{"id":45610,"date":"2003-02-12T14:44:12","date_gmt":"2003-02-12T19:44:12","guid":{"rendered":"https:\/\/bonanzabrand.info\/library\/?p=45610"},"modified":"2025-02-27T12:06:55","modified_gmt":"2025-02-27T17:06:55","slug":"the-ponderosa-spirit-by-joan-markowitz","status":"publish","type":"post","link":"https:\/\/bonanzabrand.info\/library\/?p=45610","title":{"rendered":"The Ponderosa Spirit (by Joan Markowitz)"},"content":{"rendered":"<p><b>Synopsis:<\/b> A mischievous spirit (Poltergeist) attaches itself to Hoss and gives him and others in the family a rough time.<br \/>\n(This is a script I wrote that NBC was scheduled to produce, but due to the untimely death of Dan Blocker it didn&#8217;t happen.)<br \/>\nRating:\u00a0 G\u00a0 Words 12,285<\/p>\n<p><!--more--><\/p>\n<hr \/>\n<p>The Brandsters have included this author in our project:\u00a0<a href=\"https:\/\/bonanzabrand.info\/library\/?page_id=40837\">Preserving Their Legacy<\/a>. To preserve the legacy of the author, we have decided to give their work a home in the Bonanza Brand Fanfiction Library.\u00a0 The author will always be the owner of this work of fanfiction, and should they wish us to remove their story, we will.<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>NOTES: Back in the days when I wrote this script dialogue was centered on the page so that notes could be made in the margin about changes in dialogue, sets, scenery, etc. I\u2019m sure that in this day and age that with all the computer technology that concept may have changed.<\/p>\n<p>Normally, the scenes were numbered so that when shot out of sequence the director would know which scene they were working on at that particular time and day.<\/p>\n<p>Therefore, I have retyped my script in the format for easy reading and a shorter length. Needless to say, this is the first time I have read the script in over 40+ years.<\/p>\n<p>I hope all the fans enjoy this. I enjoyed writing it for Hoss and was devastated when he passed away and it never was produced, although it was scheduled to be shot in the 9<sup>th<\/sup>\u00a0season.<\/p>\n<p>(CU means Close Up, OS means off screen)<\/p>\n<p>&nbsp;<\/p>\n<p align=\"CENTER\">\n<p align=\"CENTER\"><strong>THE PONDEROSA SPIRIT<\/strong><\/p>\n<p align=\"CENTER\">\n<p>&nbsp;<\/p>\n<p>FADE IN:<\/p>\n<p>EXT. MAIN STREET \u2013 VIRGINIA CITY \u2013 DAY<\/p>\n<p>Hoss and Joe are riding down the street aimlessly.<\/p>\n<p>JOE: This is great. I wish Pa would go away more often.<\/p>\n<p>HOSS: Yeah. No work. Wonder when he\u2019s comin\u2019 home?<\/p>\n<p>JOE: No tellin\u2019. These buying trips can take a long time \u2013 but knowin\u2019 Pa\u2026 he could be back tonight.<\/p>\n<p>HOSS: I guess so. Let\u2019s go have a beer. I\u2019m getting tired of riding around.<\/p>\n<p>JOE:\u00a0<span style=\"font-size: large;\">Now you\u2019re talkin\u2019!<\/span><\/p>\n<p>They turn the horses around and head for the saloon, passing the theatre on the way.<\/p>\n<p>HOSS: Hey, Joe \u2013 look at that.<\/p>\n<p>JOE: What.<\/p>\n<p>HOSS: The sign in front of the theatre.<\/p>\n<p>CU SIGN<\/p>\n<p>Which reads: &#8220;MADAME KARA \u2013 SPIRITUALIST \u2013 ALL SEEING, ALL KNOWING \u2013 PERFORMANCE STARTS AT 8:00 PM SHARP&#8221;.<\/p>\n<p>BACK TO HOSS AND JOE<\/p>\n<p><dir><dir><dir>HOSS: Hey! I have an idea. Why don\u2019t we stay in town, have dinner and see the show.<\/p>\n<p><\/dir><\/dir><\/dir>JOE: We can\u2019t do that. You know what Pa said. The stock has to be looked after and that little mare is about to foal.<\/p>\n<p><dir><dir><dir>HOSS: Aw, come on Joe. The stock can wait and the mare don\u2019t need us.<\/p>\n<p>JOE: No\u2026you can stay but I\u2019d better get back. What if Pa comes home early?<\/p>\n<p>HOSS: I guess you\u2019re right. But let\u2019s have dinner first and a couple of beers. It\u2019s still early.<\/p>\n<p>JOE: Talked me into it.<\/p>\n<p><\/dir><\/dir><\/dir>As Hoss and Joe continue on down the street the CAMERA PANS back to the sign of Madame Kara and holds on it for a few seconds.<\/p>\n<p><dir><dir><dir>FADE OUT<\/p>\n<p>FADE IN:<\/p>\n<p>EXT. SALOON<\/p>\n<p>Hoss and Joe ride up to saloon, dismount and hitch their horses to the rail and enter saloon.<\/p>\n<p>INT. SALOON<\/p>\n<p><\/dir><\/dir><\/dir>As Joe and Hoss enter, look around , see an empty table and head for it. Joe sits and Hoss goes to the bar.<\/p>\n<p><dir><dir><dir>HOSS: Hi, Pete. How\u2019s business?<\/p>\n<p>PETE: If everybody ate and drank like you \u2013 it\u2019d be pretty good.<\/p>\n<p><\/dir><\/dir><\/dir>HOSS: Sorry I asked. Gimme a couple of your warm beers and two of your cold steaks with all the trimmin\u2019.<\/p>\n<p><dir><dir><dir>PETE: (as he pours beer) Two warm beers comin\u2019 up.<\/p>\n<p>HOSS: Thanks Pete.<\/p>\n<p>Hoss goes over to the table, nodding at people as he goes.<\/p>\n<p><\/dir><\/dir><\/dir>HOSS: (he sits down, hands Joe beer) Hey Joe \u2013 what kind of an act do you think this \u2013 uh \u2013 Madame Kara puts on?<\/p>\n<p>JOE: Well, from the sign I don\u2019t think she does an act like in a regular show. I think she holds a s\u00e9ance.<\/p>\n<p><dir><dir><dir>HOSS: (stares) A WHAT???<\/p>\n<p>JOE: A s\u00e9ance.<\/p>\n<p>HOSS: (at a loss) What in tarnation is a saynance?<\/p>\n<p>JOE: S\u00e9ance. I\u2019m not too sure\u2026but I think she talks to spirits.<\/p>\n<p>HOSS: Oh that\u2019s just a bunch of hogwash. How can anybody talk to spirits.<\/p>\n<p>JOE: I don\u2019t know \u2013 I sure can\u2019t.<\/p>\n<p>HOSS: I can\u2019t either \u2013 but it sure ought to be fun sitting in on that saynance.<\/p>\n<p>JOE: S\u00e9ance.<\/p>\n<p>HOSS: Yeah. Saynance.<\/p>\n<p><\/dir><\/dir><\/dir>JOE: Just don\u2019t you go bringing any stray spirits home. You know what Pa said about you pickin\u2019 up strays.<\/p>\n<p><dir><dir><dir>Bartender enters with steaks, puts them on the table.<\/p>\n<p>HOSS: (sheepishly) Let\u2019s eat.<\/p>\n<p>JOE: (As Pete starts to leave) Hey, Pete. Let\u2019s have a couple more beers here.<\/p>\n<p>Pete nods. Exits.<\/p>\n<p>HOSS: (biting into steak) Hey, this is darn good for a change.<\/p>\n<p>JOE: (doing same) You\u2019re right. They must have a new cook.<\/p>\n<p>HOSS: Maybe we can get Paw to replace Hop Sing.<\/p>\n<p>JOE: Or replace our cows.<\/p>\n<p>Hoss laughs. Pete enters with two more beers, sets them on the table.<\/p>\n<p>JOE: Pete\u2026 darn good steaks. Done just right.<\/p>\n<p>PETE: Glad you like them, Joe.<\/p>\n<p><\/dir><\/dir><\/dir>Pete exits toward bar. Hoss and Joe continue eating and sip their beers. As they are eating they overhear a conversation between two men at the next table.<\/p>\n<p><dir><dir><dir>CUT MAC AND SAM<\/p>\n<p>Drinking beer.<\/p>\n<p>MAC: Sam, you ever hear of this Madame Kara before?<\/p>\n<p>SAM: Yeah. Saw her in Dodge City a couple-a years ago. She\u2019s a real looker. Tall and regal.<\/p>\n<p>MAC: What exactly does she do?<\/p>\n<p><\/dir><\/dir><\/dir>SAM: I said I saw her but I don\u2019t rightly know what she was doin\u2019! She has all these people from the town sittin\u2019 around this here table and then she goes into some kind of trance and in this trance she answers questions that the people ask and also talks to the dead relatives.<\/p>\n<p><dir><dir><dir>MAC: That sounds like a lot of hogwash. Why do they sit around a table?<\/p>\n<p>SAM: I guess she can talk to the spirits better that way.<\/p>\n<p>MAC: Sounds kind of silly to me.<\/p>\n<p><\/dir><\/dir><\/dir>SAM: I guess so \u2013 but it will be somethin\u2019 to see again. Maybe she can tell me where a gold mine is. (laughs)<\/p>\n<p><dir><dir><dir>MAC: Maybe she\u2019s found one \u2013 us!!<\/p>\n<p><\/dir><\/dir><\/dir>During this time we can go to shots of Joe and Hoss listening. At one point Hoss motions to Pete for a couple more beers. Pete returns with beer for them.<\/p>\n<p><dir><dir><dir>BACK TO HOSS AND JOE<\/p>\n<p>JOE: Thanks, Pete.<\/p>\n<p>HOSS: I wonder if she really can answer folk\u2019s questions and see into futures.<\/p>\n<p>JOE: I doubt if anybody can do that unless they\u2019re clairvoyant.<\/p>\n<p>HOSS: Clair WHO??<\/p>\n<p>JOE: Oh, uh, clairvoyant.<\/p>\n<p>HOSS: Who in tarnation is Clairvoyant?<\/p>\n<p>JOE: Remember that gypsy girl that Pa helped out..<\/p>\n<p>HOSS: (Interrupting) Her name wasn\u2019t Clair, Joe.<\/p>\n<p><\/dir><\/dir><\/dir>JOE: Hoss \u2013 just listen! That Gypsy girl could see into the future and predicted many things that were going to happen and her family kicked her out of the homestead for being a witch. Well, that\u2019s being clairvoyant.<\/p>\n<p>HOSS: Oh yeah. Didn\u2019t Paw have a book around on that? I wonder if its still around the house.<\/p>\n<p>JOE: I don\u2019t think so. I think he gave it to the girl\u2019s family so they could understand this sense she had and not be frightened by it.<\/p>\n<p><dir><dir><dir>HOSS: It\u2019s gettin\u2019 late. I better get goin\u2019 so I can get a seat up close.<\/p>\n<p><\/dir><\/dir><\/dir>JOE: Okay. But remember what I told you \u2013 no strays and stay out of trouble. We don\u2019t want Pa to think I can\u2019t take care of you. (laughs)<\/p>\n<p>HOSS: (not thinking it very funny) Aw, come on, Joe. (very seriously) I\u2019m too big for you to take care of .<\/p>\n<p><dir><dir><dir>Hoss gets up and starts to leave saloon.<\/p>\n<p>JOE (calling after him): See you later.<\/p>\n<p>&nbsp;<\/p>\n<p>CUT TO:<\/p>\n<p>EXT. STREET<\/p>\n<p>Hoss leaves the saloon, mounts his horse, and heads for the theatre. There are several towns-<\/p>\n<p>People heading down the street towards the theatre. As Hoss pulls up in front of the theatre<\/p>\n<p>And dismounts he nods a greeting to several of the people. He looks kind of sheepish as<\/p>\n<p>Though he is too big to attend something like this.<\/p>\n<p>EXT. THEATRE<\/p>\n<p>People milling about. Hoss works his way though the crowd and reaches the doors. He<\/p>\n<p>enters.<\/p>\n<p>INT. THEATRE<\/p>\n<p>CAMERA PANS to the stage and we see a large round table in the middle of the stage with<\/p>\n<p>Perhaps twelve chairs around it. A VOICE is heard asking the people to please take a seat and<\/p>\n<p>to keep the talking to a minimum.<\/p>\n<p>KARA: (VOICE O.S.) There is room for only twelve people at the table. Those of you who<\/p>\n<p>wish to speak to your loved ones please take a seat.<\/p>\n<p>Hoss tries to sit down in the audience but something compels him to go up on the stage and<\/p>\n<p>sit at the table. After everybody is seated Madame Kara enters. She is wearing a beautiful<\/p>\n<p>flowing robe. She nods at the people and sits right next to Hoss. As she sits down she stares at<\/p>\n<p>Hoss and he starts fidgeting. Kara is a beautiful woman, rather tall and blonde. Just for a second<\/p>\n<p>Hoss is reminded of his mother. Kara looks away from Hoss and gives her attention to the rest<\/p>\n<p>of the townsfolk.<\/p>\n<p>KARA: As I look around the table I see some familiar trees. There are those whom I have met<\/p>\n<p>before at a different time and a different place. It is good to see you again.<\/p>\n<p>Kara\u2019s voice is quite soft but commands attention. The CAMERA goes around the table and we<\/p>\n<p>see some of the people smiling at Kara. Yet there is something akin to fright in their eyes as<\/p>\n<p>though they know what to expect and it scares them..<\/p>\n<p>KARA (continuing): For those of you that are new to this table I demand absolute quiet.<\/p>\n<p>No whispering among yourselves and no snickering. If you do not believe what you see and<\/p>\n<p>hear I must ask you to keep it to yourselves and wait until the proper time and leave the table.<\/p>\n<p>I will have no doubters here. Do all of you fully understand that.<\/p>\n<p>She looks around the table and we HEAR a murmuring of assent.<\/p>\n<p>KARA (continuing): Good! We now understand each other. I\u2019m going to pass around a little<\/p>\n<p>piece of paper to each of you and you are to put your name on it. Then fold the paper and pass<\/p>\n<p>it back to me. As I look at the name I will look directly at the person whose name is on the<\/p>\n<p>paper. Don\u2019t be alarmed if I appear to go to sleep in my chair. I\u2019m communicating with the<\/p>\n<p>spirits. You will hear the voices of your loved one through my mouth. There are no gimmicks<\/p>\n<p>or wires either over the table or under it. I must ask you to keep your hands flat down on the<\/p>\n<p>table in front of you.<\/p>\n<p>The CAMERA again PANS around the table and we see the people bring both hands up on the<\/p>\n<p>table. The camera stops on Hoss\u2019s hands and goes up to his face. He\u2019s looking at Kara as if<\/p>\n<p>he can\u2019t keep his eyes off of her. I\u2019m sure he\u2019s never seen anything like this or her. The camera<\/p>\n<p>returns to Kara\u2019s face and she looks at Hoss and her eyes seems to burn into his and he drops his<\/p>\n<p>eyes. She looks around and sees that all hands are on top of the table.<\/p>\n<p>KARA (continuing): We will now commence. The first name is Carl Owens.<\/p>\n<p>She looks at Carl and then leans back in her chair and looks off into space. She slowly closes<\/p>\n<p>her eyes and appears to be napping.<\/p>\n<p>KARA: Your brother is doing all right, Carl. There are no problems. He can\u2019t talk to you<\/p>\n<p>right now as he is beyond our realm right at the moment. Maybe later he will be able to greet<\/p>\n<p>you.<\/p>\n<p>A moment passes. CAMERA MOVES to the faces at the table during this moment and we<\/p>\n<p>see some skepticism on the faces. Kara snaps to and goes to the next piece of paper, opens it<\/p>\n<p>and reads the name.<\/p>\n<p>KARA (continuing): Ann Gregory. (hesitates) You want to speak to your husband. He is<\/p>\n<p>coming.<\/p>\n<p>CU ANN GREGORY<\/p>\n<p>Her face reflects fear and awe as we feel there is something in the area other than the mortals.<\/p>\n<p>It\u2019s as though a cold draft came onto the stage although the doors have remained closed. Kara<\/p>\n<p>speaks and, although it is her voice, it has deepened considerably and there is a quality to it<\/p>\n<p>that sounds like Ann\u2019s husband as we can tell from Ann\u2019s face. She looks like a frightened<\/p>\n<p>deer.<\/p>\n<p>KARA (continuing): My dear Ann\u2026don\u2019t be sad. I am well and happy. Please don\u2019t mourn<\/p>\n<p>me\u2026we will meet again. Goodbye\u2026..<\/p>\n<p>Ann starts to cry \u2013 sobbing \u2013 and the mood is broken. She gets up from the table and runs down<\/p>\n<p>the aisle and out the door.<\/p>\n<p>BACK TO KARA<\/p>\n<p>She looks around the table and her eyes light on Hoss. He looks as if he\u2019s going to break and<\/p>\n<p>run also. He\u2019s not too sure he likes this. He starts to get fidgety. Finally, Kara speaks to him.<\/p>\n<p>KARA (continuing): Hoss Cartwright.<\/p>\n<p>CU HOSS\u2019S FACE<\/p>\n<p>as Kara continues.<\/p>\n<p>KARA (continuing): I see a beautiful blonde girl, tall and stately. She is your mother. Her<\/p>\n<p>name is\u2026 In\u2026 ger. The last name is rather blurred. It\u2019s coming to me slowly. Berg\u2026.<\/p>\n<p>no, that\u2019s not it. Borg\u2026strom. That\u2019s it! Inger Borgstrom.<\/p>\n<p>Hoss\u2019s face shows his astonishment. To his knowledge he\u2019s never met this woman before<\/p>\n<p>or heard his father ever mention her name.<\/p>\n<p>HOSS: How did you know that?<\/p>\n<p>KARA: Shhhh! I see more. She has a brother. He was also referred to as Hoss. His name<\/p>\n<p>was \u2026. Gunnar. (abruptly) I am tired now. Please tell the other people waiting that there<\/p>\n<p>will be no more sittings tonight. Your money will be refunded. Thank you for coming.<\/p>\n<p>MS TABLE<\/p>\n<p>showing disappointment on the faces of the people who didn\u2019t get a chance. Kara gets up from<\/p>\n<p>the table as the others slowly rise and start to walk out. Kara goes to the wings of the stage<\/p>\n<p>and Hoss calls out after her. She turns.<\/p>\n<p>HOSS: Miss Kara<\/p>\n<p>Hoss walks over to her.<\/p>\n<p>KARA: Yes, Mr. Cartwright.<\/p>\n<p>HOSS: May I talk to you for a moment?<\/p>\n<p>KARA: Of course. What can I do for you?<\/p>\n<p>HOSS: How did you ever meet my mother?<\/p>\n<p>KARA: I never met your mother.<\/p>\n<p>HOSS: Then how come you described her so perfectly and Gunnar.<\/p>\n<p>KARA (looking amused) The spirits told me. I saw your mother quite clearly.<\/p>\n<p>HOSS: That\u2019s impossible. My mother\u2019s been gone for many years. Any anyway there\u2019s<\/p>\n<p>no such thing as spirits.<\/p>\n<p>KARA (looking amused) Aren\u2019t there, Mr. Cartwright?<\/p>\n<p>Hoss looks confused. Here is, apparently, an intelligent woman telling him there are spirits and<\/p>\n<p>ghosts. He doesn\u2019t know what to think.<\/p>\n<p>HOSS: Shucks, no, Miss Kara. We could see them around us.<\/p>\n<p>KARA: Not necessarily. They only show themselves when they want to.<\/p>\n<p>HOSS (making up his mind): Miss Kara. I know this may sound strange, even fresh, but could<\/p>\n<p>you come home with me to the Ponderosa? My brother, Joe, would never believe me when I tell<\/p>\n<p>him about you. We have a real nice place. I\u2019m sure you\u2019ll enjoy it.<\/p>\n<p>KARA (pause): Mr. Cartwright. It sounds interesting. I will be happy to go. I always wanted<\/p>\n<p>to see this country but never had the time.<\/p>\n<p>HOSS: Do you have to do another show or can we leave right away?<\/p>\n<p>KARA: No, that was my last performance in Virginia City.<\/p>\n<p>HOSS: Good! You go pack and I\u2019ll hire a rig.<\/p>\n<p>KARA: It won\u2019t take ma long to get ready. Call for me at the hotel.<\/p>\n<p>Hoss turns away and exits theatre. Kara watches him go and a slow smile starts on her face. It<\/p>\n<p>Was easy of wind Hoss around her finger. It won\u2019t be so easy with his father. But she has her<\/p>\n<p>foot in the door and her problem seems to be a little easier. She looks around the theatre and<\/p>\n<p>then exits.<\/p>\n<p>&nbsp;<\/p>\n<p><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir>CUT TO:<\/p>\n<p><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir>EXT. STREET OUTSIDE THEATRE \u2013 NIGHT<\/p>\n<p>We see Kara leave the theatre and walk down the street toward the hotel.<\/p>\n<p>EXT. STREET \u2013 NIGHT<\/p>\n<p><\/dir><\/dir><\/dir>Hoss is riding down the street towards the livery. As he rides he gets the feeling someone is following him and he occasionally glances behind him. We see nobody but he kicks his horse to make him move a little faster. He reaches the livery and dismounts.<\/p>\n<p>EXT. LIVERY \u2013 NIGHT<\/p>\n<p>Hoss ties his horse to the rail and walks into the stable.<\/p>\n<p>INT. LIVERY<\/p>\n<p>Hanson, the owner, walks up to Hoss.<\/p>\n<p>HANSON: Well, howdy, Hoss, what can I do for you?<\/p>\n<p><dir><dir><dir>HOSS: I\u2019d like to rent a carriage, Mr. Hanson.<\/p>\n<p>HANSON: Sure, Hoss. What kind. Two people or four. (silence) Hoss?<\/p>\n<p>HOSS (preoccupied): Oh \u2013 what, Mr. Hanson?<\/p>\n<p>HANSON: I asked you what kind of a rig did you want \u2013 two people or four.<\/p>\n<p>HOSS: Oh, two people. I\u2019ll get it back to you tomorrow.<\/p>\n<p>HANSON: Keep it as long as you want it. That\u2019s two dollars a day, Hoss.<\/p>\n<p>Hoss reaches into his pocket and pulls out a couple of bills and gives them to Hanson.<\/p>\n<p>HANSON: Just have a seat, Hoss. The rig\u2019ll be ready in a minute.<\/p>\n<p>HOSS: Okay.<\/p>\n<p><\/dir><\/dir><\/dir>Hoss sits down on a bench. A cold chill goes over him and he shivers. He glances up and down, sees nothing and shrugs. He can\u2019t stay still though. He gets up and starts to pace up and down. Finally, Hanson calls him and Hoss goes out of the stable and to the side of the building.<\/p>\n<p>EXT. LIVERY \u2013 SIDE ENTRANCE \u2013 NIGHT<\/p>\n<p>Hoss walks over to the rig.<\/p>\n<p>HANSON: Here she is, Hoss \u2013 all ready to go.<\/p>\n<p>HOSS: Thanks, Mr. Hanson.<\/p>\n<p>Hoss starts to climb into rig.<\/p>\n<p>HANSON: Oh, Hoss \u2013 do you want me to keep your horse here until you return the rig.<\/p>\n<p>HOSS: No, thanks, Mr. Hanson. I\u2019ll just hitch her on the back.<\/p>\n<p>Hoss climbs in and goes to the front of the livery. Stops and climbs down. Goes to his horse, unties it and then ties it onto the back of the rig. He again climbs in the rig and turns the horses around and heads towards the hotel.<\/p>\n<p>EXT. STREET \u2013 NIGHT<\/p>\n<p>Hoss driving the rig towards the hotel. Usual activity that goes on at night Virginia City. He reaches the hotel and pulls up. He jumps down.<\/p>\n<p>EXT. HOTEL \u2013 NIGHT<\/p>\n<p>Hoss ties up the horse to the rig and enters the hotel.<\/p>\n<p>INT. HOTEL LOBBY<\/p>\n<p>He looks around, but doesn\u2019t see Kara. Usual extras milling about in hotel. He sits down and as he does Kara comes down the steps with a boy carrying her bags. He goes over to her and takes the bags from the boy. He reaches in his pocket and hands the boy some change.<\/p>\n<p>KARA: Were you waiting long, Mr. Cartwright?<\/p>\n<p>HOSS: No, ma\u2019am. Just got here. Shall we go.<\/p>\n<p>KARA: All set. I settled my account earlier.<\/p>\n<p>They leave the hotel..<\/p>\n<p>EXT. HOTEL \u2013 AT RIG \u2013 NIGHT<\/p>\n<p>Hoss puts the bags in the rig and then helps Kara in. He hops in and they start off. They ride in silence for a little while as they go through town.<\/p>\n<p>KARA: Why so silent, Mr. Cartwright?<\/p>\n<p>HOSS: Please call me Hoss.<\/p>\n<p>KARA: All right. Why so silent, Hoss?<\/p>\n<p>HOSS: Just thinkin\u2019, Miss Kara.<\/p>\n<p>KARA: What about?<\/p>\n<p>HOSS: I just can\u2019t figure out how you know so much about my family. It\u2019s downright eerie!<\/p>\n<p>KARA: I wouldn\u2019t worry about it too much, Hoss. There are some things that are unexplainable.<\/p>\n<p>&nbsp;<\/p>\n<p><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir>DISSOLVE TO:<\/p>\n<p><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir>EXT. COUNTRYSIDE \u2013 NIGHT<\/p>\n<p>There is a full moon and it\u2019s one lovely night. At times Hoss glances behind him and peers out into the darkness as though something were following them. Kara notices this but says nothing about it.<\/p>\n<p>KARA: This is beautiful country, Hoss. These trees are magnificent.<\/p>\n<p>HOSS: They sure are. My Paw says you should never cut one down until another one\u2019s been planted.<\/p>\n<p>KARA: That sounds like a very good rule.<\/p>\n<p>They enter the lake area.<\/p>\n<p>EXT. LAKE AREA \u2013 NIGHT<\/p>\n<p>The moon is shining down on the lake and it shimmers and sparkles. Kara is awed by the beauty.<\/p>\n<p>HOSS (beaming): Paw\u2019s very proud of the Ponderosa.<\/p>\n<p>KARA: And well he should be. It\u2019s too beautiful for words. Does he own\u00a0<u>all<\/u>\u00a0this land? (she sweeps her hand around).<\/p>\n<p>HOSS: Yes, Ma\u2019am. As far as the eye can see and farther.<\/p>\n<p>KARA: It must have taken years to develop and grow.<\/p>\n<p>HOSS: He did it all by himself. Joe and me was too little to be of much help. My older brother, Adam, helped a lot.<\/p>\n<p>KARA: That\u2019s right. You do have an older brother. I forgot about him. Is he at home also?<\/p>\n<p>HOSS: No, Ma\u2019am. He\u2019s traveling through them foreign countries across the sea. No tellin\u2019 when he\u2019ll be home He likes it over there. We prefer the ranch life.<\/p>\n<p>KARA: I don\u2019t blame you.<\/p>\n<p>HOSS: Hey, what did you mean when you said you forgot about Adam? I never mentioned him.<\/p>\n<p>KARA: You didn\u2019t have to, Hoss (smiles faintly).<\/p>\n<p>Hoss starts to reply and then clams up. The rest of the ride is made in silence each with their own thoughts.<\/p>\n<p>&nbsp;<\/p>\n<p><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir>FADE OUT.<\/p>\n<p><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir>FADE IN:<\/p>\n<p>EXT. PONDEROSA RANCH HOUSE \u2013 NIGHT<\/p>\n<p>They arrive. Hoss leaps down and helps Kara out of the rig. He then takes the bags and leads Kara into the house.<\/p>\n<p>INT. RANCH HOUSE<\/p>\n<p>Joe is sitting on the sofa reading when Hoss and Kara walk in. Joe looks around and his eyes bug out when he sees Kara.<\/p>\n<p>JOE (astounded): Well, what have we here? Hoss, I told you to stay out of trouble.<\/p>\n<p>HOSS (sheepishly): I did, Joe. I\u2019d like you to meet Madame Kara. This is my brother Joe.<\/p>\n<p>KARA: I\u2019m very glad to meet you, Mr. Cartwright. I hope that you don\u2019t think I\u2019m trouble.<\/p>\n<p>JOE (caught): Oh, no, Ma\u2019am\u2026It\u2019s just that with Hoss\u2026 Well, I\u2019ve heard a lot about you. Your work sounds very interesting.<\/p>\n<p>KARA: It is interesting. We can talk about it sometime. I\u2019ve heard a lot about you too.<\/p>\n<p>Joe is very impressed by Kara\u2019s beauty. He\u2019s making the most of it.<\/p>\n<p>JOE (almost simpering): I hope some of its been good.<\/p>\n<p>KARA: Oh, definitely. Your brother is quite a fan of yours.<\/p>\n<p>HOSS (embarrassed): You must be tired, Miss. Kara. I\u2019ll show you to your room.<\/p>\n<p>KARA: Find, Hoss. I am rather tired. It\u2019s been a long day. (to Joe) If you will excuse me, Mr. Cartwright.<\/p>\n<p>JOE: Only if you will call me Joe.<\/p>\n<p>KARA (laughing): All right, Joe.<\/p>\n<p>Hoss and Kara exit up stairs. Joe sits as though stunned. Hoss comes back down the stairs.<\/p>\n<p>JOE: Wow! Wait\u2019ll Pa sees her. I didn\u2019t know you had such good taste, Hoss. You must have some hidden charm I never noticed.<\/p>\n<p>HOSS: To both statements I don\u2019t. But I had to bring her here. I\u2019ll tell you about it after I take care of the horses.<\/p>\n<p>JOE: Need some help?<\/p>\n<p>HOSS: No \u2013 I think I can manage it.<\/p>\n<p>He exits.<\/p>\n<p>&nbsp;<\/p>\n<p><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir><dir>CUT TO:<\/p>\n<p><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir><\/dir>EXT. HOUSE<\/p>\n<p>Hoss walks over to the rig with his head down, deep in thought. He gets to the rig and without looking up reaches for the reins to untie them from the fence. No reins. Startled, he looks up. The horse is not connected to the rig nor to the fence. He is just standing there. He looks to the read of the rig and sees that his horse is unsaddled but still tied to the rig. He looks down and sees the saddle on the ground next to the horse. The look on his face is of absolute astonishment. He takes both horses into the barn.<\/p>\n<p>INT. BARN<\/p>\n<p>Hoss beds down the horses, making sure there is water and feed, then leaves.<\/p>\n<p>EXT. PONDEROSA \u2013 NIGHT<\/p>\n<p>He walks towards the house shaking his head. All of a sudden he brightens. Joe must have unsaddled the horse and undone the rig. His step is lighter and brisker as he goes towards the house.<\/p>\n<p>INT. HOUSE<\/p>\n<p>Hoss enters. Joe is still sitting on the sofa. Hoss walks over to him.<\/p>\n<p>HOSS: Thanks, Joe. That was a big help.<\/p>\n<p>JOE: What was a big help.<\/p>\n<p>HOSS: Why, undoing the horses.<\/p>\n<p>JOE: What horses?<\/p>\n<p>HOSS: Aw, come on, Joe. The horses outside.<\/p>\n<p>JOE: I haven\u2019t been outside.<\/p>\n<p>HOSS: You must have been.<\/p>\n<p>JOE: Why must I have been?<\/p>\n<p>HOSS: Somebody must have unsaddled my horse and unhitched the rig.<\/p>\n<p>JOE: Sure\u2026 you did.<\/p>\n<p>HOSS: I didn\u2019t. It was already done. You\u00a0<u>must<\/u>\u00a0have done it.<\/p>\n<p>JOE: But I didn\u2019t.<\/p>\n<p>HOSS (completely nonplussed): Is Hop Sing around?<\/p>\n<p>JOE: He went to bed hours ago.<\/p>\n<p>HOSS: Quit kidding me, Joe. Horses just don\u2019t unhitch themselves.<\/p>\n<p>JOE: According to you these did.<\/p>\n<p>HOSS: The heck with it. I\u2019m going to bed.<\/p>\n<p>JOE: I think that\u2019s a good idea. You need the rest. You\u2019re not looking well, brother Hoss. I think the s\u00e9ance was too much for you.<\/p>\n<p>HOSS: If I wasn\u2019t so tired I\u2019d tell you about what Madame Kara told me.<\/p>\n<p>JOE: What\u2019d she tell you.<\/p>\n<p>HOSS: You wouldn\u2019t believe me. Aren\u2019t you going to bed?<\/p>\n<p>JOE: I want to finish this book. Goodnight, Hoss.<\/p>\n<p>HOSS: \u2018Night, Joe. See you in the morning.<\/p>\n<p>Starts to turn away.<\/p>\n<p>HOSS (turning back) (continuing): Hey, by the way! Did the mare have its foal?<\/p>\n<p>JOE: Not yet.<\/p>\n<p>Hoss turns again and goes up the stairs to his room. Not ten seconds go by when he rushes back down the stairs. Joe looks up astonished.<\/p>\n<p>JOE: Thought you were going to bed?<\/p>\n<p>HOSS: Who turned down my bed?<\/p>\n<p>JOE: Don\u2019t look at me. I don\u2019t go around turning down people\u2019s beds.<\/p>\n<p>HOSS: It wasn\u2019t turned down when I took Madame Kara upstairs. She sure didn\u2019t do it.<\/p>\n<p>JOE: Maybe her spirits did it.<\/p>\n<p>HOSS (seriously): That\u2019s not very funny.<\/p>\n<p>JOE: I thought it was. Go to bed.<\/p>\n<p>HOSS: I\u2019m scared.<\/p>\n<p>JOE: What the devil are you scared about?<\/p>\n<p>HOSS: Madame Kara scares me. The s\u00e9ance scared me and now this house scares me.<\/p>\n<p>JOE: Don\u2019t be silly. Go to bed and we\u2019ll talk about it in the morning. (smiles) Do you want me to tuck you in?<\/p>\n<p>HOSS: No! (mad) I\u2019m sure the spirits will do it!!!<\/p>\n<p>On that line he storms up the stairs.<\/p>\n<p>FADE OUT.<\/p>\n<p>&nbsp;<\/p>\n<p>FADE IN:<\/p>\n<p>INT. LIVING ROOM \u2013 PONDEROSA RANCH \u2013 NIGHT<\/p>\n<p>C.U. Joe sitting on couch drowsing, holding the book in front of him on his lap. All is quiet throughout the house. All\u00a0<b>of a sudden the book is flung from him<\/b>. He nearly jumps five feet into the air.<\/p>\n<p>JOE: Who\u2019s there?<\/p>\n<p>He looks around, sees the book on the floor quite a distance from him. He walks over to the door, sees it firmly latched and then goes over to the windows. They are tightly shut. He walks over to the book, picks it up and then sits down again.<\/p>\n<p>JOE: Must have been dreaming.<\/p>\n<p>He settles down again with the book and starts reading.<\/p>\n<p>C.U. BOTTOM OF STAIRS<\/p>\n<p>CAMERA starts goin up stairs as though someone were walking up them. CAMERA stops in front of Hoss\u2019 door and the door flies open. Hoss is in bed sound asleep.\u00a0<b>All of a sudden the<\/b>\u00a0<b>covers come flying off him.<\/b>\u00a0Hoss bolts up in bed. He sees the open door.<\/p>\n<p>HOSS: What in tarnation!!! Who\u2019s there?<\/p>\n<p>He gets out of bed and starts searching the room.<\/p>\n<p>HOSS: Come on out, Joe. Quit playing games. I know you\u2019re in here.<\/p>\n<p>He looks under the bed and sees nothing.<\/p>\n<p>HOSS: Boy, he sure got out of here fast.<\/p>\n<p>He goes to the open door, peeks out, looks around and then starts to go down the stairs. When he gets to the bottom he sees Joe still reading.<\/p>\n<p>HOSS: What\u2019d you pull the covers off me for?<\/p>\n<p>JOE (startled): Now what are you talking about?<\/p>\n<p>HOSS: You know darned well what I\u2019m talkin\u2019 about. Don\u2019t try to tell me you didn\u2019t come up and pull the covers off me.<\/p>\n<p>JOE: You\u2019re having nightmares, Hoss. I haven\u2019t budged from this sofa since you left, except to check the door and the windows.<\/p>\n<p>HOSS: What\u2019d you do that for?<\/p>\n<p>JOE (not wanting to mention the book): I\u2026uh\u2026felt a draft and just wanted to check to see if they were closed.<\/p>\n<p>HOSS: Were they?<\/p>\n<p>JOE: Yes, they were. Now what are you getting at?<\/p>\n<p>HOSS: If the door and windows were shut tight how could you feel a draft?<\/p>\n<p>JOE: I don\u2019t know. Maybe it was my imagination.<\/p>\n<p>HOSS: Well, it wasn\u2019t my imagination when the covers came off.<\/p>\n<p>JOE: You probably kicked them off in your sleep. You\u2019ve done it before, you know.<\/p>\n<p>HOSS: I know. But this is the first time they ever\u00a0<u>flew<\/u>\u00a0off!<\/p>\n<p>JOE: There\u2019s always the first time. Maybe you\u2019re developing a stronger kick.. Keep practicing\u2026 you never know when there might be a prize for cover-kicking. In the meantime, go back to bed and forget it.<\/p>\n<p>HOSS: I sure wish Pa\u2019d come home. There\u2019s somethin\u2019 funny goin\u2019 on.<\/p>\n<p>JOE: The only funny thing goin\u2019 is your mind. I\u2019m going to bed whether you are or not. I can\u2019t finish this book with all your interruptions. You can sit up the rest of the night if you want.\u00a0<u>Good night<\/u>!!!<\/p>\n<p>Joe gets up and goes up the stairs to his room. Hoss walks around the room, goes to the window, looks out. He sees nothing, shrugs, and goes up to his room.<\/p>\n<p>FADE OUT.<\/p>\n<p>&nbsp;<\/p>\n<p>FADE IN:<\/p>\n<p>INT. PONDEROSA \u2013 DAY<\/p>\n<p>It is now the next morning and it\u2019s a beautiful day. The birds are chirping, the sun is shining and Hoss has circles under his eyes. Joe and Hoss are at the breakfast table just starting their breakfast when Kara comes down the stairs. Joe and Hoss jump to their feet. Joe reaches her chair first and pulls it out very gallantly and with a sweep of his hand and a bow seats Kara. Hop Sing enters from the kitchen and Hoss introduces Kara to him.<\/p>\n<p>HOP SING: Velly pleased to meet missy. What will missy have for bleakfast? We have eggs, hot biscuits, bacon\u2026<\/p>\n<p>KARA (breaking in): Just a cup of coffee and a biscuit, please, Hop Sing. Oh, and juice, if you have it.<\/p>\n<p>HOP SING: We have. Comin\u2019 right up.<\/p>\n<p>He exits into kitchen.<\/p>\n<p>HOSS: That\u2019s not much of a breakfast to start the day off, Miss Kara.<\/p>\n<p>KARA: I rarely eat much breakfast, Hoss. I\u2019m overdoing it eating the biscuit \u2013 but it sounded so good.<\/p>\n<p>HOSS: Hop Sing makes the best biscuits in all of Virginia City and then some.<\/p>\n<p>JOE (laughing): Hoss must know. He samples every one of them from here to Virginia City and then some.<\/p>\n<p>HOSS (sheepishly): Aw, Joe. That\u2019s not true.<\/p>\n<p>KARA: But, Joe, Hoss is a growing boy. He needs his energy. Speaking of energy\u2026 you look like you could use a little bit this morning, Hoss. Didn\u2019t you sleep well? You look a bit peaked.<\/p>\n<p>HOSS: I\u2026<\/p>\n<p>JOE (interceding): Hoss had spirits chasing him all night and he didn\u2019t get much sleep trying to catch the little devils.<\/p>\n<p>HOSS: Cut it out, Joe.<\/p>\n<p>Hop Sing enters carrying tray of biscuits, eggs, juice, coffee, etc. He goes around the table giving the food to the Cartwrights and Kara.<\/p>\n<p>KARA (biting into biscuits): Hop Sing, these are delicious. Very light and tasty.<\/p>\n<p>HOP SING: Thank you, Missy Kara. If you want anything more just holler.<\/p>\n<p>Hop Sing exits.<\/p>\n<p>KARA: Now Joe\u2026just what in the world were you talking about? What spirits?<\/p>\n<p>JOE: I think your little s\u00e9ance kind of undid my older brother.<\/p>\n<p>KARA: What has the s\u00e9ance got to do with it?<\/p>\n<p>JOE: I think he thinks that you conjured up spirits to haunt him.<\/p>\n<p>KARA: Oh, that\u2019s nonsense. The spirits I talk to aren\u2019t flesh and blood. They can\u2019t come through another world.<\/p>\n<p>JOE: Hoss thinks they can.<\/p>\n<p>HOSS: Why don\u2019t you let me talk for myself, Joe. (to Kara) Madame Kara, I don\u2019t think that there are spirits floating around. I don\u2019t know what to think. All I know is that something funny is goin\u2019 on and it just seems to be happening to me, not anybody else, and I don\u2019t like it.<\/p>\n<p>KARA: What seems to be happening to you?<\/p>\n<p>HOSS: Well\u2026 it\u2019s hard to explain and you probably won\u2019t believe me anyway.<\/p>\n<p>KARA: Try me.<\/p>\n<p>HOSS: Okay.. here goes. The horses unhitched themselves, my blankets came flying off of me. The bedspread was off the bed when I went upstairs, and I remember making the bed myself yesterday morning, and I don\u2019t remember turning the spread down last night.<\/p>\n<p>KARA: Those aren\u2019t unusual things. Maybe somebody did them for you.<\/p>\n<p>HOSS: Joe says he didn\u2019t. And Hop Sing wouldn\u2019t unhitch the horses \u2013 besides he was in bed when the blankets few off me. You certainly wouldn\u2019t do it\u2026 would you??<\/p>\n<p>KARA: Of course not. Did you ask Hop Sing about these incidents?<\/p>\n<p>HOSS: No. I just know he didn\u2019t.<\/p>\n<p>KARA: why don\u2019t you go in the kitchen and get me some more coffee and while you\u2019re there you can ask him.<\/p>\n<p>HOSS: Okay.<\/p>\n<p>Hoss gets up and exits to the kitchen.<\/p>\n<p><dir><dir>CUT TO:<\/p>\n<p><\/dir><\/dir>INT. KITCHEN<\/p>\n<p>Hop Sing is at the table drinking coffee and reading a paper<b>. Hoss sees the biscuits on the stove<\/b>\u00a0<b>and as he reaches for one it jumps off the stove and lands in Hop Sing\u2019s coffee, splattering the coffee all over Hop Sing<\/b>. Hop Sings jumps up from the table and knocks the cup off shattering it on the floor. He looks up and sees Hoss standing there with his mouth open and starts cussing him out in Chinese. He looks for something to grab to hit Hoss with. At this point Hoss runs out of the kitchen and makes a beeline for the door.<\/p>\n<p>INT. DINING ROOM<\/p>\n<p>Joe and Kara look up in astonishment as Hoss comes running from the kitchen. Then Hop Sing comes running out after Hoss with a broom in his hand. Joe tries to intercept Hop Sing to find out what happened. Hop Sing dodges and makes the door and out he goes after Hoss. Joe and Kara follow them outside.<\/p>\n<p>EXT. PONDEROSA RANCH HOUSE \u2013 DAY<\/p>\n<p>Joe and Kara\u2019s POV. Hop Sing is chasing Hoss around the yard with the broom hollering at him.<\/p>\n<p>HOSS: I didn\u2019t do it, Hop Sing. Put that thing down and I\u2019ll try to explain.<\/p>\n<p>HOP SING: You the only one in the kitchen. Biscuit didn\u2019t fly by itself.<\/p>\n<p>HOSS: Yes, it did. Calm down and let me explain.<\/p>\n<p>HOP SING: I\u2019ll calm down after you clean up what used to be clean kitchen.<\/p>\n<p>HOSS: I\u2019ll be glad to. Now put down that broom.<\/p>\n<p>Hop Sing stops brandishing the broom like a weapon and lets Hoss come close to him. Just as Hoss reaches him up comes the broom and clouts Hoss over the head. Hoss lets out a yelp and the chase is on again. We HEAR a horse in the distance and Joe and Kara look down the road. Ben comes riding in. As he rides in Hoss runs to Ben and tries to hide behind his horse.<\/p>\n<p>BEN: What in tarnation is going on around here? I go away for a few days and havoc breaks out.<\/p>\n<p>HOSS: Tell Hop Sing to stop chasing me, Paw.<\/p>\n<p>CAMERA moves to Joe and Kara. Joe is laughing to beat the band and Kara has an amused expression on her face. She is studying Ben very carefully. CAMERA goes back to Ben as he dismounts and leads his horse up to Hop Sing who is still brandishing the broom.<\/p>\n<p>BEN: Hop Sing, will you please put my horse away and give him some oats.<\/p>\n<p>Hop Sing takes the horse and leads him to the barn. Hoss breathes a sigh of relief.<\/p>\n<p>BEN: Now, would somebody please tell me what\u2019s been goin on while I was away.<\/p>\n<p>JOE HOSS<\/p>\n<p>Well, Hoss attended a \u2026. I went to a s\u00e9ance and\u2026<\/p>\n<p>BEN: Now, hold on just a minute. One at a time. First things first. Will somebody please introduce me to this young lady before we all get embarrassed.<\/p>\n<p>JOE HOSS<\/p>\n<p>This is\u2026 Her name is Madame\u2026<\/p>\n<p>BEN: I said one at a time. Hoss \u2013 seeing as how you seem to be the one in the most trouble you may speak first.<\/p>\n<p>HOSS: Paw\u2026I\u2019d like you to meet Madame Kara. Madame Kara, my Paw, Ben Cartwright.<\/p>\n<p>BEN: It\u2019s a great pleasure \u2013 uh \u2013 Madame\u2026Kara.<\/p>\n<p>KARA: Just call me Kara. It\u2019s an honor to meet you, Mr. Cartwright. Your name is well known throughout the country.<\/p>\n<p>BEN (beaming): Well, it\u2019s nice of you to say so. To what do we owe the pleasure of your visit, Kara.<\/p>\n<p>KARA: Your son, Hoss, was kind enough to invite me to your home. I have a show of sorts in Virginia City and\u2026<\/p>\n<p>HOSS (interrupting): She gives seances, Paw. She knew so much about you and my mother that I had to invite her out.<\/p>\n<p>BEN: Knew so much?<\/p>\n<p>HOSS: Yeah. She\u2026.<\/p>\n<p>BEN: I can\u2019t see staying out here and discussing it. I guess Hop Sing has cooled off enough by now to be allowed into the house. Remind me to ask you about that too, Hoss.<\/p>\n<p>HOSS: Yes, sir.<\/p>\n<p>They all troop into the house. Kara leading. Joe is still snickering to himself.<\/p>\n<p>INT. LIVING ROOM<\/p>\n<p>BEN: Please make yourself comfortable, Kara. Would you like some coffee?<\/p>\n<p>KARA: I would love some, Mr. Cartwright.<\/p>\n<p>BEN: Please call me Ben. Joe, would you please get Madame Kara a cup of coffee.<\/p>\n<p>Joe goes into kitchen.<\/p>\n<p>BEN: Now, Hoss, you have some explaining to do. Why was Hop Sing chasing you? What did you do to him?<\/p>\n<p>HOSS: I didn\u2019t do anything.<\/p>\n<p>BEN: You must have done something.<\/p>\n<p>HOSS: I went into the kitchen to ask Hop Sing something and saw some biscuits on the stove. I reached for one and it jumped off the stove and landed in Hop Sing\u2019s coffee.<\/p>\n<p>Joe returns with the coffee, hands it to Kara and sits down.<\/p>\n<p>BEN: You mean one slipped out of your hand.<\/p>\n<p>HOSS: No, I mean one jumped off the stove with no help from me.<\/p>\n<p>BEN: Are you sure you\u2019re all right? You don\u2019t have a temperature?<\/p>\n<p>HOSS: I\u2019m all right, Paw. And I\u2019m tellin\u2019 the truth.<\/p>\n<p>BEN: Did Hop Sing see this biscuit jump off the stove all by itself.<\/p>\n<p>HOSS: No. He was reading.<\/p>\n<p>BEN: Then it\u2019s only your word that the biscuit jumped all by itself?<\/p>\n<p>HOSS: Yes, sir.<\/p>\n<p>BEN (yelling): HOP SING!!<\/p>\n<p>Hop Sing comes in from the kitchen and stands in front of Ben glaring at Hoss now and then.<\/p>\n<p>HOP SING: You called Mister Cartwright?<\/p>\n<p>BEN: Yes, Hop Sing. Did Hoss throw a biscuit at you this morning?<\/p>\n<p>HOP SING: Yes, he did.<\/p>\n<p>BEN: Did you see him throw it?<\/p>\n<p>HOP SING: No. But I sure didn\u2019t throw it at myself. If Hoss didn\u2019t throw it, who did?<\/p>\n<p>BEN: That\u2019s what I\u2019m trying to find out. The whole affair seems rather childish to me.<\/p>\n<p>HOSS: I told you, Paw \u2013 nobody threw it. It threw itself.<\/p>\n<p>BEN: This is getting us absolutely nowhere. Thank you, Hop Sing.<\/p>\n<p>Hop Sing exits.<\/p>\n<p>BEN: Now, Hoss. What was all this about a s\u00e9ance and what were you doing in town when there was work to be done?<\/p>\n<p>HOSS (sheepishly): Joe did the work.<\/p>\n<p>BEN: So now you\u2019re letting your brother do your chores.<\/p>\n<p>HOSS: But, Paw!<\/p>\n<p>BEN: No buts! You know\u2026.<\/p>\n<p>KARA (interrupting): Excuse me. Maybe you would rather discuss this in private. I\u2019ll go freshen up before lunch.<\/p>\n<p>BEN: Thank you. We\u2019ll call you when lunch is ready.<\/p>\n<p>She exits and Ben watches her with interest as she goes up the stairs.<\/p>\n<p>JOE: If you don\u2019t need me, Pa, I\u2019ll go check your horse.<\/p>\n<p>BEN: Fine, Joe. (to Hoss) What\u2019s got into you? You shirk your work and expect Joe do it all.<\/p>\n<p>HOSS: Paw, if you\u2019d just listen to me. There\u2019s something about Miss Kara that\u2019s spooky.<\/p>\n<p>BEN: Come on, Hoss. Kara is just an entertainer. She puts on an act and that\u2019s all there is to it. There\u2019s nothing spooky about that.<\/p>\n<p>HOSS: Then how come she knows so much about my ma and you and the rest of the family?<\/p>\n<p>BEN: That\u2019s not so hard to figure out. We aren\u2019t exactly strangers in Virginia City.<\/p>\n<p>HOSS: I guess you\u2019re right, Paw\u2026 But besides the biscuit jumping off the stove other strange things have happened.<\/p>\n<p>BEN: Like what?<\/p>\n<p>HOSS: Well, my horse unsaddled itself.<\/p>\n<p>BEN: Oh, come on, Hoss \u2013 you don\u2019t believe that.<\/p>\n<p>HOSS: I don\u2019t know what to believe anymore. Joe said he didn\u2019t do it and Hop Sing doesn\u2019t know how to unsaddle a horse or at least he pretends he doesn\u2019t know.<\/p>\n<p>BEN: Maybe one of the cowhands did it.<\/p>\n<p>HOSS: I only went into the house for a few seconds. If anybody was out there they couldn\u2019t have done it in that short a time, and I didn\u2019t see anybody around. Also, the rig was unhitched and nobody,\u00a0<u>but nobody<\/u>\u00a0is that fast.<\/p>\n<p>BEN: Where was Joe at the time.<\/p>\n<p>HOSS: He was in the house.<\/p>\n<p>BEN: How much beer did you drink last night?<\/p>\n<p>HOSS: Not enough to imagine these weird things.<\/p>\n<p>BEN: Hoss, you must have dreamt them.<\/p>\n<p>HOSS: Yeah, but Paw, is it possible for a guy to dream when he\u2019s wide awake.<\/p>\n<p>BEN: Hoss, you do that most of the time.<\/p>\n<p>Before Hoss can answer that one Hop Sing enters and announces lunch.<\/p>\n<p>HOP SING: Mr. Cartwright, lunch is ready.<\/p>\n<p>BEN: Thank you, Hop Sing. Hoss, go tell Madame Kara that lunch is ready.<\/p>\n<p>Hoss exits up stairs.<\/p>\n<p>CUT TO:<\/p>\n<p>INT. DINING ROOM<\/p>\n<p>They are just finishing up lunch. Hoss is still stuffing himself.<\/p>\n<p>BEN: I hope you enjoyed your lunch, Kara.<\/p>\n<p>KARA: Ben, it was just delicious. If I stay here much longer I\u2019ll be as big as Hoss.<\/p>\n<p>BEN: That could never happen.<\/p>\n<p>KARA: Thank you. By the way, your ranch is just beautiful. Hoss pointed out parts of it on the ride in.<\/p>\n<p>BEN: There\u2019s a lot of it you haven\u2019t seen. Why don\u2019t you take a ride with me while I check over that the boys have or haven\u2019t done. (looks at Hoss). Sometimes I wonder when I take a trip whether its better for the boys to do what I tell them or not to do it.<\/p>\n<p>BOYS (in unison): Aw, Pa!!<\/p>\n<p>BEN: You may both be excused.<\/p>\n<p>Joe and Hoss get up from the table and go into the living room.<\/p>\n<p>BEN (continuing): Kara, would you like to take that ride now?<\/p>\n<p>KARA: I\u2019d love to.<\/p>\n<p>BEN (calling to Joe): Joe go hitch our rig and then take the rented rig back to town.<\/p>\n<p>JOE: Okay, Pa.<\/p>\n<p>BEN: Hoss \u2013 go check the progress on the mare, then check the cattle on the South range.<\/p>\n<p>Boys exit house.<\/p>\n<p>KARA: I\u2019ll go get my wrap.<\/p>\n<p>BEN: I\u2019ll be right here waiting.<\/p>\n<p>Kara goes up stairs.<\/p>\n<p>CUT TO:<\/p>\n<p>EXT. PONDEROSA \u2013 DAY<\/p>\n<p>Joe is tying the reins to the fens.<\/p>\n<p>BEN: All set, Joe?<\/p>\n<p>JOE: Yes, Pa. Have a good time.<\/p>\n<p>Joe looks wistfully at Kara as she crosses over to get into the rig. He jumps forward to help her into the rig before Ben has a chance to do it. Ben walks around to the other side and gets in.<\/p>\n<p>BEN: Don\u2019t dawdle in Virginia City. Get back and help Hoss.<\/p>\n<p>JOE: Okay. See you later.<\/p>\n<p>Joe gets in other rig and rides off, his horse tied to rig. Ben cuts the horse off in the opposite direction.<\/p>\n<p>FADE OUT.<\/p>\n<p>FADE IN:<\/p>\n<p>EXT. HILLS AND LAKE \u2013 DAY<\/p>\n<p>The rig is parked on a hill overlooking the lake. The view is different from previous one and it\u2019s breathtaking.<\/p>\n<p>KARA: It must make you proud to have such a beautiful ranch and such fine sons to help you run it.<\/p>\n<p>BEN: Yes, it does, Kara. I sure couldn\u2019t run the ranch without them..<\/p>\n<p>KARA: You\u2019ve done very well in raising your boys without a woman in the house to help you. Don\u2019t you sometimes think that you need a little feminine touch?<\/p>\n<p>BEN (going along with the flirting): Well, that thought occasionally crosses my mind \u2013 especially when I\u2019m in the company of a beautiful woman. (changing the subject) Enough of about me. Why don\u2019t you tell me about yourself and how you happened to become a spiritualist.<\/p>\n<p>KARA (laughs): That\u2019s a long story, Ben. It might bore you..<\/p>\n<p>&nbsp;<\/p>\n<p>BEN: Nothing about you could bore me.<\/p>\n<p>KARA (smiling): Okay. You asked for it. My family came to this country from Sweden. They lived in a small village there and the villagers felt that the women in our family were blessed with the power of clairvoyance. When they came to this country they didn\u2019t want people to know about this power. My father was a chef and my mother raised my brothers and me very simply. But she used to tell me stories of the family power. I became intrigued with it and studied books that had been written on the subject. Then I decided I wanted to see as much of the country as I could. The only way I could earn a living while traveling was to practice spiritualism. People hear what they want to hear and I\u2019ve done quite well. But, occasionally, I do get clairvoyant feelings. In fact, I felt this way when Hoss cam to the theater. By his reaction I could tell that what I sensed was accurate. I told him just enough to wangle an invitation. I have to follow up on my feelings.<\/p>\n<p>BEN: Well, I\u2019m delighted you did.<\/p>\n<p>KARA: Besides, I wanted very much to meet you.<\/p>\n<p>BEN: And now that you did?<\/p>\n<p>KARA: I am also delighted.<\/p>\n<p>BEN (embarrassed): Well\u2026..it\u2019s getting pretty late. I think we ought to head back.<\/p>\n<p>Concerned expression on Kara\u2019s face. Has she gone too far. Only time will tell. Ben gets the rig going. It hits a bump and throws Kara up against Ben. She clings to him and gives him a semi-seductive look. Ben puts his arm around her. Looks at her as if he\u2019s going to kiss her then changes his mind. Straightens her up with his arm, then takes reins in both hands and says<\/p>\n<p>&#8220;Giddap.&#8221; The rig then takes off.<\/p>\n<p>CUT TO:<\/p>\n<p>EXT. SOUTH RANGE<\/p>\n<p>Hoss and Joe rounding up cattle. Joe is looking for strays. The scene is peaceful and serene. Some of the cattle are grazing. All of a sudden\u00a0<b>one of the cows stands up on her hind legs<\/b>\u00a0<b>and does a form of a bunny hop<\/b>\u00a0right in front of Hoss\u2019s eyes. He practically falls off his horse.<\/p>\n<p>HOSS: Joe! Joe! Come quick!!<\/p>\n<p>JOE: What\u2019s the matter? What are you hollerin\u2019 about?<\/p>\n<p>HOSS: Did you see that?<\/p>\n<p>JOE: Did I see what?<\/p>\n<p>HOSS: One of the cows stood on her hind legs and danced.<\/p>\n<p>JOE: Hoss, I think the heat has gotten to you.<\/p>\n<p>HOSS: I saw it with my own eyes.<\/p>\n<p>JOE: Then you had better get another set of eyes. I think yours are all worn out.<\/p>\n<p>HOSS: Don\u2019t be so funny. I saw that cow stand on its hind legs and jump up and down.<\/p>\n<p>JOE: Hey, diddle diddle, the cat and the fiddle, did your cow jump over the moon????<\/p>\n<p>HOSS: I tell you, I saw it. Stick around and maybe she\u2019ll do it again.<\/p>\n<p>JOE: I haven\u2019t got time to sit and watch for cows dancing. I have to look for strays before it gets too dark and the light is fading now. I\u2019ll see you later at the ranch.<\/p>\n<p>Joe leaves and Hoss sits on his horse looking as though he had been kicked in the stomach. Hoss rides up to the cow that danced, gets off and looks cow right in the face. The\u00a0<b>cow winks<\/b>\u00a0at him and moves off. Hoss stands there dumbstruck.<\/p>\n<p>FADE OUT.<\/p>\n<p>FADE IN:<\/p>\n<p>INT. PONDEROSA \u2013 LIVING ROOM \u2013 NIGHT<\/p>\n<p>Ben is sitting in his favorite chair sipping coffee. He\u2019s reading a book. At closer look we see the title, &#8220;GHOSTS AND APPARITIONS.&#8221; Front door opens and Joe walks in. Ben turns.<\/p>\n<p>BEN: Where Hoss?<\/p>\n<p>JOE: I imagine he\u2019s out dancing with cows.<\/p>\n<p>BEN: What in the world are you talking about?<\/p>\n<p>JOE: Oh, Hoss is seeing things again. Nothing worth mentioning. I imagine he\u2019ll be along shortly.<\/p>\n<p>BEN: Well, go wash up. Dinner will be ready pretty soon.<\/p>\n<p>Joe exits up stairs. Ben goes back to book and the front door opens and Hoss comes charging in.<\/p>\n<p>BEN (without looking up): You\u2019re late. What held you up?<\/p>\n<p>HOSS: Paw, you\u2019ll never believe this.<\/p>\n<p>BEN: Try me.<\/p>\n<p>HOSS: I saw a cow stand on her hind legs and dance and then she winked at me.<\/p>\n<p>BEN: You\u2019re right. I don\u2019t believe you. Go and wash up for dinner.<\/p>\n<p>Dejected, Hoss turns and starts up stairs.<\/p>\n<p>CUT TO:<\/p>\n<p>INT. DINING ROOM \u2013 NIGHT<\/p>\n<p>The family at the dinner table. Hop Sing is serving to Hoss. Kara is telling Joe about her ride around the ranch. Hoss starts to tuck napkin under chin \u2013\u00a0<b>other end flies up and his him in face<\/b>\u00a0which makes him jump and knocks tray from Hop Sing\u2019s hands. Hop Sing\u2019s attention was on Kara as were the rest of the family and nobody notices the napkin hit Hoss. Noodles land on Hoss\u2019s head. Hop Sing, without a word, picks up bowl and places it non-too gently on top of noodles.<\/p>\n<p>JOE (laughing): That looks very becoming, Hoss. Think you could stay like that until the Easter Parade?<\/p>\n<p>BEN: Now what happened, Hoss?<\/p>\n<p>HOSS: Paw, if I was to tell you, you wouldn\u2019t believe me\u00a0<u>again<\/u>.<\/p>\n<p>BEN (to Hop Sing): Go get some more noodles and we\u2019ll try again. Just steer clear of Hoss\u2019s area.<\/p>\n<p>Hop Sing exits and enters kitchen.<\/p>\n<p>CUT TO:<\/p>\n<p>INT. LIVING ROOM<\/p>\n<p>They are no sitting around drinking coffee and brandy. Joe and Hoss are on the sofa. Ben and Kara are wandering around the room. Ben is showing Kara some of his books and knickknacks that have meaning for him. They are not paying any attention to the boys. They seem to have eyes only for each other. Boys seem to be aware of this.<\/p>\n<p>HOSS: Well, Joe \u2013 what\u2019s on the agenda for tomorrow?<\/p>\n<p>JOE: Did we finish up the south range today? Are your strays all accounted for?<\/p>\n<p>HOSS: I think so. Maybe we should check the fences. We haven\u2019t done that for a long time. Also, there are a couple of horses to be broken.<\/p>\n<p>JOE: Do you want to just break them or do you want to teach them how to dance?<\/p>\n<p>Before Hoss can answer that one Joe turns away to stoke the fire. He turns back and reaches for his brandy. There is no brandy in the glass.<\/p>\n<p>JOE (to Hoss): You\u2019re got your own brandy \u2013 leave mine alone.<\/p>\n<p>HOSS: What are you talking about?<\/p>\n<p>JOE: I went to take my first sip and it was gone.<\/p>\n<p>HOSS: Well, I didn\u2019t touch it. Maybe the Ponderosa spirit is thirsty.<\/p>\n<p>JOE: What Ponderosa spirit? What in the world are you talking about?<\/p>\n<p>HOSS: Oh, forget it. I\u2019ll get you some more brandy.<\/p>\n<p>Hoss gets up and goes to bottle taking Joe\u2019s glass with him. Ben and Kara re-enter scene and Kara suggest that they get a breath of fresh air.<\/p>\n<p>KARA: It\u2019s such a beautiful night. Let\u2019s go out on the porch.<\/p>\n<p>BEN: Sounds wonderful. Coming boys?<\/p>\n<p>JOE: No, Pa. I had enough fresh air on the range today.<\/p>\n<p>BEN: Hoss?<\/p>\n<p>HOSS: I\u2019m with Joe.<\/p>\n<p>Ben and Kara exit out door.<\/p>\n<p>CUT TO:<\/p>\n<p>EXT. PORCH \u2013 NIGHT<\/p>\n<p>BEN: It certainly is a beautiful night.<\/p>\n<p>KARA: The moon is full and bright. These are the kind of nights I missed living in the city. Even in Virginia City the moon doesn\u2019t seem the same.<\/p>\n<p>BEN: Speaking of cities. Where do you go from here? Are you following any sort of pattern?<\/p>\n<p>KARA: Yes. Prior to coming here I was in Reno. Now I go to Carson City, El Dorado, and Placerville. Then on to Sacramento and San Francisco.<\/p>\n<p>BEN: Sounds like quite a tour.<\/p>\n<p>KARA: I have a breathing spell between Sacramento and San Francisco.<\/p>\n<p>While Kara has been talking she has edged considerably closer to Ben. Ben starts to put his arm around her making the attraction very mutual. All of a sudden the door of the house flies open and Hoss comes bounding out.<\/p>\n<p>HOSS: Paw, do you have a book on ghosts?<\/p>\n<p>BEN: Hoss, don\u2019t you have any manners?<\/p>\n<p>HOSS: Yes, sir! Well, do you?<\/p>\n<p>BEN (exasperated): Yes, I do. I was reading it earlier. What in the world do you want it for?<\/p>\n<p>HOSS: I\u2019m just curious about something. Where is it?<\/p>\n<p>BEN: I put it back on the shelf just above the desk.<\/p>\n<p>HOSS: Thanks, Paw.<\/p>\n<p>Hoss races back into the house.<\/p>\n<p>BEN: Ghosts!! What my sons won\u2019t think of next.<\/p>\n<p>KARA: Well, that is in my line you know. We do conjure up spirits from another world.<\/p>\n<p>BEN: Do you really believe in that?<\/p>\n<p>KARA: There are times when something unexplainable happens, but most of the time its done with wires and mirrors and a good advance man.<\/p>\n<p>BEN: Why are you telling me this? I thought you people never gave away secrets.<\/p>\n<p>KARA: Because I want to be perfectly honest with you.<\/p>\n<p>BEN: And why is that?<\/p>\n<p>KARA: Well, if you don\u2019t know I won\u2019t try to explain it right now.<\/p>\n<p>Ben gets the picture. He puts his arm around her.<\/p>\n<p>BEN: I didn\u2019t mean to be coy. You are a very lovely woman and I\u2019m flattered that you would even think something like that about me.<\/p>\n<p>They move in for the kill.<\/p>\n<p>KARA: Ben<\/p>\n<p>BEN: Kara<\/p>\n<p>They are about to kiss when the door again flies open and Hoss comes charging out.<\/p>\n<p>HOSS: Paw!<\/p>\n<p>BEN: Now what is it?<\/p>\n<p>HOSS: I found something in this book about a chicken ghost!!<\/p>\n<p>BEN &amp; KARA (in unison): A what??<\/p>\n<p>HOSS: Chicken ghost\u2026.A poultrygeese.<\/p>\n<p>BEN: You\u2019re still not getting through to me.<\/p>\n<p>HOSS: Here\u2026look.<\/p>\n<p>He shoves the book at Ben and points to the word he is trying to pronounce.<\/p>\n<p>HOSS (continuing): Here it is in black and white. A poultrygeese.<\/p>\n<p>BEN (laughs): He means a poltergeist.<\/p>\n<p>Kara reacts quite visibly. Ben looks at her concerned.<\/p>\n<p>BEN: Are you all right?<\/p>\n<p>KARA (abruptly): I\u2019m rather tired. Would you mind if I retired early?<\/p>\n<p>Ben is nonplussed to say the least.<\/p>\n<p>BEN: I\u2019m sorry. It has been a long day. Get a good night\u2019s rest and we\u2019ll see you in the morning.<\/p>\n<p>KARA: Thank you. Goodnight, Ben\u2026 Hoss.<\/p>\n<p>HOSS: Goodnight, ma\u2019am.<\/p>\n<p>Kara goes into the house.<\/p>\n<p>BEN: Now, Hoss \u2013 let\u2019s talk about your poultrygeese.<\/p>\n<p>HOSS: Let\u2019s go get some coffee first.<\/p>\n<p>BEN: Okay \u2013 sounds good to me.<\/p>\n<p>They go into the house.<\/p>\n<p>INT. LIVING ROOM<\/p>\n<p>Hoss goes to the kitchen to get the coffee and sits down beside Joe.<\/p>\n<p>BEN: Joe, do you know what your brother is driving at?<\/p>\n<p>JOE: Beats me, Pa. He hasn\u2019t confided in me.<\/p>\n<p>Hoss enters with pot of coffee and cups. Puts them down on table and proceeds to pour coffee for the three of them.<\/p>\n<p>BEN: Now, Hoss. What\u2019s on your mind?<\/p>\n<p>HOSS: Well, you know Paw\u2026all the strange things that have been going on around here \u2013 this goose could be the answer.<\/p>\n<p>BEN: Hoss, you\u2019re the only one that anything\u2019s happened to. Besides, you don\u2019t really believe in ghosts, do you?<\/p>\n<p>HOSS: I didn\u2019t before I met Madame Kara.<\/p>\n<p>BEN: You don\u2019t think she\u2019s a ghost?<\/p>\n<p>HOSS: Of course not, but\u2026.<\/p>\n<p>BEN (interrupting): Did you check everybody in and around the house to see if they were playing tricks on you?<\/p>\n<p>HOSS: I sure did.<\/p>\n<p>BEN: And\u2026<\/p>\n<p>HOSS: They didn\u2019t know what I was talking about.<\/p>\n<p>JOE (sheepishly): There\u2019s one thing I haven\u2019t mentioned to anyone.<\/p>\n<p>BEN: What\u2019s that, Joe?<\/p>\n<p>JOE: Well, the other evening\u2026 the night that Hoss says these eerie things started happening to him\u2026 the night he brought Madame Kara home\u2026 Well, something peculiar happened to me.<\/p>\n<p>BEN: Well, tell us what it was.<\/p>\n<p>HOSS: Yeah, Joe.<\/p>\n<p>JOE: It\u2019s not much really. I was just reading that evening and the book flew out of my hand. It happened twice. At first I thought it must be a draft\u2026a rather large one\u2026 but I checked all the windows and they were closed tight and so was the door. It all seemed so silly I didn\u2019t want to say anything about it.<\/p>\n<p>HOSS: So you just let me think I was going crazy \u2018cause everything was happening to me and nobody else saw them.<\/p>\n<p>BEN: There has to be a logical explanation for these things and I can\u2019t quite make myself believe that a poltergeist would be in this house. What would it be doing here and how did it get here? (looks towards stairs) No \u2013 it couldn\u2019t be. She admits to being a fake. (shakes his head)<\/p>\n<p>I\u2019m just being silly.<\/p>\n<p>HOSS: What\u2019d you say, Paw?<\/p>\n<p>BEN: Oh, nothing\u2026 Let me see that book again. I didn\u2019t get to that chapter when I looked through it.<\/p>\n<p>Ben sits in his favorite chair and reads out loud.<\/p>\n<p>BEN (continuing): &#8220;Poltergeist \u2013 a noisy spirit. Never seen. Freakish sounds and actions makes his presence felt. He generally isolates one person to persecute. Sometimes picks on others in same household. Generally haunts people rather than places. Sometimes polter-<\/p>\n<p>Geists are conjured up by mediums.&#8221;\u00a0<u>Mediums<\/u>!!! Then it\u2019s quite possible Madame Kara is a carrier of the poltergeist.<\/p>\n<p>HOSS: You don\u2019t think a nice lady like that\u2026.<\/p>\n<p>BEN (breaking in): It has nothing to do with being nice or not nice. If she is a carrier there\u2019s not much she could do about it.<\/p>\n<p>HOSS: A carrier?? Does that mean she has a disease?<\/p>\n<p>JOE (in disgust): Don\u2019t be ridiculous, Hoss. It means\u2026it means\u2026. What does it mean, Pa?<\/p>\n<p>BEN: It just means that through some psychological way the poltergeist has attached itself to her.<\/p>\n<p>While they are digesting this we<\/p>\n<p>CUT TO:<\/p>\n<p>INT. KARA\u2019S BEDROOM<\/p>\n<p>She is frantically looking through her books, some of them quite old. She is mumbling to herself as she thumbs through them.<\/p>\n<p>KARA: A poltergeist! Could it be possible? I think I recall something in these family diaries about my ancestors being carriers. (pause) Let\u2019s see \u2013 here\u2019s a passage by grandmother Ingrid entered October 10, 1786. (reads) &#8220;During the s\u00e9ance at the Bergstrom house a most unusual thing took place. The Bergstrom\u2019s eight year old son was suddenly the object of many strange occurrences. Objects began to fly about him and some even struck him. It lasted for a couple of hours and then stopped as suddenly as it had started. The only explanation to which I could attribute these evens is that I brought a poltergeist into the Bergstrom home and it attached itself to the lad.&#8221;<\/p>\n<p>She sits and ponders what she has just read.<\/p>\n<p>KARA (continuing): Well, perhaps I have brought a poltergeist into this house and it has attached itself to Hoss. All the events in the diaries have poltergeists attaching themselves to children. But Hoss is so childlike at times perhaps the poltergeist couldn\u2019t tell the difference. Anyhow the question now is what to do about my little spirit. Does he stay with me if I leave or does he stay permanently with Hoss. I\u2019ll have to talk to Ben and see what he thinks. I\u2019m sure he doesn\u2019t want this little fellow around here for all times. Well, no sense in mentioning it tonight. Tomorrow\u2019s soon enough.<\/p>\n<p>She clears the bed of the books and stacks them on the desk. She turns to take the bedspread off and sees it folded neatly at the foot of the bed.<\/p>\n<p>KARA (continuing): Well, thank you, Mr. &#8220;P.&#8221; I sure do appreciate that. Maybe you are handy to have around at that.<\/p>\n<p>She points to the light and it goes out.<\/p>\n<p>KARA: Good night, sweet Poltergeist.<\/p>\n<p>CUT TO:<\/p>\n<p>INT. LIVING ROOM<\/p>\n<p>Ben, Joe and Hoss are sipping coffee and discussing what should be done about Kara.<\/p>\n<p>BEN: I don\u2019t think Kara will laugh at us as she seemed quite upset when poltergeists were mentioned. I have a feeling it\u2019s not the first time she ever heard the word, but it may be the first time it ever appeared around her. In a way, it\u2019s kind of funny \u2018cause she thinks she\u2019s a fraud.<\/p>\n<p>HOSS: Well, let\u2019s get her down here right away and see if we can clear all this up. I don\u2019t much like being the butt of jokes being played by something I can\u2019t see.<\/p>\n<p>BEN: It\u2019s pretty late. Kara is probably asleep by now \u2013 its nearly midnight. Why don\u2019t we just leave it until tomorrow. I\u2019m sure the poltergeist has to get some sleep also.<\/p>\n<p>JOE: Midnight sounds like a great time to look into something like this \u2013 it\u2019s the witching hour.<\/p>\n<p>HOSS: This guy can\u2019t tell time then. He\u2019s been witching me at all hours.<\/p>\n<p>BEN: Come on, let\u2019s turn in.<\/p>\n<p>He gets up and goes to the door to lock it. The boys walk around the room checking all the windows. As they are walking around the grandfather clock starts to strike the hour. Each bong is counted by the boys and after the twelfth\u00a0<b>bong the clock rocks back and forth a couple<\/b>\u00a0<b>of times\u00a0<\/b>much to the astonishment of all. Hoss almost faints and runs up the stairs. His parting remark is<\/p>\n<p>HOSS: Joe, I think it\u2019s later than it\u2019s ever been.<\/p>\n<p>FADE OUT.<\/p>\n<p>FADE IN:<\/p>\n<p>INT. PONDEROSA \u2013 EARLY MORNING \u2013 HOSS\u2019S ROOM<\/p>\n<p>Hoss is sound asleep. There is a towel and wash basin on his dresser.\u00a0<b>All of a sudden the towel rises, dips itself in the basin and, wringing wet, heads for Hoss\u2019s face.\u00a0<\/b>The towel hits Hoss right square in the face lightly and he leaps up as the towel keeps smacking him, not hard but enough to &#8220;annoy&#8221; him. He makes a grab for it but it eludes him smacking at various parts of his anatomy. Hoss leaps out of bed and starts to chase the towel, running out of his room, wet, with no shoes and just his night shirt on. It makes a pretty ridiculous picture, as he chases the towel down the stairs yelling like a banshee.<\/p>\n<p>Joe runs out of his room and sees Hoss chasing the towel down the steps. The towel abruptly changes position and goes over Hoss\u2019s head and behind him \u2013 it begins to pop him on the fanny. Joe starts laughing. Hoss is yelping. Hearing Joe he yells.<\/p>\n<p>HOSS: Joe, help me catch this devil.<\/p>\n<p>Laughing, Joe runs down the stairs also clad in whatever he sleeps in. &#8220;KEYSTONE KOP\u2019 MUSIC WITH PENNY WHISTLES at appropriate places, such as when the towel makes a furtive move. The towel, almost as if it sees Joe, wraps itself around his foot making him trip, then unwraps itself and begins to fly around some more.<\/p>\n<p>INT. LIVING ROOM<\/p>\n<p>They are now downstairs and the towel seems to die and falls to the floor. Hoss leaps for it and just as he is about to land on it it flies away and he hits the floor with a thud. For good measure the towel pops him on the back of the head. Hoss gets up, makes a grab for it and slugs Joe who is about to catch the towel. They start chasing it around the room both going in the same direction.<\/p>\n<p>JOE (to Hoss): You go that way and I\u2019ll go this way. We\u2019ll head it off at the desk.<\/p>\n<p>They race around in opposite directions, but in a circle, each going towards the towel which is now hovering in one spot. Each is keeping his eye on the towel which is about six feet high in the air. The boys are running at top speed. Ben enters scene but it\u2019s too late for him to yell a warning. He puts his hands over his eyes as the boys \u2013 running full blast, plow into each other knocking themselves out cold. The towel just floats down and covers both their heads. Ben goes to the kitchen, returns with a bucket of cold water and pours it over both of them. Kara is standing at the foot of the stairs and she can\u2019t help but laugh. Ben is roaring.<\/p>\n<p>FADE OUT.<\/p>\n<p>FADE IN:<\/p>\n<p>INT. LIVING ROOM \u2013 LATER THAT MORNING<\/p>\n<p>Joe is sitting on the sofa with an ice pack over his eye and Hoss is in the chair with a steak over his. Ben has the towel draped over his arm. Kara is upstairs.<\/p>\n<p>BEN (to Hoss): Would you care for a baked potato with your steak?<\/p>\n<p>HOSS: Aw, Paw!<\/p>\n<p>BEN: Now, I think we should sit down and have a serious discussion. Our little friend has pulled enough shenanigans on us. We\u2019re got to figure out a way to get rid of it. I think our answer lies with Madame Kara. I believe she brought it here. I\u2019m not sure that it will leave with her. That\u2019s something we have to find out.<\/p>\n<p>JOE: I\u2019m with you, Pa. Enough is enough.<\/p>\n<p>BEN: Do you boys feel like breakfast this morning?<\/p>\n<p>HOSS: I lost my appetite when I woke up this morning.<\/p>\n<p>JOE: Me too. Is there coffee?<\/p>\n<p>BEN: Yes. Wonder what Kara would like.<\/p>\n<p>Kara comes down the stairs.<\/p>\n<p>KARA: Did I hear my name mentioned?<\/p>\n<p>BEN: Ah, good morning. Would you like some breakfast?<\/p>\n<p>KARA: I think just coffee. I\u2019m not very hungry.<\/p>\n<p>BEN: Then we\u2019re all agreed. (he rises) Coffee coming up.<\/p>\n<p>He exits into kitchen. Hoss and Joe eye Kara as she sits down next to Joe on the sofa. Joe gives her plenty of elbow room as if she were the one that caused his pain \u2013 and in a way she did.<\/p>\n<p>KARA (trying to break the ice): Well, you two boys certainly do believe in strenuous exercise the first thing in the morning. Where do you get all your energy?<\/p>\n<p>Both boys look a little sheepish. At this point, Ben comes in with the coffee tray and sets it down on the table.<\/p>\n<p>BEN: Dig in. I found some coffee cake if anybody is interested.<\/p>\n<p>Hoss makes a dive for one.<\/p>\n<p>BEN: Thought you weren\u2019t hungry.<\/p>\n<p>JOE: You know he\u2019s always interested in food.<\/p>\n<p>HOSS: All that exercise made me hungry.<\/p>\n<p>JOE: You get hungry when you\u2019re sleeping.<\/p>\n<p>BEN: That\u2019ll be enough, boys. I\u2019d hate to be the one to bang your heads together this time.<\/p>\n<p>Kara laughs.<\/p>\n<p>BEN (continuing) Boys, go find something to do outside. I want to talk to Madame Kara.<\/p>\n<p>BOYS: Okay \u2013 see you later.<\/p>\n<p>They exit out front door.<\/p>\n<p>KARA: Ben, before you say anything more I want you to know I\u2019ve appreciated and enjoyed being here very much, but I don\u2019t want to overstay my welcome and there is my tour that\u2019s due to start.<\/p>\n<p>BEN: I wouldn\u2019t worry about overstaying your welcome. But there is something else I would like to talk to you about. I hate to bring it up but it has to be brought out into the open and now is as good a time as any.<\/p>\n<p>KARA: It\u2019s about what happened this morning, isn\u2019t it?<\/p>\n<p>BEN: Yes. Do you have any idea what it\u2019s all about?<\/p>\n<p>KARA: To be perfectly honest with you\u2026Yes, I do. I\u2019ve been doing a little reading in my grandmother\u2019s diary. She mentioned poltergeists several times but I just can\u2019t believe that I could have brought one into your house. It\u2019s never happened before.<\/p>\n<p>BEN: You\u2019ve never run into anyone like Hoss before. Thank heavens there\u2019s only one of him.<\/p>\n<p>Kara laughs.<\/p>\n<p>KARA: I\u2019ve gotten very fond of Hoss, as well as the rest of the family.<\/p>\n<p>BEN: The feeling is quite mutual. But we\u2019re getting off the subject.<\/p>\n<p>KARA: Have you made any decisions?<\/p>\n<p>BEN: Well, yes, I have. I don\u2019t know if it will work but we have to try. You could go ahead with your tour. That would give us each time to think about our relationship with each other and also you might figure out a way to get rid of the poltergeist.<\/p>\n<p>KARA: And if the poltergeist shows up after I leave.<\/p>\n<p>BEN: Then we\u2019ll\u00a0<u>all<\/u>\u00a0move out.<\/p>\n<p>They both chuckle.<\/p>\n<p>KARA: I\u2019ll go pack. I believe there\u2019s a stage in the morning. I\u2019ll stay at the hotel tonight. If nothing happens here during the night then we can assume the poltergeist went with me.<\/p>\n<p>CUT TO:<\/p>\n<p>EXT. VIRGINIA CITY HOTEL \u2013 EVENING<\/p>\n<p>Ben and Kara pull up in front in the rig. They get down and enter the hotel.<\/p>\n<p>INT. HOTEL<\/p>\n<p>Ben registers Kara.<\/p>\n<p>BEN (to clerk): Take good care of the lady. See that she gets anything she wants.<\/p>\n<p>CLERK: Yes, sir, Mr. Cartwright.<\/p>\n<p>BEN (to Kara): I\u2019ll see you in the morning.<\/p>\n<p>KARA: Good night, Ben\u2026 and thank you for everything.<\/p>\n<p>She leans over and gives him a light kiss. Ben grabs her and makes it a joint effort. Ben leaves the hotel.<\/p>\n<p>EXT. HOTEL \u2013 NIGHT<\/p>\n<p>It has started to drizzle. Ben climbs in the rig and gets moving fast to miss the hard rain that starts to come down halfway between town and the Ponderosa.<\/p>\n<p>CUT TO:<\/p>\n<p>INT. PONDEROSA \u2013 NIGHT<\/p>\n<p>Ben walks in the house. The boys are sitting in the dining room, having just finished dinner.<\/p>\n<p>BEN: Joe! Hoss! You around here anyplace?<\/p>\n<p>HOSS: We\u2019re in the dining room. Did you get caught in the storm?<\/p>\n<p>BEN: I sure did. I\u2019m soaking wet.<\/p>\n<p>JOE: I\u2019ll get you a cup of coffee.<\/p>\n<p>Joe goes into kitchen. Ben takes his coat off. Joe comes back in.<\/p>\n<p>JOE: Here you are, Pa.<\/p>\n<p>BEN: Thanks. Anything happened after I left?<\/p>\n<p>JOE: Yeah. Hoss did some work this afternoon.<\/p>\n<p>BEN: Well, that\u2019s some improvement. You know what I meant. Has the poltergeist been acting up?<\/p>\n<p>HOSS: No. Things have been pretty quiet.<\/p>\n<p>BEN: Well, that\u2019s good news, I guess.<\/p>\n<p>HOSS: You guess. I\u2019m\u00a0<u>sure<\/u>\u00a0it\u2019s good.<\/p>\n<p>JOE: By the way, where\u2019s Madame Kara?<\/p>\n<p>BEN: I took her to town. She\u2019s leaving on the stage tomorrow for her tour. We thought it would be for the best. If it\u2019s quiet tonight it will mean that the poltergeist went with her and we won\u2019t be bothered anymore.<\/p>\n<p>HOSS: I\u2019m gonna kind of miss her around here. It was kind of interesting.<\/p>\n<p>BEN (solemnly): I am too, Hoss\u2026 I am too. I\u2019m going to bed. I think you boys ought to do the same. Tomorrow\u2019s a heavy day.<\/p>\n<p>The wind is howling and there is lightening and thunder and the rain is pelting down. They all go upstairs.<\/p>\n<p>DISSOLVE TO:<\/p>\n<p>INT. JOE\u2019S ROOM \u2013 NIGHT<\/p>\n<p>Joe is tossing and turning, not asleep.<\/p>\n<p>INT. HOSS\u2019S ROOM<\/p>\n<p>Hoss is laying in bed with the covers pulled over his nose, his eyes wide open.<\/p>\n<p>INT. BEN\u2019S ROOM<\/p>\n<p>Ben is staring at the ceiling.<\/p>\n<p>SPLIT SCREEN \u2013 INT ALL THREE ROOMS<\/p>\n<p>All are shown in their own rooms and a really loud crack of thunder sounds. They all jump and run to the hall saying &#8220;what was that?&#8221; Then they look at each other sheepishly, return to their rooms and assume the same position as before. All is quiet. Then there is a slow but steady step, step, step (MUSIC could be dum de dum de dum \u2013DRAGNET type). The sound of someone coming up the stairs. Joe looks a little green \u2013 Hoss looks terrified, and Ben looks concerned.<\/p>\n<p>Cautiously they each move toward their doors and peek into hall. They see Hop Sing in his nighttime regalia carrying a lamp.<\/p>\n<p>BEN (with relief): Hop Sing, what in blazes are you doing?<\/p>\n<p>HOP SING (shaking): Hop Sing scared. With storm and all crazy things happen here I thought it be good idea if I sleep in Mr. Adam\u2019s room. Be near more live people.<\/p>\n<p>BEN: You mean we\u2019ll all go together when we go. Okay, Hop Sing, you can stay here tonight.<\/p>\n<p>HOSS: Paw?<\/p>\n<p>BEN: What, Hoss?<\/p>\n<p>HOSS: Can I stay in your room tonight?<\/p>\n<p>CUT TO:<\/p>\n<p>INT. HOTEL \u2013 CORRIDOR IN FRONT OF KARA\u2019S ROOM \u2013 MORNING<\/p>\n<p>Ben knocks on door. Kara opens it.<\/p>\n<p>KARA: Good morning. I see you didn\u2019t sleep much either. What happened?<\/p>\n<p>BEN. Nothing, I\u2019m afraid. Are you ready?<\/p>\n<p>KARA: Yes. There\u2019s a stage in twenty minutes.<\/p>\n<p>BEN: How long will it be before you\u2019ll be back through here again?<\/p>\n<p>KARA: Too long, Ben. You won\u2019t remember me.<\/p>\n<p>BEN: I\u2019ll never forget you.<\/p>\n<p>KARA: Come to think of it. I guess you won\u2019t. I\u2019ve certainly given you plenty to remember. Well, let\u2019s go. I have to check out.<\/p>\n<p>CUT TO:<\/p>\n<p>EXT. HOTEL \u2013 STAGE COACH<\/p>\n<p>Passengers are loading up. Ben helps Kara in and as stage pulls out Kara waves to Ben and blows him a kiss. She then looks around at her fellow passengers. There sitting across from her is an eight year old boy dressed in his Sunday best with a little hat and tie \u2013 the little boy is played by Dan who is reduced to the size of a child (if this is possible). Kara looks at him and gasps. As she does the hat pulls over his ears and his tie slaps him in the face.<\/p>\n<p>KARA (to herself): Oh, no!!<\/p>\n<p>FADE OUT.<\/p>\n<p>FADE IN:<\/p>\n<p>INT. PONDEROSA RANCH \u2013 DAY<\/p>\n<p>Ben, Hoss and Joe lounging around living room. Hoss is standing in front of book shelf.<\/p>\n<p>HOSS: I know you\u2019re goin\u2019 to miss having the little lady around but I sure am glad I won\u2019t have to put up with any more nonsense from that poultrygoose.<\/p>\n<p>As he says that a big heavy book edges out of the shelf, falls on Hoss\u2019s head and knocks him out cold. The book lands on Hoss\u2019s face. Ben and Joe look at each other. The title of the book shows &#8220;GHOSTS AND OTHER SPIRITS.&#8221; They gasp and then start laughing,<\/p>\n<p>&nbsp;<\/p>\n<p align=\"CENTER\">THE END<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis: A mischievous spirit (Poltergeist) attaches itself to Hoss and gives him and others in the family a rough time.<br \/>\n(This is a script I wrote that NBC was scheduled to produce, but due to the untimely death of Dan Blocker it didn&#8217;t happen.)<br \/>\nRating:\u00a0 G\u00a0 Words 12,285<\/p>\n","protected":false},"author":12436,"featured_media":41001,"comment_status":"open","ping_status":"closed","sticky":false,"template":"template-full-width-post.php","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false,"_members_access_role":[],"_members_access_error":""},"categories":[23,1006,32,29],"tags":[],"class_list":["post-45610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-drama","category-hoss-cartwright","category-mystery","category-halloween","wpcat-23-id","wpcat-1006-id","wpcat-32-id","wpcat-29-id"],"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/bonanzabrand.info\/library\/wp-content\/uploads\/2023\/03\/Preserving-Their-Legacy.png?fit=732%2C477&ssl=1","_links":{"self":[{"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=\/wp\/v2\/posts\/45610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=\/wp\/v2\/users\/12436"}],"replies":[{"embeddable":true,"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45610"}],"version-history":[{"count":0,"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=\/wp\/v2\/posts\/45610\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=\/wp\/v2\/media\/41001"}],"wp:attachment":[{"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=45610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bonanzabrand.info\/library\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=45610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}