\u2019 like a sack of broken<\/p>\n<p>glass, I though we\u2019d lost him for sure.<\/p>\n<p>Six weeks like he\u2019s just been through are a<\/p>\n<p>pretty stiff price to pay for doing what you see<\/p>\n<p>to be your duty as a citizen.<\/p>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(a little ruefully)<\/p>\n<p>And he\u2019s probably do it again if he thought<\/p>\n<p>it was the only way.\u00a0 (cont.)<\/p>\n<p>&nbsp;<\/p>\n<p>Joe nods his agreement with Ben.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>SHOT &#8211; BEN, JOE, ADAM IN BACKGROUND<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>(continuing)<\/p>\n<p>Speaking of payment though, Capt. McElroy<\/p>\n<p>had Adam\u2019s pay voucher delivered a few<\/p>\n<p>minutes ago.<\/p>\n<p>&nbsp;<\/p>\n<p>Ben exhibits the envelope.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>How much?<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CONTINUED<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>BEN<\/p>\n<p>Fifty eight dollars for the three months,<\/p>\n<p>and I guess he\u2019ll have to split with you<\/p>\n<p>and Hoss.<\/p>\n<p>&nbsp;<\/p>\n<p>JOE<\/p>\n<p>Man!<\/p>\n<p>(he figures in his head for a minute)<\/p>\n<p>Nineteen dollars and thirty-three cents\u00a0apiece. We\u2019ll all be rich.<\/p>\n<p>&nbsp;<\/p>\n<p>Ben and Joe laugh which wakes Adam.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>ANOTHER ANGLE &#8211; FAVORING ADAM<\/li>\n<\/ul>\n<p>Adam yawns and looks at them questioningly as they walk toward him with the pay slip<\/p>\n<p>FADE OUT<\/p>\n<p>&nbsp;<\/p>\n<p>THE END<\/p>\n<p>&nbsp;<\/p>\n<p>Tags: Adam Cartwright, army, Ben Cartwright, Civil War, Hoss Cartwright, Joe \/ Little Joe Cartwright<\/p>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_12865\" class=\"pvc_stats all  \" data-element-id=\"12865\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewBox=\"0 0 502 315\" preserveAspectRatio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 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314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/i0.wp.com\/bonanzabrand.info\/library\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif?resize=16%2C16&#038;ssl=1\" border=0 \/><\/p>\n<div class=\"pvc_clear\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Summary:\u00a0 The following script was submitted to Bonanza in early 1963 by a kind agent willing to take on an unsold writer.\u00a0 The script was rejected as \u2018well done, but too expensive in production.\u201d<\/p>\n<p>Let\u2019s call it PG13. \u00a0(19,427 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Rated: \u00a0T \u00a0 (10,120 words)","rel":"","context":"In &quot;Action\/Adventure&quot;","block_context":{"text":"Action\/Adventure","link":"https:\/\/bonanzabrand.info\/library\/?cat=2"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/bonanzabrand.info\/library\/wp-content\/uploads\/2014\/04\/MyFriendMyEnemy1.png?fit=486%2C296&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12737,"url":"https:\/\/bonanzabrand.info\/library\/?p=12737","url_meta":{"origin":12865,"position":3},"title":"Ghost Wagons (by GinnyF)","author":"Ginny F","date":"October 23, 2003","format":false,"excerpt":"Summary:\u00a0 Tall tales?\u00a0Ghost Stories?\u00a0 Or did it really happen? 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Joe's early attempt to repay\u00a0Adam go comically awry, but finally has the chance as he sees his brother wounded in\u2026","rel":"","context":"In &quot;Adam Cartwright&quot;","block_context":{"text":"Adam Cartwright","link":"https:\/\/bonanzabrand.info\/library\/?cat=1005"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/bonanzabrand.info\/library\/wp-content\/uploads\/2014\/05\/Adams-English-Scenic2.jpg?fit=450%2C436&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2757,"url":"https:\/\/bonanzabrand.info\/library\/?p=2757","url_meta":{"origin":12865,"position":5},"title":"The Dime Novel Rescue (by freyakendra)","author":"freyakendra","date":"July 1, 2013","format":false,"excerpt":"Summary: Wounded, trapped in the desert and surrounded by a renegade band of Bannocks, Paiutes and Shoshones, Adam and Joe prepare for death, unaware of the unfolding chain of tiny miracles that is setting them up for an improbable, last-minute rescue. 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